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Love, Marilyn (2012)

Modern day celebrities interpret excerpts from memoirs written by people who knew Marilyn Monroe as well as her recently discovered personal journals and letters.

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(excerpts from memoirs), | 9 more credits »

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Storyline

Of all the stars in Hollywood's history, no one had a more potent mix of glamor and tragedy than Marilyn Monroe. Through performed readings of her personal papers, this film explores the life and personal thoughts of this seminal movie star and how she achieved her dream with determination and audacity. Furthermore, through additional readings and interviews of her colleagues and acquaintances, we also follow her emotional self-destruction under the sexist pressures of Hollywood until her premature death in 1962. Written by Kenneth Chisholm (kchishol@rogers.com)

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Not Rated | See all certifications »

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16 May 2013 (Hong Kong)  »

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Fragments: Marilyn Monroe  »

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Trivia

Norma Jeane got her stage name when an executive at Fox told if she wanted to be a star, she would have to change her name. He told her she resembled Broadway actress Marilyn Miller, which gave her the first name Marilyn. Monroe was her mother's maiden name. See more »

Soundtracks

Carmen-Suite No.2 - Habanera (1st Scene)
Written by Georges Bizet
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User Reviews

 
Very good but flawed approach
5 July 2013 | by (United States) – See all my reviews

This was a very good documentary. I learned a lot about MM and liked seeing old interviews with her and her friends and peers. The story, structure, music and editing were great and it was never dull. My only complaint is that I cringed many times, watching most of the actors read from Marilyn and others' letters and books. I felt that they emoted waaaaaay too much and were showing off. It felt like they agreed to recite the words or "act" for selfish reasons. It was over the top: especially Marisa Tormei, Uma Thurman and Adrian Brody. It called to much attention to the actors and was very distracting. It took me OUT of the film.

The film was about MM not these actors. At the very least, the should have been offscreen, only supplying a voice over. I suppose the director's argument would be that they were trying to convey the emotions of the subjects who had written the books, poetry, etc, but it was embarrassing and self serving. I will not see the film again for this single reason. This is a documentary. I don't want to see Hollywood actors overacting.


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