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*** This review may contain spoilers ***
To describe the premise as unrealistic would mean nothing as nobody
should expect realism from what is essentially a post-apocalyptic
sci-fi flick.
Watching something like this should lead to "what-if" scenarios, help
you identify with more or less complex characters that beg you to care
for them. Making a series out of something like this would allow the
writers to embed details that allow characters to grow and plots to
capture the audience for at least a season. And much like it is with
meeting a new person, the pilot of series is expected to offer a
perspective of what is to come.
But we have none of that in "Revolution", which is a truly awful series
under all aspects.
The series would have us believe that a cataclysmic event left the
world without electricity. This is fine, it is a bold premise that
demands to know "how could this have happened", since it seems to defy
any reason. The writers hint of a future answer and this is good.
What is bad? All that follows make no sense. We are given a 10-years
after world, with decrepit ruins of the civilization.
Wait ... what, ruins? In my country we have blocks of flats that are
over 50 years old and still stand strong without any maintenance
whatsoever (sure, they look like crap, but they stand and are
inhabited).
Next. Henchmen firing muskets? Why? You don't need complex technology
to make bullets for the mechanical repeating rifles. They had those in
the wild west before electricity. (FAQ on this is false: yes, making
modern ammo is difficult without electric machinery but that doesn't
equal revert to musket - in fact revert to musket poses huge problems
because even if ammo can be anything, you need to first manufacture the
weaponry as existing weapons have rifling bores, moreover to make
simple rifle bullets you don't need the same process as the more modern
ammo and they would still be compatible with a lot of modern guns).
Next. Can these characters be any less likable? A hot-headed teenager
and her brother, a Justin Bieber-lookalike?
Next. Lacking electricity, how can people be alive? (most cellular
processes require electricity - passing electrical charges along, brain
processes are completely dependent on this) How can anything be alive?
If you rub some material on your hair, is there any static left? Hell,
since we're at it, what keeps molecules together? Have electric charges
been replaced by something else? If so, and in fact those mysterious
amulets just regulate this state, it means people can be alive only
around them.
Next. How does that woman communicate using her computer? It would mean
that an entire network runs continuously from her house to her
counterpart. That means, the entire line has electricity running
smoothly between her computer, to whatever router she is using, to her
counterpart's computer (assuming a simple setup) is allowed to have
electricity (otherwise the signal would die as soon as it got out of
the range of her amulet).
Halfway through the pilot I was truly hoping that at least the Bieber-
double would die in agony and soon after came the simply horrible hotel
fight where I saw the evil henchmen pause for almost an entire minute
to give the wonder-soldier time to stare in disbelief at his teen
niece. Almost a minute the brain-dead henchmen just stand there not
taking a shot. Even in cheap C-movies they at least try to give
something to do to the henchmen to give the good guy a break (eg: moan
as they stand, pick themselves up, slow-motion take, etc), but not
here!
And in the end we are fed the incredibly cheap cliffhanger of the
doctor typing on a dismembered computer. Why dismembered, may I ask? If
she simply didn't keep her old computer in one piece and was forced to
build one from scrap, what exactly prevented her from finding/making a
case too, just to keep those precious components that remind her of a
more civilized time, safe?
What we have is another production by JJ Abrams. Unfortunately that
translates to BAD. In an interview, Abrams claims that the science
makes sense. Sorry. If batteries (electro-chemical) don't work then
neither do people. Our bodies run on electro-chemical processes. So
there goes the science. But crap science, after all, is a staple of JJ
Abrams. After all, in Star Trek he had Spock watch the destruction of
the planet Vulcan from the surface of another planet in another star
system WITH HIS NAKED EYES! Next I have to wonder how, after fifteen
years, people can still be wearing fresh, white, machine-made clothing.
I guess it wouldn't look good to have everyone walking around in
sheepskins. Bu why not leather? Last, but not least, there is the JJ
Abrams specialty. Billion-to-one coincidences. Again, in his absolute
drek of a reboot of Star Trek, one coincidence (among so many) was
having Kirk marooned within walking distance on the same planet as
Spock and Scotty. In Revolution, the three questers enter a random
building after entering Chicago. The first person they talk to is (what
a bloody amazing coincidence) the very person they are looking for.
