Hello I Must Be Going (2012)

R  |   |  Comedy, Drama, Romance  |  31 January 2013 (Russia)
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Ratings: 6.2/10 from 4,309 users   Metascore: 62/100
Reviews: 21 user | 65 critic | 23 from Metacritic.com

Circumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life



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1 win & 2 nominations. See more awards »



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Cast overview, first billed only:
Gap Girl
Eli Koskoff ...
Kate Arrington ...


Circumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life

Plot Summary | Add Synopsis


*Meet Amy Minsky. She's just getting over her divorce.


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

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Official Sites:



Release Date:

31 January 2013 (Russia)  »

Also Known As:

Come la prima volta  »

Filming Locations:

Box Office

Opening Weekend:

$23,904 (USA) (7 September 2012)


$83,814 (USA) (28 September 2012)

Company Credits

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Technical Specs


Sound Mix:


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Did You Know?


The title is a reference to a Groucho Marx song of the same name. See more »


Amy: I just thought that that was being alive. To always feel bad and wrong and just insecure and invisible.
See more »


References Animal Crackers (1930) See more »


Electric Green
Written by John Jennings Boyd and Eric V. Hachickian
Performed by John Jennings Boyd and Eric V. Hachickian
Courtesy of Critical Mass
See more »

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User Reviews

Much lighter and funnier than the synopsis makes it sound
26 January 2012 | by See all my reviews

Hello I Must Be Going doesn't really question the morality or credibility of its central theme -- romantic relationship between a woman and a man where she is almost a couple of decades older. The film cleverly escapes the creepiness surrounding it and actually ends up being very funny. It should be attributed to screenwriter Sarah Koskoff's unabashed celebration of the positive effects that sexual human contacts have on one's spirit, and female lead Melanie Lynskey's depressed yet oddly optimistic portrayal of the 30-something divorcée. For a Sundance Lab product, which often tends to be just dark and ambiguous, this is somewhat a refreshing change of tone.

The only indie cliché this film resorts to is the background of its main characters, who are all connected to filmmaking. However, this convenient setting on the filmmakers' part is not a real problem with the film, as there is a tangible character development of a woman slowly reopening to her senses, which should easily resonate among general audiences. All in all, this is an easy-to-follow indie with no ambiguity that makes your head spin. It clearly has adult contents with a few f-bombs, but nothing too graphic, and offers a pretty relaxed and enjoyable narrative.

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