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The Tsarina's Slippers (2009)



(after: short story "Christmas Eve") (as Nikolay Gogol), (libretto)


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Credited cast:
Olga Gouriakova ...
Vsevolod Grivnov ...
Larissa Diadkova ...
Vladimir Matorin ...
Maxim Mikhailov ...
Vyacheslav Voynarovsky ...
The Schoolmaster
Alexander Vassiliev ...
Pan Golova
Sergei Leiferkus ...
His Highness
Olga Sabadoch ...
Rest of cast listed alphabetically:
Gary Avis ...
Principal dancer
Tara-Brigitte Bhavnani ...
Dancer of the Royal Ballet
Mara Galeazzi ...
Principal dancer
Bennet Gartside ...
Dancer of the Royal Ballet
Orchestra of the Royal Opera House ...
Themselves - Orchester
Cindy Jourdain ...
Dancer of the Royal Ballet


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Comedy | Fantasy | Music





Release Date:

24 December 2009 (UK)  »

Also Known As:

Tchaikovsky: Cherevichki - The Tsarian's Slippers  »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

16:9 HD
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User Reviews

Perfectly enchanting
13 November 2012 | by (United Kingdom) – See all my reviews

Cherevichki-The Tsarina's Slippers is not one of my favourite Tchaikovsky works, but it still has an entertaining story and the typically lush melodies that is associated with Tchaikovsky. I enjoyed this Royal Opera House production thoroughly. But I don't think it's perfect. Two principal singers didn't entirely work for me, Olga Guryakova and Vsevolod Grivnov. In all fairness though, Guryakova does have the most difficult role but while her acting is good I could tell by the frequent shrillness in her voice that she was vocally taxed. Vsevolod is pretty much the same problem, a heroic presence but a voice too lyric for the demands of the role. I loved the rest of the performances though. Larissa Diadkova really stood out to me as a genuinely foreboding Solokha, while Maxim Mikhailov makes for a very entertaining devil. Sergei Leiferkus proves again what a wonderful actor he is, he is very refined here and he sings powerfully and stylistically. Vladimir Matorin's booming, earthy basso voice is one that matches perfectly his towering height. The dancing is just as wonderful, the choreography has such a characteristically Russian feel yet with a lot of grace and precision as well. It is performed with great skill and has feeling to it. The staging helps to really draw you into the story and does so in an imaginative way, while the orchestral playing is deliciously lyrical and authoritative and the conducting loving towards the score(understandably, it is great music) and elegantly phrased. But the standout of the performance was easily the production values, there is a slightly bizarre feel to the sets but that was fitting and they were very bold and colourful to look at all the same. The costumes are equally audacious. In conclusion, an imperfect but still enchanting performance. 8/10 Bethany Cox

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