I can't imagine how anyone who puts so little thought into his work and
who treats his target audience with such contempt still gets to do what
he does.
I've given Revolution five episodes because I love post apocalyptic
dramas and films generally but this really is awful. Forget the fact
that the plot is full of holes and general stupidity. Apparently 18
years after wars and the end of civilization everyone has discovered
the secrets of moisturizer, hair gel, makeup, and they have invented
the non-electric travel iron and curling tongs. Also they have access
to an endless supply of clean push up bras and flimsy outfits.
I suggest the producers go live in a third world country for a while
where most waking hours are spent focused on survival and getting
enough to eat and drink, and where the balance between male and female
power shifts dramatically when democracy and regulation is removed.
Also see how fast the trains go when you have no idea if the track
ahead has a cow or a tree on it.
While the "Walking Dead" staggers into soap opera territory too often
at least it clearly recognizes the difficulties of just surviving and
meeting basic human needs while trying to move to a better world of
lofty moral standards.
Revolution has the moral philosophy of the film "Taken" in that as long
as the very annoying, sobbing,teenage white virgin drama queen girl and
boy are OK everyone else can die for them without anyone caring.
Everyone involved with Revolution should quickly watch the 1984 BBC
drama "Threads" and start again before it gets the cancellation notice
it currently deserves. Also please kill off that sobbing girl.
The whole blackout thing, where the world is without power, is a really interesting subject, however, the story line that was chosen is down right awful. The main character, Charlie, is more obnoxious than Jar Jar Binks in the first episode of Star Wars. The show basically consists of Charlie sobbing about her brother and being outrageously clique and stubborn. In addition to the fundamental problems with the show the whole blackout scenario is pushing the limits. The show states that even batteries and motors will not work, I can see how one could create a world without electrical power but to completely stop the functionality of batteries takes the work of some black magic. Now unless they incorporate Gandalf into the story line I do not see this a feasible scenario. Please, don't waste your time with this show and go read a book.
*** This review may contain spoilers ***
The show is, to elegantly sum it up, quite horrible. As so many have
noted, the science (planes fall straight down out of the sky, muskets,
no steam power etc.) is bad enough, but could be ignored with suspended
disbelief, if the remaining criteria for a well done show didn't also
fall flat.
When one has to point to the CGI as being the only saving grace, there
is a problem. The actors are bland at best and annoying at worst. They
neither look nor behave as though they come from a dangerous post
apocalyptic civilization. The action is terribly repetitive and
formulaic. The dialog is boring and only serves as a filler between
overly long fight scenes, which themselves do not serve the plot.
In the end what we get is a lot of nothing with a smidgen of plot that
is revealed in dribbles and we are supposed to be tantalized enough to
keep coming back for more. I might dvr it and watch the last five
minutes of each show.
The idea of a post apocalyptic world without electricity excited me,
but this show is a real loser. It is more the pity as there are some
fine actors involved.
I do not understand this trend of formulaic sci fi with expensive
budgets and excellent producers etc. turning out high tech versions of
Space Family Robinson. I believe it is insulting to audiences.
To make myself hated even more, I also think that Walking Dead after
the first great season is terrible. Endless dialogs revealing lives
that I could care less about interrupted by zombie attacks.
I was expecting nothing from the "science" in this, and I got nothing,
so I won't harp on that.
What I will harp on is the characters. It is set a dozen years after no
electricity; people have been surviving in a difficult world, on too
few calories, with too little medicine, have witnessed murders and
stealing and a brutal military dictatorship, and no doubt rapes and
probably (though it's not shown) freakout insanity and cannibalism and
many deaths from childbirth and simple infections gone septic. And yet
the teens act like spoiled white American suburban teens. And the
adults around them let them! This is crazy. When you're in a survival
situation and the experienced fighter says, "shut up" or "stay there,"
or "no" or "of course we have to kill this bad guy," the child will not
whine and do what they please and run the world, like a suburban kid of
professional divorced parents who throws a hissy fit to get the newest
wii. They'd do as they're told--or the adult would shoot them very
quickly or beat them unconscious because they were putting other lives
at risk. It's not today's suburban American with all our cushy values,
free time, and needless electronic crap. It's supposed to be a dire
survival situation, and yet no one is acting like it. They're all
acting as if they have 5000 square foot homes, wall to wall carpet, and
not a care in the world beyond their next tooth-whitening appointment.
