With all eyes on Sochi for the Olympic Games for most of this month, Indiewire's latest curated selections for Hulu's Documentaries page explores host country Russia. Watch these and other docs now for free!Modern-day politics, ideology, and the cult of personality around Russia's president is the focus of Lise Birk Pederson's bracing "Putin's Kiss."Cyril Tuschi's "Khodorkovsky" reveals how the country's former richest citizen became a political prisoner after challenging President Putin.Post-Soviet prisoners are also the subject of Maria Yatskova-Ibrahimova's "Miss Gulag," focused on a Siberian prison camp beauty pageant.A pair of films offer cross-cultural exchanges through music: Nina Gilden Seavey's "The Ballad of Bering Strait" follows a Russian country band as it adjusts to life in rural Tennessee, while Petter Ringbom's "The Russian Winter" chronicles former Fugees musician John Forté's re-emergence from prison to recording an album in...
- 2/14/2014
- by Basil Tsiokos
- Indiewire
I can't remember a time I went to the Seattle International Film Festival (Siff) press launch and looked over the list of films and saw so many I was interested in seeing. The claim to fame for over the years is to call it the largest and most-highly attended festival in the United States. This is a fact I've often taken issue with as I don't equate quantity with quality. Granted, there has been a large number of quality features to play the fest over the years, including Golden Space Needle (Best Film) winners such as Kiss of the Spider Woman (1985), My Life as a Dog (1987), Trainspotting (1996), Run Lola Run (1999), Whale Rider (2003) and even recent Best Director winner, Michel Hazanavicius's Oss 117: Nest of Spies in 2006. That said, looking over this year's crop of films I see a lot of films I will be doing my absolute best to see.
- 4/27/2012
- by Brad Brevet
- Rope of Silicon
Wales One World Film Festival, Across Wales
The world comes to Wales for this event, which isn't to suggest that the Welsh need to get out more; rather, it's full of remote destinations most are unlikely to see first-hand. Like Mongolia, as seen in landscape epic The Eagle Hunter's Son, and heard in music doc AnDa Union: From The Steppes To The City. Or perhaps 1920s Siberia (silent Soviet doc Turksib, with a live soundtrack). There are also classics, recent releases (Mysteries Of Lisbon, Surviving Life) and national premieres (Jafar Panahi's controversial This Is Not A Film, Austrian coming-of-ager Breathing).
Various venues, Sun to 11 Apr, wowfilmfestival.com
London Lesbian & Gay Film Festival
Cardinal O'Brien might be asking God to smite them all for thinking about getting married, but Britain's gay community will find the usual safe (but not too safe) haven at this annual celebration. That's more than can...
The world comes to Wales for this event, which isn't to suggest that the Welsh need to get out more; rather, it's full of remote destinations most are unlikely to see first-hand. Like Mongolia, as seen in landscape epic The Eagle Hunter's Son, and heard in music doc AnDa Union: From The Steppes To The City. Or perhaps 1920s Siberia (silent Soviet doc Turksib, with a live soundtrack). There are also classics, recent releases (Mysteries Of Lisbon, Surviving Life) and national premieres (Jafar Panahi's controversial This Is Not A Film, Austrian coming-of-ager Breathing).
Various venues, Sun to 11 Apr, wowfilmfestival.com
London Lesbian & Gay Film Festival
Cardinal O'Brien might be asking God to smite them all for thinking about getting married, but Britain's gay community will find the usual safe (but not too safe) haven at this annual celebration. That's more than can...
- 3/19/2012
- by Steve Rose
- The Guardian - Film News
Beasts of the Southern Wild, The Surrogate and The House I Live In among challenging award-winners at 2012 festival
A Louisiana-set drama about a father and his daughter threatened by the impact of global warming, the autobiographical tale of a man's quest to lose his virginity despite living out much of his life in an iron lung and a polemical documentary targeting America's war on drugs were among the top prize-winners as the Sundance film festival reached its denouement at the weekend.
Beasts of the Southern Wild, the story of a six-year-old girl living with her dad in the flood-threatened basins near the Mississippi delta, won both the jury prize for best Us drama and a cinematography prize. Benh Zeitlin's film features a cast of non-actors and has been praised by the Guardian's Damon Wise as "the first significant eco-threat movie to be seen through the eyes of the generation...
