Meet Sam. A spy. A hunter. And herself hunted by an enemy more ruthless and determined than any she's ever known. Sam has been running from her past her entire life but when she returns to ...
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Aidan survives the explosion but is accused of being the mole and goes on the run,asking Natalie,in vain,for information on Hour-Glass. Sam wakes in hospital to find that,rather than seek her death,...
Sam breaks into Stokes' house and finds a Top Secret file on her as well as a document relating to the death of her mother Katherine,killed when Sam was a child. Aidan believes that back then Sam saw...
14 ordinary members of the U.K. public are challenged to go on the run, and to drop off the grid for up to 28 days. This is a twist on the reality TV genre, with simulated 'state' tracking ... See full summary »
A US sub picks up Navy SEALs and receives an order for a nuke launch. Due to the circumstances of the order, the Captain refuses to fire. After escaping an attack from another US sub, the crew and SEALs take refuge on a small island.
Fresh out of the farm, Annie Walker must adapt to the challenging life of a CIA operative under the guidance of her handler, Auggie. But soon she realizes her recruit might have to do with her last boyfriend rather than her talent.
Centers on an idealistic Secret Service agent who finds himself at the center of an international crisis on his first day on the job. In his search for the truth, he will have to cross ... See full summary »
Chiwetel Ejifor leads an all-star cast in this gritty conspiracy thriller in which he plays a cop searching for the murderer of a crime boss. Detective Inspector Jonah Gabriel returns to ... See full summary »
Follows a deep-cover operative named Martin Odum, who has an uncanny ability to transform himself into a different person for each job. But his own identity comes into question when a ... See full summary »
Grace, a morally and emotionally-conflicted undercover detective, is tormented by the possibility that her own actions contributed to her son's mysterious death. In her quest for the truth,... See full summary »
Meet Sam. A spy. A hunter. And herself hunted by an enemy more ruthless and determined than any she's ever known. Sam has been running from her past her entire life but when she returns to Byzantium, the organisation that employs her, and begins to pursue her pursuer, she will discover the only way to escape that past... is to confront it. This is the story of a spy with a bull's eye on her back, a human target unable to trust anyone at any time, even the man she loves. She is, quite literally, running for her life. Hunted is a smart, complex and contemporary spy series. Written by
a brutal and superior take on the Bourne concept, well worth watching.
I for one am a fan of Melissa George, her role in alias as a world class super b--- was impeccable, but it wasn't till I saw A Lonely Place to Die that I became a huge fan, as the movie explodes into graphic violence and tension her performance and looks suck you in.
Hunted is another grand example of taking advantage of her extraordinary screen presence.
As a spy thriller, its originality is mute, its not bad, not at all, but not all that special... but just as a thriller in general its wonderful. The picture quality is grand, and while it may make a few to many cuts, the whole picture put together is spellbinding.
It's plot and characters seem fully developed, just waiting to unfold and each seems psychologically sound to what they are, they don't just make things happen for the characters, it seems like the characters will react as if they should in that situation.
The show keeps tension well, Melissa's uncanny ability to suck you in (not unlike Jodie foster with her eyes) keeps you involved, and when the show bursts into its graphic and brutal violence, its all the better. The handful of action scenes by far outmatch those in the Bourne flicks and the adult plot is refreshing from the childish hollywoodised crap that those movies descended to.
I highly recommend this, just simply if anything for its balance between its violence, plot, and characters, not suffering one for any other like so many shows now days do.
If a show can do all three and do them well, than sacrificing one or both others do do one thing VERY well, well, thats just not good enough, let things happen as they do.
The only issues I have are a sh-- title sequence (very English, not in a good way, makes it seem far more cheeseball than it in no way is), and some spastic cuts on the violence, the camera work isn't shaky, in fact most of it is good, but the some (and i do mean only SOME) of the cuts don't fit together.
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