Baz is one of Britain's new bicycle police, a figure of fun.Â But soon he will turn from cycle cop to psycho-path.Â As riots break out in London, a head injury skews Baz into a vigilante, ... See full summary »
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Rachel Marie Lewis,
Baz is one of Britain's new bicycle police, a figure of fun.Â But soon he will turn from cycle cop to psycho-path.Â As riots break out in London, a head injury skews Baz into a vigilante, offering criminals the choice of arrest or death. Baz sees his campaign as lawful killing. Lowlifes who are too stunned, confused, or drunk to argue when he politely asks, "May I kill you?" are merrily dispatched. All filmed on the helmet-cam and posted on social networks!Â Using the alter ego @N4cethelaw, Baz acquires thousands more fans with each killing, dispensing justice to scumbags, cleaning up society. In a sudden reversal, Baz is captured by an enraged relative of one of his presumed "kills", and faces slaughter or -Â even worse - exposure. Written by
During covert filming, Kevin Bishop's stunt double was spotted cycling crazily with a camera mounted on his police bicycle by a real police car which gave chase in SW London. The stuntman was able to escape by ducking through barriers protecting a cycle path. See more »
[as he throttles Andy the wife beater]
Do you deserve to walk this planet?
See more »
"The producers of this film do not encourage any form of vigilantism, and encourage you to join the police instead" See more »
Written by Heyboer, Verdult and Heyboer
Published by Touch Tones Music Ltd
Performed by Black Sun Empire
Courtesy of Black Sun Empire Recordings See more »
I really enjoyed the preview of "May I Kill U?", written and directed by Stuart Urban. A highly original, modern, and very funny, black comedy; it had a packed-out theatre at the NFT laughing guiltily throughout. No pretentious or linear storyline here: it's a complex plot, delivered in sequential layers and exquisitely packaged in a most satisfying way. "May I Kill U?" has clearly been written and directed to entertain and has fun with some classic lines used to sophisticated effect. The character portrayals, enhanced by the use of careful understatement, are both hard to anticipate and deeply thought-provoking. And I loved, loved but I mean really loved the ending.
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