A Louisiana-set drama about a father and his daughter threatened by the impact of global warming, the autobiographical tale of a man's quest to lose his virginity despite living out much of his life in an iron lung and a polemical documentary targeting America's war on drugs were among the top prize-winners as the Sundance film festival reached its denouement at the weekend.
Beasts of the Southern Wild, the story of a six-year-old girl living with her dad in the flood-threatened basins near the Mississippi delta, won both the jury prize for best Us drama and a cinematography prize. Benh Zeitlin's film features a cast of non-actors and has been praised by the Guardian's Damon Wise as "the first significant eco-threat movie to be seen through the eyes of the generation...
- 1/30/2012
- by Ben Child
- The Guardian - Film News
Parker Posey was all set to host last night's awards ceremony, but fell ill — and so, as live-bloggers Eric Hynes and Claiborne Smith report, Sundance festival director John Cooper reluctantly took the helm, choking up a bit right at the top as he drove himself through a remembrance of Bingham Ray. Rebounding, he brought on director and actress Katie Aselton as co-host and it was on to the awards. You can actually watch all this here (select "2012 Sundance Film Festival"). An overview of what the critics are saying about the winners:
Grand Jury Prize: Documentary. The House I Live In, "a lucid, long-view unpacking of the War on Drugs from Eugene Jarecki, who ably dissected the lead-up to the Iraq War in Why We Fight." The Boston Globe's Ty Burr: "The movie marshals a wide selection of talking heads, from Oklahoma prison guards and Reagan-era appointees to street dealers and Jarecki's own nanny,...
Grand Jury Prize: Documentary. The House I Live In, "a lucid, long-view unpacking of the War on Drugs from Eugene Jarecki, who ably dissected the lead-up to the Iraq War in Why We Fight." The Boston Globe's Ty Burr: "The movie marshals a wide selection of talking heads, from Oklahoma prison guards and Reagan-era appointees to street dealers and Jarecki's own nanny,...
- 1/30/2012
- MUBI
The 2012 Sundance Film Festival has come to an end, and the winners of the Jury, Audience, and Next <=> awards have been announced. There was a great selection of films this year at the festival, and I've seen more good than bad. I'm ultimately happy with the outcome. Beasts of the Southern Wild was this year's most buzzed about film and took home the top Grand Jury Prize. I didn't like it as much as everyone else, but it was still good, and it won. I think it was just way too over hyped for what I ended up seeing. Maybe I would have liked it more had I gone in with no expectations.
Here's the full breakdown of winners:
Sundance Institute this evening announced the Jury, Audience, Next <=> and other special awards of the 2012 Sundance Film Festival at the Festival’s Awards Ceremony in Park City, Utah. An archived video...
Here's the full breakdown of winners:
Sundance Institute this evening announced the Jury, Audience, Next <=> and other special awards of the 2012 Sundance Film Festival at the Festival’s Awards Ceremony in Park City, Utah. An archived video...
- 1/29/2012
- by Venkman
- GeekTyrant
Park City, Utah -- A mythical film starring an 8-year-old girl and a documentary about the war on drugs took top honors at the Sundance Film Festival.
"Beasts of the Southern Wild" won the grand jury prize in the U.S. dramatic competition, and "The House I Live In" won the same honor in the U.S. documentary category Saturday at the independent film festival's awards ceremony.
Directed and co-written by 29-year-old first-time filmmaker Benh Zeitlin, "Beasts of the Southern Wild" follows a girl named Hushpuppy who lives with her father in the southern Delta. The film also won the cinematography prize.
Zeitlin said he was grateful to the Sundance Institute and labs, where he worked on the film for more than three years.
"This project was such a runt, this sort of messy-hair, dirty, wild child, and we just have been taken care of and just eased along until...
"Beasts of the Southern Wild" won the grand jury prize in the U.S. dramatic competition, and "The House I Live In" won the same honor in the U.S. documentary category Saturday at the independent film festival's awards ceremony.
Directed and co-written by 29-year-old first-time filmmaker Benh Zeitlin, "Beasts of the Southern Wild" follows a girl named Hushpuppy who lives with her father in the southern Delta. The film also won the cinematography prize.
