A soldier who has been fighting a long war is driven mad because he no longer believes in any purpose or righteous truth behind the killing. He comes home to a surreal world looking for his... See full summary »
A young woman wakes up in a room she assumes is a police interrogation room. A detective tells her she is the only survivor of a mass killing that evening. As the Detective has the woman ... See full summary »
"Force of Execution" is the story about a crime lord torn between his legacy and his desire to get out of the life of crime that has built his empire, when a new player to the scene tries ... See full summary »
Ex-kickboxing champion turned sports photographer Max Havoc again finds himself in Guam on a publicity photo shoot. Max's helpful ways land him in the lives of the vacationing sisters Jane ... See full summary »
Scott L. Schwartz
Alex shoots again. She has to kill a man, but shoots the wrong one. A high ransom is set on her, so she is visited by some head hunters. Well, she only could sit and wait and hope for a ... See full summary »
Using footage left over from Nemesis 2 and a very thin story line sees Alex again fighting the cyborg mercenaries in 1998 East Africa. This time, Alex finds that she has 20 half sisters who... See full summary »
Saw a very early, possibly the first, cut screening of this film back in March. It was still needing CG work and the sound was rough. What I gleamed from the version I saw, was the film is set several centuries after the Van Damme Cyborg film. No, there's no Van Damme and no "FENDERRRRR". So its not really a sequel, prequel or whatever other form these tenuous connections take on. What it is, is a very complicated and complex take on the whole messiah as hero trope. The film really spins the entire Joseph Campbell hero's journey on its ear. The film asks and explores what if you were both the savior and the destroyer, hero and villain rolled into one. There were several "Scene Missing" cards so it was a disjointed, but the core of the film's thematic track was apparent. Joi Fulco plays these messiah / Lucifer hybrid. She's interesting but it was hard to tell how her acting is. As in all Albert Pyun films, there's a lot of imaginative visuals and an unorthodox style to everything. I think he might have jumped the gun on screening the cut as it needed work but the ideas rang through impressively. It's not derivative or stuck in genre conventions. It's as if Cyborg was remade with the style of 2001 or Tree of Life. Its that metaphysical in design. I am curious to see the final version.
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