Ashley lives in the fast lane until a handyman invades her life and she's directing a Christmas play for underprivileged kids. She runs into her ultimate soul mate. They may live happily ever after unless her step brother gets her killed.
As a child, Michael Walker wished every day could be Christmas. That is, until a tragic accident crushed his holiday spirit. Thirty years later, Michael still can't muster any joy for the ... See full summary »
Harry Connick Jr.,
A soon-to-be-married couple facing a potentially life-altering dilemma. With just two weeks to go before their wedding, Faith still hasn't told her fiancé her deepest secret--that she ... See full summary »
As people get older there comes a time when their driving skills deteriorate to the point of being unsafe and they must make one of the most difficult decisions in their lives; to give up their car keys.
Steve A. Hartman
Eden Shea Beck,
A group of college students stay at school over Christmas to work at a special exhibit in the college's fine art gallery. The students have little in common to each other. When they decide ... See full summary »
Vivica A. Fox
Bouncing from foster home to home, it seemed that no one wanted Mason around. From battles with his parents, Mason learns the importance of respect. Desperate for forgiveness, Mason tries to make amends with his family.
The Christmas Bunny tells the story of a lonely foster child (Sophie Bolen) who finds a lost, injured rabbit in the woods on Christmas Eve. The rabbit is nursed back to health by The Bunny ... See full summary »
After winning the lottery, E, a young Maori Rapper returns home to New Zealand to find his musical and traditional roots. In the quest to find his voice he soon becomes lost as love, ... See full summary »
Aspiring astronomy professor and Christmas enthusiast Holly is crushed when her longtime boyfriend Adam schedules a business trip and leaves her alone over the holidays. When she decides to... See full summary »
The story of driven, heartless, publishing executive, Carol Huffman, who on Christmas eve is visited by the ghost of her former boss, Eve. Eve tells Carol that she has lost sight of the ... See full summary »
Eighteen-year old Ashley's life is headed in the wrong direction. She's been hanging out with a bad crowd and seeking an escape from the drama at home. Everything begins to change when a handyman working on the family's house encourages her to volunteer for a Christmas play with underprivileged children. Ashley finds purpose by helping people in need and uses that to help heal her troubled family. Together, they discover the impact one person can make through the gift of giving. Written by
Sections of this film were done in Tulsa's Spotlight Theater, which was at time in rehearsal for their own Christmas play. One rehearsal was delayed by about thirty minutes, but actors Vivica A. fox and Justinh Avery rewarded the cast with a group photo. See more »
So you and your dad are not so Disney these days, huh?
It's Sharon and me... we're the total train wreck.
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I've been a fan of Eric "King of the B-movies" Roberts ever since I caught The Ambulance and Hit-man's Run on cable in the 1990s, and I've been a fan of General hospital since 1984. I never really understood the persistent appeal of soaps and B-movies until Alexandra Danielle "Lexi" Ainsworth graced my television set with ten minutes or more of screen time a day as mafia brat Kristina Corinthos, when the lightbulb went off: like minor-league baseball, soaps and B-movies offer the chance to watch greatness in the making, literally to catch a rising star before the world does, in generous doses. Ainsworth, offered this role within seconds of hanging up the phone after being told she was fired from General Hospital because they wanted an older, "hotter" Kristina as their romantic lead only to decline a return to the role when GH realized the error of its ways with her replacement entered this film like a batter who tore up the minors with a .427 batting average now facing big-league pitching. How would she fare? This fan's opinion of her work was strong enough for me to gamble $14.98 on the answer.
For Ainsworth, my standards were much higher than for the film. Any holiday film is going to be restricted by the parameters of the genre. For the actress, however, I was looking for signs of whether or not she could carry a film, and if she could score points for more than just avoiding the garden-variety acting mistakes which were absent in her performances on General Hospital, like in the scenes where she flourished, either by staring down an intimidating Bruce Weitz without saying a word, or by humbling soap vet Maurice Benard at the tender age of sixteen. Where other actresses would have cried, screamed, yelled, and moved their extremities like traffic cops, Ainsworth's instinctive understanding of when to let the scene do the talking strongly suggested she could handle this step up in class like a champion. My bigger question was whether director Richard Foster, and the writers, could handle her. On whole, I would say she gave the better accounting of herself.
This is a good, but not a great film. It is worth the purchase price, and will definitely be worth the time spent watching should it land on cable or Netflix, if only for Ainsworth's performance alone. In the film, eighteen year-old Ashley Lane (Ainsworth) is put in the position of media-res narrator, which allows her to showcase her talents. Within minutes, we are shown where the film winds up, leaving the question not what will happen, but why, who will be involved, and how. Casino was the textbook film on how to pull this off, and this film does so adequately. Fans who were wondering if Eric Roberts and Vivica A. Fox could sing will get their answer.
The film's saving grace, if one pardons the pun, is the director's astute use of third-billed Ainsworth, clearly the star of the film, with screen time to match. The lesser talents in the cast are relegated in direct proportion to their ability, except for Roberts, who is seriously underutilized. Fox gives a good accounting as the mother, but the blended family is more of a gratuitous political statement, as if to say we've come so far against racism that no one bats an eye at a racially mixed family. The message is useful, but not really central to the film. What is central is Ashley's journey of self-discovery, played flawlessly by Ainsworth, to the point where, by the end of the film, it Is rather clear she has outstripped the writing, and does not just belong in the majors, but needs to be traded to a championship team, or to have one built around her.
The other actors in the film are competent, with Danielle Vega (Angelina) giving an exceptional performance in a limited supporting role. Her physical resemblance to Ainsworth is a bit confusing, so pay attention; absent Ainsworth, she could have played the lead more than adequately, and her scenes were among the best of the film. Glee's Titus Makin (Jason) shows competence, but not greatness, while Fox and Roberts are not given enough to do until near the end. Bryan Massey (Mac) plays the "white Magical Negro," who assist the lead in her journey of self-discovery, a job on which the writers fell down a peg or two. Justin Avery (Jon) plays the romantic fodder, but is otherwise superfluous and stereotypical. Ainsworth is left stranded by the writing, not because the film is poorly written, but because of her amazing talent. There is only so much one can do with a film like this.
Very early on in the film, Ainsworth mows down the "movie star" checklist: flawless body language and voice tone, the ability to slip into character convincingly, a rare level of attention to detail, exceptional range which exceeded the writing, and a sexuality which, while not the typical "bombshell" variety, would leave one hard-pressed to find a man who would reject her, and which, even while front-and-center, is never gratuitous or crude. Surround her with top-shelf talent, and she can and will go anywhere in film, or in series television; perhaps ABC will reconsider Ainsworth and Jennifer Beals's pilot "Westside" on which they foolishly passed.
For all its many good points, the film needed a stronger compass, particularly with regard to what makes Ashley tick, and why she transformed into a good girl without much resistance, but these are minor plot issues that detract very little from an excellent performance in a decent film, one which could have ruined my afternoon off, leaving me feeling like I wasted my $14.98, but which definitely did not. I highly recommend this film. My primary question was answered: Lexi Ainsworth is more than capable of carrying a film. I look forward to her future work.
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