On August 15, 1944 the 517th Parachute Regimental Combat Team (PRCT) jumped over the south of France. Their mission was to support and protect the Allied Troops marching to Berlin. Landing ... See full summary »
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An ex-CIA agent and his estranged daughter are forced on the run when his employers erase all records of his existence, and mark them both for termination as part of a wide-reaching international conspiracy.
Director:
Philipp Stölzl
Stars:
Aaron Eckhart,
Liana Liberato,
Olga Kurylenko
An expansion of the universe from Robert Ludlum's novels, centered on a new hero whose stakes have been triggered by the events of the previous three films.
When his mentor is taken captive, a retired member of Britain's Elite Special Air Service is forced into action. His mission: kill three assassins dispatched by their cunning leader.
Set in Depression-era Franklin County, Virginia, a bootlegging gang is threatened by a new deputy and other authorities who want a cut of their profits.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Director:
Simon West
Stars:
Sylvester Stallone,
Jean-Claude Van Damme,
Randy Couture
A young CIA agent is tasked with looking after a fugitive in a safe house. But when the safe house is attacked, he finds himself on the run with his charge.
Director:
Daniel Espinosa
Stars:
Denzel Washington,
Ryan Reynolds,
Vera Farmiga
A thriller that follows two siblings who decide to fend for themselves in the wake of a botched casino heist, and their unlikely reunion during another family's Thanksgiving celebration.
On August 15, 1944 the 517th Parachute Regimental Combat Team (PRCT) jumped over the south of France. Their mission was to support and protect the Allied Troops marching to Berlin. Landing in enemy territory, they fell under immediate attack. In their effort to complete the mission and rendez-vous with their unit, three isolated paratroopers come across a group of French resistants in desperate need. They decide to help liberate some of the captive Partisans. Doing so they will risk their lives. Written by
Youri
Overall 'Airborne Creed' is a good film. It is beautifully shot and the main characters are quite convincing (contrary to the dialogues which often are not). All in all the story is fairly decent (although historically inaccurate, to say the least) but also very predictable; they could have got much more out of it. What makes the film average at best is firstly its Hollywoodesque usage of music. The soundtrack is "so heroic and mournful you can almost picture the tears running down the musician's face" (Yahtzee); it forces emotions down the viewer's throat rather than letting them experience themselves. Secondly, the potential of the film's portrayal of good & evil was barely exploited. Why is it that in American films the heroes always die a slow, painful death, whereas for the enemy it is 'one shot, one kill'? It is really not necessary to refuse giving the enemy a face to make the audience understand who/what is good or evil; after all, the story of 'Airborne Creed' clearly shows that the makers were thinking further than this black/white image and striving to add some shades of grey to it. It is a shame they dared not follow this insight consistently.
14 of 17 people found this review helpful.
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Overall 'Airborne Creed' is a good film. It is beautifully shot and the main characters are quite convincing (contrary to the dialogues which often are not). All in all the story is fairly decent (although historically inaccurate, to say the least) but also very predictable; they could have got much more out of it. What makes the film average at best is firstly its Hollywoodesque usage of music. The soundtrack is "so heroic and mournful you can almost picture the tears running down the musician's face" (Yahtzee); it forces emotions down the viewer's throat rather than letting them experience themselves. Secondly, the potential of the film's portrayal of good & evil was barely exploited. Why is it that in American films the heroes always die a slow, painful death, whereas for the enemy it is 'one shot, one kill'? It is really not necessary to refuse giving the enemy a face to make the audience understand who/what is good or evil; after all, the story of 'Airborne Creed' clearly shows that the makers were thinking further than this black/white image and striving to add some shades of grey to it. It is a shame they dared not follow this insight consistently.