Zeitlin said he was grateful to the Sundance Institute and labs, where he worked on the film for more than three years.
"This project was such a runt, this sort of messy-hair, dirty, wild child, and we just have been taken care of and just eased along until...
- 1/29/2012
- by AP
- Huffington Post
The Sundance Film Festival prepared to come to a close for 2012 tonight as the festival held its some of its last screenings and mounted an awards ceremony to celebrate the best films of this year's festival. The biggest jury prizes went to Beasts of the Southern Wild (reviewed here [1]) and Eugene Jarecki's war on drugs documentary The House I Live In. The Surrogate (reviewed here [2]) took an Audience Award, as did the doc Searching for Sugar Man (reviewed here [3]) and the film Valley of Saints. The full list of awards is below. The 2012 Sundance Film Festival Awards presented this evening were: The Grand Jury Prize: Documentary was presented by Charles Ferguson to: The House I Live In / U.S.A. (Director: Eugene Jarecki) — For over 40 years, the War on Drugs has accounted for 45 million arrests, made America the world's largest jailer and damaged poor communities at home and abroad.
- 1/29/2012
- by Russ Fischer
- Slash Film
World Cinema Jury Special Prize, Documentary: Searching for Sugar Man, Malik Bendjelloul
World Cinema Documentary Editing: Indie Game: The Movie, Lisanne Pajot and James Swirsky
World Cinema Jury Prize, Documentary: The Law in These Parts, Ra'anan Alexandrowicz
World Cinema Dramatic Special Jury Prize: Can, Rasit Celikezer
World Cinema Cinematography Award, Drama: David Raedeker, My Brother the Devil
World Cinema Cinematography Award, Documentary: Lars Skree, Putin's Kiss
World Cinema Directing Award, Documentary: Emad Burnat and Guy Davidi, 5 Broken Cameras
Best of Next Audience Award: Sleepwalk With Me, Mike Birbiglia
Audience Award, Shorts: The Debutante Hunters, Maria White
Audience Award, World Cinema Documentary: Searching for Sugar Man, Malik Bendjelloul
Audience Award, World Cinema: Valley of Saints, Musa Syeed
Audience Award, U.S. Documentary: The Invisible War, Kirby Dick
Audience Award, U.S. Drama: The Surrogate, Ben Lewin
World Cinema Jury Prize, Drama: Violeta Went to Heaven
World Cinema Directing Award, Drama: Teddy Bear,...
World Cinema Documentary Editing: Indie Game: The Movie, Lisanne Pajot and James Swirsky
World Cinema Jury Prize, Documentary: The Law in These Parts, Ra'anan Alexandrowicz
World Cinema Dramatic Special Jury Prize: Can, Rasit Celikezer
World Cinema Cinematography Award, Drama: David Raedeker, My Brother the Devil
World Cinema Cinematography Award, Documentary: Lars Skree, Putin's Kiss
World Cinema Directing Award, Documentary: Emad Burnat and Guy Davidi, 5 Broken Cameras
Best of Next Audience Award: Sleepwalk With Me, Mike Birbiglia
Audience Award, Shorts: The Debutante Hunters, Maria White
Audience Award, World Cinema Documentary: Searching for Sugar Man, Malik Bendjelloul
Audience Award, World Cinema: Valley of Saints, Musa Syeed
Audience Award, U.S. Documentary: The Invisible War, Kirby Dick
Audience Award, U.S. Drama: The Surrogate, Ben Lewin
World Cinema Jury Prize, Drama: Violeta Went to Heaven
World Cinema Directing Award, Drama: Teddy Bear,...
- 1/29/2012
- by Manny
- Manny the Movie Guy
Self-Defeating War on Drugs, Military Rape, Oppression in the Occupied Territories: Sundance 2012 Winners World Cinema Grand Jury Prize: Dramatic: Violeta Went to Heaven World Cinema Grand Jury Prize: Documentary: The Law in These Parts U.S. Dramatic: Grand Jury Prize: Beasts of the Southern Wild U.S. Documentary: Grand Jury Prize: The House I Live In World Cinema Audience Award: Dramatic: Valley of Saints World Cinema Audience Award: Documentary: Searching for Sugar Man Audience Award: U.S. Dramatic: The Surrogate Audience Award: U.S. Documentary: The Invisible War World Cinema Directing Award: Dramatic: Mads Matthiesen, Teddy Bear World Cinema Directing Award: Documentary: Emad Burnat and Guy Davidi, 5 Broken Cameras U.S. Directing Award: Dramatic: Ava DuVernay, Middle of Nowhere U.S. Directing Award: Documentary: Lauren Greenfield, The Queen of Versailles World Cinema Screenwriting Award: Marialy Rivas, Camila Gutiérrez, Pedro Peirano, Sebastián Sepúlveda, Young & Wild Waldo Salt Screenwriting Award: Derek Connolly,...
