MOVIEmeter
SEE RANK
Down 800 this week

The Scapegoat (2012)

 |  Drama  |  9 September 2012 (UK)
7.2
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.2/10 from 2,197 users  
Reviews: 6 user | 3 critic

Set in 1952, as England prepares for the coronation, The Scapegoat tells the story of two very different men who have one thing in common - a face.

Director:

0Check in
0Share...

IMDb Picks: May

Visit our IMDb Picks section to see our recommendations of movies and TV shows coming out in May, sponsored by COVERGIRL.

Visit the IMDb Picks section

User Lists

Related lists from IMDb users

a list of 40 titles
created 18 May 2013
 
a list of 22 titles
created 10 Sep 2013
 
a list of 35 titles
created 02 Jan 2014
 
a list of 25 titles
created 11 months ago
 
a list of 47 titles
created 9 months ago
 

Related Items

Search for "The Scapegoat" on Amazon.com

Connect with IMDb


Share this Rating

Title: The Scapegoat (2012)

The Scapegoat (2012) on IMDb 7.2/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of The Scapegoat.
1 nomination. See more awards »
Learn more

People who liked this also liked... 

Sea Wall (2012)
Short | Drama
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A man makes sense of his life, love, family and the possibility of faith whilst facing an emotional abyss.

Directors: Andrew Porter, Simon Stephens
Stars: Andrew Scott
Think Tank (2010)
Short | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

The inside of one man's mind on a first date.

Director: Peter Calloway
Stars: Matthew Rhys, Christian Moldes, Christine Osterhoudt
Patagonia (2010)
Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A young Welsh couple travel to Argentina to work on their relationship.

Director: Marc Evans
Stars: Matthew Rhys, Marta Lubos, Nahuel Pérez Biscayart
Scapegoat I (2013)
Action | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 4.8/10 X  

Get ready for the ride of your life.

Director: Geovanni Molina
Stars: Melissa Jayne, Nate Brown, Cindy Luna
Short | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Once a successful artist, Hart is now a shadow of his former self, his world torn apart by loss. He is consumed by a haunting portrait of his deceased wife and spends every moment studying ... See full summary »

Director: Edward L. Dark
Stars: Andrew Scott, Olivia Grant
Luster (2010)
Horror | Thriller
    1 2 3 4 5 6 7 8 9 10 4.7/10 X  

Thomas Luster is a troubled businessman who tries to make sense of a life being driven out-of-control by a force closer to home than he first realizes. When he discovers that the man ... See full summary »

Director: Adam Mason
Stars: Andrew Howard, Tess Panzer, Matthew Rhys
The Mystery of Edwin Drood (TV Mini-Series 2012)
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

An exploration of Charles Dicken's unfinished work in which the mystery of the murder of Edwin Drood is examined.

Stars: Matthew Rhys, Freddie Fox, Tamzin Merchant
Fakers (2004)
Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

FAKERS is a sharp, fast moving tale of blackmail and forgery set in the upper echelons of the international art society. Set in present day London and 1911 Italy.

Director: Richard Janes
Stars: Matthew Rhys, Kate Ashfield, Tom Chambers
Drama
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Boyo lives with his brother Sid, his sister Gwenny and their elderly mother Marlene in an economically depressed area of South-West Wales. Their father has vanished when they were small ... See full summary »

Director: Marc Evans
Stars: Siân Phillips, Steven Mackintosh, Matthew Rhys
The Scapegoat (1959)
Crime | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A French count schemes to kill his wife and implicate a mild-mannered English schoolteacher whom he resembles

Director: Robert Hamer
Stars: Alec Guinness, Bette Davis, Nicole Maurey
The Scapegoat (2013)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

There is something strange - some would even say abnormal - about the Malaussène family. But if you take a closer look, no one could be happier than this cheerfully chaotic family, even ... See full summary »

Director: Nicolas Bary
Stars: Raphaël Personnaz, Bérénice Bejo, Guillaume de Tonquedec
The Scapegoat (2015)
Drama | Thriller

Three jewel thieves are stuck in a flat in Venice, Italy after a jewel heist goes terribly wrong. One of them will have to take the blame for this mess. But which one will it be?

Director: Cathy Beasley
Stars: Edward Lewis French, Alex Rendall, Celine Abrahams
Edit

Cast

Cast overview, first billed only:
...
John / Johnny
...
Lady Spence
...
Father McReady
...
...
Charlotte
...
Frances
...
Paul
...
Nina
...
...
George
...
Fincher
...
Mary Lou
...
Headmaster
...
Landlord
Roland Oliver ...
Arthur Moffat
Edit

Storyline

As England is preparing for the coronation of Elizabeth II, schoolmaster John Standing comes face to face with Johnny Spence, his exact double in appearance. After a night of drinking, Standing awakes to find Spence has stolen his identity. Unsuccessful at explaining the unusual situation, Standing settles into the vacancy left by Johnny Spence. Yet with his new life comes numerous problems, including trying to juggle a wife and two mistresses and family secrets that could prove deadly... Written by L. Hamre

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

9 September 2012 (UK)  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Color:

See  »
Edit

Did You Know?

