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Somehow doesn't come together, 18 April 2013
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Author:
liakendry from United States
*** This review may contain spoilers ***
I saw this movie at the Miami International Film Festival. From the
cast and festival description I thought it was going to be a quirky
comedy, and it seemed to have all the right ingredients: a misfit boy
with a disease that makes him smell like fish (Douglas Smith), a
romantic interest (Zoe Kravitz), an over-the-top Mexican singer from
the 70s with all his kitschy extravaganza, and a weird museum house as
backdrop. But somehow the film never manages to be anything but cute.
I can't really put my finger on what went wrong. I heard some people
during the screening comment that Douglas Smith was not the right actor
for the part, nor Zoe Kravitz. That they should have gone with actors
that were not so "pretty" and more in the line of Dan McKellar (who
delivers a great performance that somehow doesn't fall apart even
though his presence is minimal). But I thought Smith showed a lot of
potential. He just was very on and off tone depending on the scene, or
sometimes even within a scene. Sometimes coming off very natural in his
"fed up with it all", sarcastic and exasperated tone (like the hospital
scene or the scene when the man from the singer's fan club
representative visits him for the second time), other times seeming a
bit too blasé or rigid. It seems to me more of a directing problem than
anything, but that's just a hunch and maybe I'm influenced by knowing
this is a first-time director.
Zoe Kravitz delivers a very natural performance and seems pretty
consistent, but her character does not make much sense. You get the
sense that a lot of the film ended up on the cutting room floor, or
else the script failed at exploiting some marvelous opportunities. For
example, there is the briefest of hints that her character is allergic
to flowers. Could it be that is why she doesn't notice Micah's fish
smell? There should be some comedic irony going on here that just isn't
happening. You never quite understand if she can smell him or not, nor
do you feel any tension about her finding out about his disease.
I felt the movie could have been a little longer in order to give more
opportunity for the plot to develop. Something just doesn't add up.
There are some great lines in the movie and it should have been very
funny, but it just wasn't. The fan club representative character was
great, but somehow he gets put aside. The main character's disease
could have provided ample opportunity for comedy but it's just not
there. There are only brief, isolated attempts. Somehow it seems they
just emphasized the sappy romance instead of allowing the obviously
quirky elements that are there to breathe and build on each other. And
things happen too quickly. The mother leaves the father too quickly,
the kid grows up too quickly (though the actors chosen for the kids are
completely uninteresting), the mother dies too quickly (and randomly),
the boy gets the girl too quickly, and then loses her too quickly.
On the plus side, the music is, for the most part, very excellent. The
composer from The Triplets of Belleville is surely responsible (Benoit
Charest). The tone is just right for most of the scenes and it makes it
even more upsetting that the film doesn't deliver plot-wise. (There are
just a few parts of the score where it jars you right out of liking the
film--a witch doctor scene, and a couple of other too romantic ones
that just don't have the same irony that the rest of the score excels
at.)
The songs performed by the Mexican singer are perfect, too, even though
the musical ending seemed a bit too forced. You get the sense they
didn't know how to end the movie and opted for a sort of over the top
random effect but fell short.
I don't usually write reviews, but this movie left me frustrated enough
that I had to comment. I was left with comedy blue balls! Still, there
is enough here that I would be curious to see something from Cal y
Mayor again... maybe once she has a bit more experience under her belt.
2 out of 4 people found the following review useful:
An interplay of drama, comedy and magical realism, 6 March 2013
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Author:
maria-delatorre from Miami, Florida
*** This review may contain spoilers ***
The Director and co-Writer of The Boy Who Smells Like Fish, Analeine
Cal y Mayor, brings together a highly talented, well renowned cast and
a well written script to tell the story of a young life who suffers
from a devastating and incurable rare disease. There's never a dull
moment as events altered with unexpected twists and turns throughout
the movie. Douglas Smith plays the character, Mica, who suffers from
Trimethylaminuria, a rare disorder that gives off a pungent fish odor
resulting in his social ostracism throughout his upbringing. His deep
emotional and psychological scars are not visibly seen, and
consequently, the director and Douglas Smith expertly portray these
scars through their screen writing, acting and directing.
Under Analeine's direction, the young and handsome Doug very
successfully gives his character a bittersweet quality throughout the
story as his body language and his behavior portrays the typical low
self-esteem and scarred personality development of a solitary recluse,
which is common among sufferers of this incurable disease. Mica's
efforts to cope is highlighted with Carrie Anne Moss's very
sophisticated and highly sensitive character as his therapist. He is
not always sure how to cope with Zoe Kravitz' advances, and reacts
strangely, adding depth to his character.
Cal y Mayor's exceptional directing stands out most in the artistic
manner in which she brings together a gloomy drama with comedy and
magical realism, which makes this film stand out above a typical
documentary or above a typical despondent drama.
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