- 1/29/2012
- by Steve Montgomery
- Alt Film Guide
The Danish Broadcasting Corporation has Five docs here in Sundance. Although documentary filmmakers are finding the European TV stations' funds are diminishing and are increasingly looking to foundations and corporations for financing (see Screen International article), in Denmark, funding for Danish docs is up to 50%. Their docs are meeting with artistic and popular success which is matched by political support, both in production and in distribution. Production funding from the Danish Film Institute is approximately 6.2 million Euros. Primetime public TV share of docs has gone up from 2% to 25% over the last years. 98% of the public has access to the films via local libraries, streaming service filmstriben.dk, and school children and their teachers can watch the films in the classroom via a school subscription. Don't we only wish we could boast a fraction of this?
The Sundance Institute Documentary Film Program is doing what it can and provides year-round support to nonfiction filmmakers worldwide. The program advances innovative nonfiction storytelling about a broad range of contemporary social issues, and promotes the exhibition of documentary films to audiences. Through the Sundance Documentary Fund, the Documentary Edit and Story Laboratory, Composers + Documentary Laboratory, Creative Producing Lab, as well as the Sundance Film Festival, the Sundance Creative Producing Summit and a variety of partnerships and international initiatives, the program provides a unique, global resource for contemporary independent documentary film. www.sundance.org/documentary. At Sundance they are working closely with
The Skoll Foundation which drives large scale change by investing in, connecting and celebrating social entrepreneurs and the innovators who help them solve the world’s most pressing problems. It has given almost $300M since 1999, including awards to 91 entrepreneurs in 74 organizations on five continents. The aim? Identify those already bringing positive change around the world and help them extend their reach, tell their stories, and maximize their impact. Jeff Skoll created the Skoll Foundation to help create a sustainable world of peace and prosperity. It has been led by CEO Sally Osberg since 2001 and its Skoll World Forum is the premier conference on social entrepreneurship. www.skollfoundation.org
To return to the Danes and their take on the world, this Sundance, the Danish have the comic, journalistically improper (and possibly explosive in its repercussions which might hinder its U.S. distribution) doc The Ambassador which uncovers the rampant exploitation of Africa by everyone from Europeans and North Americans to Indians, Russians and Chinese and the post civil war, massacre-ridden and general post-colonial corruption of Africa itself.
They also have 1/2 Revolution which shows the opposite view of Egypt (and the corollary Arab Spring revolutions) of the people finally rising up against exploitive "leaders".
Putin's Kiss shows 19-year old Marsha, a spokesperson in the government friendly and strongly nationalistic Russian youth organization, Nashi. The movement aims to protect Russia against its 'enemies'. Marsha was seduced by the high energy of the movement by the age of 15 and has got a lot of benefits in return for her loyalty. But when she starts seeing a group of critical journalists, amonth them the well-known blogger, Oleg Kashin, who compares Nashi with 'Hitlerjugend'. Marsha begins by defending her movement, but starts to recognize how harassment and dirty provocations against the Russian opposition by 'unknown perpetrators' is going on around her. When Oleg is getting seriously beaten up and nearly dies, Marsha has to take a stand for or against Nashi.
China Heavyweight takes place in central China and is a metaphor for the choices that the lucky few (in this case poor rural teenagers who have been turned into Western-style boxing champions and are now graduating) to fight for the collective good as amateur boxers or for themselves and their own professional gain as professionals.