Connections

Remake of The Scapegoat (1959) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A superior version to the original screen adaptation, redolent with atmosphere
15 November 2012 | by (United Kingdom) – See all my reviews

I have read the original novel by Daphne du Maurier and seen the earlier film version (1959) three times, most recently in order to remind myself of what our very dear friend Annabel Bartlett looked like as a child (she played the little girl, her only film role). One thing she told me about Alec Guinness, who played the double-lead roles, was that he became fond of her during the filming and remained in affectionate contact with her for the rest of his life, which says a great deal about his character. This remake by the talented director Charles Sturridge, who also wrote the screenplay, is in my opinion superior to the original film. We are all used to remakes being inferior, and groaning when we hear there is going to be another one (for instance, no remake of du Maurier's classic REBECCA has ever been anything but a travesty of Hitchcock's original film with Laurence Olivier and Joan Fontaine), but in this case, everyone can be proud of the result. In this version, the setting of the story is shifted from France to the England of 1952/3, which is an effective change, and enabled Sturridge (best known for directing the original TV series of BRIDESHEAD REVISITED, 1981), to exploit his familiarity with aristocratic English settings of the early to mid 20th century. Another innovation in the story is the amusing sub-plot of the insertion into the grand mansion of a newfangled electronic device known as a television, received and treated with great ceremony. The scene where the entire family sit, with their servants standing behind them, watching the coronation of Queen Elizabeth II in 1953, is impeccably authentic and evocative, as indeed the whole film is. Therefore, the changes made to the story for this screen adaptation are, I believe, entirely successful. A very clever choice for the double-lead was the actor Matthew Rhys. He is not someone you would notice when walking past him on the street, but he is arresting when in action on the screen, and here he does an excellent job of playing two entirely different characters who happen to be identical doppelgängers (or one might today say clones) of one another. The story is a typically romantic mystery tale by du Maurier, of two men who meet by chance one night and realize that they look exactly like one another. This leads to their changing places, so that the recently sacked schoolteacher with no family or attachments is left in the morning with only the clothes and identity of his 'twin', who turns out to be a prominent aristocrat with a mansion, a chauffeur-driven Rolls Royce, a wife, and a substantial squabbling family, even in fact a little girl. All of these the true husband and father abandons, leaving the teacher to assume his role as best he can. Needless to say, his family find him strangely changed, kinder, more considerate, and wonder 'what has come over him'. He has to learn on the hoof who he 'is', how to find his own bedroom, discovers that he has a mistress in the town, is alarmed to discover that he has been having an affair with his brother's wife and finds her difficult to shake off, cloying and demanding as she is. At the same time, the family business is going broke and he is expected to save it. His sister (the wonderfully weird Jodhi May, one of my favourite actresses because she is so unlike other people and seems to emerge from some tormented dimension of another hologram than ours) is estranged from him and takes every opportunity to insult him. His little girl is dejected from lack of his attention. This story is not a naturalistic tale, though it is treated as one, since it is difficult to imagine all of this really happening, even back in those days when identities were not yet shrink-wrapped. But it is an intriguing and captivating romance, with what the trendies at the BBC like to call 'a great deal of edge to it'. One welcome new addition to the screen is the young actress Alice Orr-Ewing, not long out of drama school. She had a minor role in A FANTASTIC FEAR OF EVERYTHING (2012, see my review), but her scenes all ended up on the cutting room floor, so she does not list it in her credits. This is therefore her first significant screen appearance. She glows well on celluloid, and manages to capture the viewer's attention despite playing a feeble character, the lead character's wife Frances, with whom one would normally have very little sympathy, because feeble women are always so annoying. But she makes the character have a deeper dimension, so that we end up liking her rather than being exasperated by her. Also this actress has an after-taste, like a good burgundy. There is no doubt that Alice Orr-Ewing was born to appear in period dramas, as she is an ethereal creature of another era, and has a genuine Joan Fontaine quality about her. Long may she keep her Orr in. The art direction of this film is superb, the costumes are splendid, it all looks luscious, and the improbable tale is strangely gripping. And as Louis B. Mayer might have said, it even has a Western Union, I mean a message, of sorts that is, namely who are we anyway?


50 of 54 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Help required jon-601
Matthew Rhys credit? Niribanirak
The books they are reading gwendefortun
What did I miss? jky741
Discuss The Scapegoat (2012) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?