The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, two monsters realize things may not be what they think.
When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. Written by
Although the journey of Joy & Sadness through the mental maze is of course metaphorical, it's still depicted incorrectly. Since the first row of long-term memory shelves radiate away from the cliff edge for just a short distance, there's a clear path running all the way around the memory dump, which greatly simplifies the journey. See more »
Do you ever look at someone and wonder, "What is going on inside their head?" Well, I know. Well, um, I know Riley' head.
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During the credits, the "inside" emotional workings/characters of several minor characters from the film are shown, including Riley's teacher, a bus driver, a dog and a cat. See more »
The film got a 8+ because in the first 12 minutes.....
....voila the heroine, upon arriving in San Francisco, has the GLBT seal of approval, aka the 'de rigeur' long-T multi-colored Jessie Jacksonska 'mo fo' acceptance attire. Even allowing for that it wasn't long before the film meandered into 'Esalen' idiocy and bluntly this mess is an agenda driven film.
Boring - the animation was 'cheap' almost close to the Hanna Barbera crud of some 50 years ago - not well drawn
Compare it to a great cartoon film 'Wreck It Ralph' - no agenda, no corny 'angst' a great film filled with classic one liners and actors that bring a smile to every single scene.
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