This is, at best, a sad lack of imagination.
Every TV show like this needs to hire a consultant who has
actually...oh, I dunno...grown up on a real, struggling ranch and
hunted for the table should do it. Those who never had to get up before
dawn to go out and crack the ice on the trough, or live on 20000
calories spread over a month because that's all there is, and who do
not have the wit to imagine doing so, really shouldn't write this sort
of thing.
Watching episode 2 on Hulu, I kept wondering, do the car manufacturers
pushing electric cars to me have no sense of irony about advertising
such an item during a show that says "electricity might end" and "we
can live without it." Maybe they should rethink that strategy.
A combination of stupidities that makes me, again, hope for the end of
the human race; if we use our big brains this badly, truly, extinction
is what we deserve.
The best reason to watch this was because of the story/plot and i think that the idea is great but then when you watch it the writing and acting is a complete let down there are a few good actor's in this but i think that the female lead is not good..actors make the story and for me if they are not good then it ruins the show. From what i have watched the writing is very predictable and the acting just makes the show seem flat these reasons make me and probably will make other people just drift off from watching this show after a couple of episodes. This is just from watching the first two episodes which for me the first couple should get you hooked on the show not you thinking that you cannot believe that who these actors are playing. If you want to watch this show go for it. This is just my opinion
"Revolution" has it all. Bad writing. Bad acting. Bad premise. The
trifecta. Which probably means that, in the grand tradition of
groundbreaking TV shows like "According To Jim', NBC is prepared to
keep this turkey going for 7 or 8 years until it finds it footing.
Giancarlo Esposition is better than this.To paraphrase Lloyd Bentsen, "
I knew Gus Fring. Gus Fring was a friend of mine. And you, my friend,
are no Gus Fring". Never saw Mr. Esposito in a bad project before, but
I guess there's always a first time.
This hodgepodge of "The Postman" and "Life After People" looks dead on
arrival. And speaking of "dead on arrival", AMC's little zombie show
seems to have a way to make this post-apocalyptic stuff a whole lot
more palatable. Just add writers and some committed actors and you got
yourself a winner. It CAN be done. But "Revolution" ain't doin' it.
"What's in the whiskey, bitch??" Man. If I had nickel for every time
I've heard that.
Okay, I wasted 2 hours of my life watching the first 2 episodes. Unfortunately on IMDb, you are required to leave 10 lines of review to get it to post. I could have reviewed this show with 2 words.... IT STINKS! But I can't get it to post with so little about the show. Okay, let me try harder. Oh, the show has terrible acting, and I was hoping the main character (Charlie) would fall on her own arrow. Annoying character that you cannot feel anything for and actually root against. I was hoping one of those Hunger Games kids would suddenly show up and take her out. Also, the story, it seems written by high schoolers! Do the writers think their audience is ignorant. Just because 60% of Americans can't find their own country on a map doesn't mean..... Okay, maybe they are. Let's move on.... Oh I think I've typed enough now to get this posted, so where was I? Oh, Revolutions.... It STINKS!
When I was a child of the 1970s, I really loved Six Million Dollar Man,
Bionic Woman, Battlestar Galactica, Star Trek, and pretty much any
other kind of scifi out there. What was their formula? Big imaginative
premise (bionics, space battles, people who turn green when they get
mad), a good looking cast of good guys and girls, and mean bad guys and
girls. When better scifi came along, scifi that engaged me as an adult,
my tastes changed and I could no longer really enjoy the old stuff the
way I did when I was little. Love them or slam them, Lost, the new
Battlestar and Star Treks raised the bar for what we expect of
character development, complex morality, believability, story
consistency, and adult themes.
Kripke goes back to the old formula and ignores everything that's come
along ever since. As a result, we get a simplistic show that's aimed at
children, and that's a very limited audience. We also get a
good-looking soap opera quality cast that's better at posing than
talking. Even Giancarlo Esposito, aka Gus Fring, abandons subtlety
altogether in his role as the heavy. I suspect after a season, maybe
less, this show will go the way of Terra Nova-- too expensive and too
dumb for the 21st century.
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