Two seemingly unconnected souls from different corners of the United States make a telepathic bond that allows them to see, hear and feel the others experiences, creating a bond that apparently can't be broken.
Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.
Leonato (Clark Gregg), the governor of Messina, is visited by his friend Don Pedro (Reed Diamond) who is returning from a victorious campaign against his rebellious brother Don John (Sean Maher). Accompanying Don Pedro are two of his officers: Benedick (Alexis Denisof) and Claudio (Fran Kranz). While in Messina, Claudio falls for Leonato's daughter Hero (Jillian Morgese), while Benedick verbally spars with Beatrice (Amy Acker), the governor's niece. The budding love between Claudio and Hero prompts Don Pedro to arrange with Leonato for a marriage. In the days leading up to the ceremony, Don Pedro, with the help of Leonato, Claudio and Hero, attempts to sport with Benedick and Beatrice in an effort to trick the two into falling in love. Meanwhile, the villainous Don John, with the help of his allies Conrade (Riki Lindhome) and Borachio (Spencer Treat Clark), plots against the happy couple, using his own form of trickery to try to destroy the marriage before it begins. A series of comic... Written by
When Dogberry and Verges exit for the last time, they realize that neither of them has the keys to the car. Nathan Fillion and Tom Lenk improvised this off-camera as the rest of the scene continued. When Joss Whedon realized why the cast was laughing, he had the pair recreate the gag on camera. See more »
Much Ado About Nothing by Joss Whedon is the latest adaptation of the Shakespeare's comedy.
The good. Excellent ideas. Very funny settings and actions. Nice choice of actors. With visual, it's always possible to add non spoken actions to original dialogs and Whedon made some clever extensions. Great photography.
The actors. My favorite performance were by Nathan Fillion, Sean Maher, and Tom Lenk, although I came to appreciate those of Amy Acker and Alexis Denisof a lot.
The bad. The concept of war as spoken in the piece doesn't translate well in modern time.
The ugly. Nothing.
The result. Solid entertainment for those who like modern transposition of Shakespeare's work, A must for any Whedon fan.
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