7.4/10
2,833
18 user 61 critic

The Other Son (2012)

Le fils de l'autre (original title)
PG-13 | | Drama | 4 April 2012 (France)
Trailer
2:04 | Trailer

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Two young men, one Israeli and one Palestinian, discover they were accidentally switched at birth.

Director:

Writers:

(original idea), (screenplay) | 1 more credit »
2 wins. See more awards »
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Cast

Cast overview, first billed only:
...
Orith Silberg
...
Alon Silberg
...
Joseph Silberg
Mehdi Dehbi ...
Yacine Al Bezaaz
...
Leïla Al Bezaaz
Khalifa Natour ...
Saïd Al Bezaaz
Mahmud Shalaby ...
Bilal Al Bezaaz (as Mahmood Shalabi)
Bruno Podalydès ...
David
Ezra Dagan ...
Le rabbin
Tamar Shem Or ...
Yona
...
Ilan (as Tomer Ofner)
Noa Manor ...
Ethel
...
Lisa
Diana Zriek ...
Amina
Marie Wisselmann ...
Keren
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Storyline

Two young men, one Israeli and one Palestinian, discover they were accidentally switched at birth.

Plot Summary | Plot Synopsis

Taglines:

Two families divided by fate. United by understanding.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for a scene of violence, brief language and drug use | See all certifications »
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Details

Official Sites:

Country:

Language:

| | |

Release Date:

4 April 2012 (France)  »

Also Known As:

The Other Son  »

Box Office

Opening Weekend:

$125,691 (USA) (26 October 2012)

Gross:

$1,160,773 (USA) (28 December 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

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User Reviews

 
A moving, involving movie
19 April 2013 | by (United States) – See all my reviews

I'm surprised that there are only two reviews - now three - of this movie on IMDb. It got a very good review when it played up in Cleveland, and since I couldn't make the trip up there to see it, I waited and rented it from Netflix. It was worth the wait.

The situation is straight out of an early Shakespeare comedy: two babies are switched at birth by mistake in a maternity ward, such that a Jewish Israeli family raises a young Arab and a Palestinian family raises a young Jewish Israeli. Just short of their 18th birthdays, they learn the truth.

The first part of the movie deals with the reactions of the four parents. All four actors give truly moving, first-rate performances. The Jewish father is an officer in the Israeli army, someone who has spent his life fighting Arabs. Still, he is torn apart by what he perceives as the loss of his son. The Arab father doesn't know how to react: is he now harboring a hated Israeli in his own poor home? But he, too, loves his son very much, and cannot deal with the thought of losing him.

The two mothers also experience a feeling of loss, but are able to speak to each other in ways that the two fathers, for political reasons, cannot.

The son of the Jewish couple finds acceptance in the Palestinian family through a mutual love of music. It is less clear how the son of the Arab couple will fit in the Jewish family. Will Yacine be able to tolerate living with an Israeli army officer? How will his family deal with that? The movie, as I said, is based on a clichéd theatrical device, but there is nothing clichéd about the acting or the script here: it all seems very real, and often very intense. It never seems fake. Unlike what the other two reviews suggest, not everything is resolved here by the end of the movie. That would have been too pat, too American-TV.

I strongly recommend this movie. It's really well done.


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