The Sundance Institute Documentary Film Program is doing what it can and provides year-round support to nonfiction filmmakers worldwide. The program advances innovative nonfiction storytelling about a broad range of contemporary social issues, and promotes the exhibition of documentary films to audiences. Through the Sundance Documentary Fund, the Documentary Edit and Story Laboratory, Composers + Documentary Laboratory, Creative Producing Lab, as well as the Sundance Film Festival, the Sundance Creative Producing Summit and a variety of partnerships and international initiatives, the program provides a unique, global resource for contemporary independent documentary film. www.sundance.org/documentary. At Sundance they are working closely with
The Skoll Foundation which drives large scale change by investing in, connecting and celebrating social entrepreneurs and the innovators who help them solve the world’s most pressing problems. It has given almost $300M since 1999, including awards to 91 entrepreneurs in 74 organizations on five continents. The aim? Identify those already bringing positive change around the world and help them extend their reach, tell their stories, and maximize their impact. Jeff Skoll created the Skoll Foundation to help create a sustainable world of peace and prosperity. It has been led by CEO Sally Osberg since 2001 and its Skoll World Forum is the premier conference on social entrepreneurship. www.skollfoundation.org
To return to the Danes and their take on the world, this Sundance, the Danish have the comic, journalistically improper (and possibly explosive in its repercussions which might hinder its U.S. distribution) doc The Ambassador which uncovers the rampant exploitation of Africa by everyone from Europeans and North Americans to Indians, Russians and Chinese and the post civil war, massacre-ridden and general post-colonial corruption of Africa itself.
They also have 1/2 Revolution which shows the opposite view of Egypt (and the corollary Arab Spring revolutions) of the people finally rising up against exploitive "leaders".
Putin's Kiss shows 19-year old Marsha, a spokesperson in the government friendly and strongly nationalistic Russian youth organization, Nashi. The movement aims to protect Russia against its 'enemies'. Marsha was seduced by the high energy of the movement by the age of 15 and has got a lot of benefits in return for her loyalty. But when she starts seeing a group of critical journalists, amonth them the well-known blogger, Oleg Kashin, who compares Nashi with 'Hitlerjugend'. Marsha begins by defending her movement, but starts to recognize how harassment and dirty provocations against the Russian opposition by 'unknown perpetrators' is going on around her. When Oleg is getting seriously beaten up and nearly dies, Marsha has to take a stand for or against Nashi.
China Heavyweight takes place in central China and is a metaphor for the choices that the lucky few (in this case poor rural teenagers who have been turned into Western-style boxing champions and are now graduating) to fight for the collective good as amateur boxers or for themselves and their own professional gain as professionals.
- 1/24/2012
- by Sydney Levine
- Sydney's Buzz
Danish director Lise Birk Pedersen became interested in in documentary filmmaking when she traveled to China as a lone 16-year-old girl. Smelling change in the air and witnessing the "many great stories, contrasts and characters illustrating that" inspired her sketchbook drawings, but that didn't satisfy her enough. She debuted her first short, doc "Margarita," in 2003, and followed it up with several other shorts (including 2010 short "Nastya in Love") before tackling her first feature, "Putin's Kiss," which now hits Sundance. What's it about? The documentary follows Masha Drokova, a rising star in Russia’s popular nationalistic youth movement, Nashi. She's a smart, ambitious teenager who embraces Vladimir Putin and his promise of a greater Russia, and her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she...
- 1/17/2012
- Indiewire
Trailer roundups can grow to be rather unwieldy and slow to load, so I'm rounding up trailers for films screening at this year's Sundance Film Festival in two batches, the competitions and all the other programs.
Us Dramatic Competition
Ira Sachs's Keep the Lights On
Ava DuVernay's Middle of Nowhere
Youssef Delara and Michael D Olmos's Filly Brown
Us Documentary Competition
Alison Klayman's Ai Weiwei: Never Sorry
Kirby Dick's The Invisible War
Heidi Ewing and Rachel Grady's Detropia
Sam Pollard's Slavery by Another Name
World Cinema Dramatic Competition
The trailer for Keiichi Kobayashi's About the Pink Sky is here.
Luciano Moura's Father's Chair (A Cadeira do Pai)
Babis Makridis's L
Armando Bó's The Last Elvis (El Ultimo Elvis)
David Trueba's Madrid, 1987
Andrés Wood's Violeta Went to Heaven
Kieran Darcy-Smith's Wish You Were Here
And the trailer for...
