| Zongli He | ... | Himself | |
| Yunfei Miao | ... | Himself | |
| Moxiang Qi | ... | Himself | |
| Ye Xinchun | ... | Himself | |
| Zhong Zhao | ... | Himself |
Directed by | |||
| Yung Chang | |||
Writing credits(in alphabetical order) | ||
| Yung Chang | writer | |
Produced by | |||
| Mila Aung-Thwin | .... | executive producer | |
| Daniel Cross | .... | executive producer | |
| Lixin Fan | .... | executive producer | |
| Yi Han | .... | producer | |
| Bob Moore | .... | producer | |
| Zhao Qi | .... | producer | |
| Peter Wintonick | .... | producer | |
Original Music by | |||
| Olivier Alary | |||
| Johannes Malfatti | (co-composer) | ||
Cinematography by | |||
| Shaoguang Sun | |||
Film Editing by | |||
| Xi Feng | |||
| Hannele Halm | |||
Production Management | |||
| Ryan Mullins | .... | post-production supervisor | |
| Han Yi | .... | production supervisor | |
Sound Department | |||
| Jo Caron | .... | foley mixer | |
| Liming Fan | .... | sound recordist | |
| Gavin Fernandes | .... | sound re-recording mixer | |
| Guy Francoeur | .... | foley artist | |
| Marie-Christine Hébert | .... | foley assistant | |
| Lou Kun | .... | sound recordist: second unit | |
| Aaron Lakoff | .... | assistant sound editor | |
| Benoit Leduc | .... | adr mixer | |
| Isabelle Lussier | .... | re-recording assistant | |
| Johannes Malfatti | .... | arranger: sound | |
| Jacinthe Paiement | .... | sound post-production coordinator | |
| Guy Pelletier | .... | dialogue editor | |
| Vincent Riendeau | .... | re-recording assistant | |
| Jean-Philippe Savard | .... | technical support | |
| Kyle Stanfield | .... | sound designer | |
| Kyle Stanfield | .... | supervising sound editor | |
| Ouyang Yaokun | .... | second unit: sound recordist | |
Camera and Electrical Department | |||
| Yung Chang | .... | additional cinematography | |
| Yung Chang | .... | camera operator | |
| Ke Dingding | .... | additional camera operator | |
| Cao Erfeng | .... | gaffer assistant | |
| Cao Fei | .... | gaffer assistant | |
| Zhao Fei | .... | jib arm operator | |
| Ma Jian | .... | additional camera operator | |
| Pei Mengying | .... | gaffer assistant | |
| Lu Nannan | .... | gaffer assistant | |
| Maya Newell | .... | assistant camera | |
| Xiaoyu Niu | .... | additional camera operator | |
| Zhang Peng | .... | additional camera operator | |
| Cao Qian | .... | gaffer assistant | |
| Sun Shaohua | .... | gaffer | |
| Wang Shiqing | .... | additional cinematography | |
| Wang Shiqing | .... | camera operator | |
| Shaoguang Sun | .... | camera operator | |
| Liao Tao | .... | additional camera operator | |
| Fu Tianxiang | .... | assistant camera | |
| Wang Xiaotian | .... | jib assistant | |
| Wang Xin | .... | assistant camera | |
| Fu Xingbao | .... | assistant camera | |
| Sun Xuefang | .... | gaffer assistant | |
| Zhao Yongchao | .... | gaffer | |
Editorial Department | |||
| Edmund John Duff | .... | assistant editor | |
| Xi Feng | .... | assistant editor | |
| Zheng Fu | .... | assistant editor | |
| Eric Gaudry | .... | digital intermediate colorist | |
| Mette Hoffman Meyer | .... | commissioning editor: DR | |
| Luo Xiaoyue | .... | assistant editor | |
Music Department | |||
| Olivier Alary | .... | musician | |
| John Corban | .... | musician | |
| Eric Hove | .... | musician | |
| Johannes Malfatti | .... | arranger | |
| Johannes Malfatti | .... | music re-recording mixer | |
| Johannes Malfatti | .... | musician | |
| Bertil Schulrabe | .... | musician | |
Transportation Department | |||
| Li Xiaojun | .... | driver | |
Other crew | |||
| Laurent Boye-Guérin | .... | international festival publicity team: telefilm canada (as Laurent Boye) | |
| Robert Gray | .... | subtitles | |
| David Magdael | .... | publicist | |
| Anne Stulz | .... | publicist | |
| Recent Posts (updated daily) | User |
|---|---|
| Worth watching | trickymutha |
| So.. #1 at the box office? | sunbeltvision |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Canada section |
Does Yung Chang's 'China Heavyweight' follow the formula of underdog surpassing all obstacles and winning in the end (as is the case with this genre)? The answer is yes but 'China Heavyweight' still manages to maintain a unique quality. First of all, the four principle characters: Ye, Moxiang, Zhong and Yunfei are unlike anyone one has seen in this kind of film.
They are wonderfully defined and the actors who portray them are cast against type and turn in their finest performance. Both Zhong Zhao and Ye Xinchun are like you've never seen them before and they appear very natural on screen. Zongli He is superly restrained and Yunfei Miao does one of his best works of his entire career. They are supported by a host of impressive actors.
In addition to the marvelous performances, the makeup department has done a remarkable job, especially by making Liming Fan look old enough to play Zongli and Yunfei's mother. Zongli actually does look years older than Yunfei (when in reality he's a year younger) and that just adds more to the authenticity.
From the opening sequence, I was under the impression that 'China Heavyweight' was going to be a documentary-type movie but Yung Chang tricks and surprises the audience with that. His execution is subtle unlike the loud approach which other directors commonly follow.
For me 'China Heavyweight', is more about the human connection than the sports itself. Boxing is clearly a metaphor as is the title which has multiple meanings. Even though he's been constantly let down by his family, Zongli chose to give them a second chance and have them by his side. Even though Yungsuen disapproves Zhong and Dicky's involvement in Ye's career, Dicky attempts to persuade him because he knows that Ye won't stand a chance without him by his side. Even though Zhong and ChunXhi don't see eye to eye, there's a silent acceptance between them as they know that Yunfei needs them both.
I am really beginning to have more respect for Yung Chang for producing gems like this (in addition to some amazing TV-series like 'The Fruit Hunters', 'Up the Yangtze' and 'The Fish Market') and his growth as an actor is obviously apparent (he just needs to avoid tripe like 'Last Train Home' at all costs).
'China Heavyweight' is a winner on various levels.