Us Dramatic Competition
Ira Sachs's Keep the Lights On
Ava DuVernay's Middle of Nowhere
Youssef Delara and Michael D Olmos's Filly Brown
Us Documentary Competition
Alison Klayman's Ai Weiwei: Never Sorry
Kirby Dick's The Invisible War
Heidi Ewing and Rachel Grady's Detropia
Sam Pollard's Slavery by Another Name
World Cinema Dramatic Competition
The trailer for Keiichi Kobayashi's About the Pink Sky is here.
Luciano Moura's Father's Chair (A Cadeira do Pai)
Babis Makridis's L
Armando Bó's The Last Elvis (El Ultimo Elvis)
David Trueba's Madrid, 1987
Andrés Wood's Violeta Went to Heaven
Kieran Darcy-Smith's Wish You Were Here
And the trailer for...
- 1/16/2012
- MUBI
In a prelude to the Sundance titles that will find Stateside distribution, Kino Lorber has picked up all North American rights to "Putin's Kiss" by Danish director Lise Birk Pedersen. The film had its world premiere at the recent International Documentary Film Festival Amsterdam, which screened in competition. The doc will have its North American debut at Sundance in the World Cinema Documentary Competition. The film will broadcast on Itvs in late 2012. Full Kino Lorber acquisition release follows: Kino Lorber, Inc. is proud to announce the acquisition of all North American rights to "Putin's Kiss" a film by Lise Birk Pedersen and Monday Production. "Putin's Kiss" was acquired by Kino Lorber at Idfa, where it had its world premiere in the Idfa Feature Documentary competition. The acquisition was negotiated by Kino Lorber Vice President Elizabeth Sheldon and Helle Faber of Made in Copenhagen. It will be...
- 12/9/2011
- Indiewire
Lise Birk Pedersen's Putin's Kiss acquired by Kino Lorber. According to Variety, Kino Lorber said today that the Monday Production film has been acquired at the International Documentary Film Festival, where the pic made its premiere playin gin the Idfa Feature Documentary section. Putin's Kiss will find theatrical release after making its North American premier at the upcoming Sundance Film Festival, competing in the World Cinema Documentary competition. We have the first poster for the film produced by Helle Faber, and be sure to check out the official site as well. Nashi is an increasingly popular political youth organization with direct ties to The Kremlin. Officially, its goal is to support the current political system by creating a future elite among the brightest and most loyal Russian teenagers. But their agenda is also to keep the political opposition from spreading their views among the Russians. We meet 19-year-old Marsha,...
- 12/9/2011
- Upcoming-Movies.com
Lise Birk Pedersen's Putin's Kiss acquired by Kino Lorber. According to Variety, Kino Lorber said today that the Monday Production film has been acquired at the International Documentary Film Festival, where the pic made its premiere playin gin the Idfa Feature Documentary section. Putin's Kiss will find theatrical release after making its North American premier at the upcoming Sundance Film Festival, competing in the World Cinema Documentary competition. We have the first poster for the film produced by Helle Faber, and be sure to check out the official site as well. Nashi is an increasingly popular political youth organization with direct ties to The Kremlin. Officially, its goal is to support the current political system by creating a future elite among the brightest and most loyal Russian teenagers. But their agenda is also to keep the political opposition from spreading their views among the Russians. We meet 19-year-old Marsha,...
- 12/9/2011
- Upcoming-Movies.com
Lise Birk Pedersen's Putin's Kiss acquired by Kino Lorber. According to Variety, Kino Lorber said today that the Monday Production film has been acquired at the International Documentary Film Festival, where the pic made its premiere playin gin the Idfa Feature Documentary section. Putin's Kiss will find theatrical release after making its North American premier at the upcoming Sundance Film Festival, competing in the World Cinema Documentary competition. We have the first poster for the film produced by Helle Faber, and be sure to check out the official site as well. Nashi is an increasingly popular political youth organization with direct ties to The Kremlin. Officially, its goal is to support the current political system by creating a future elite among the brightest and most loyal Russian teenagers. But their agenda is also to keep the political opposition from spreading their views among the Russians. We meet 19-year-old Marsha,...
- 12/9/2011
- Upcoming-Movies.com
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