A feature-length documentary film about hip-hop DJing, otherwise known as turntablism. From the South Bronx in the 1970s to San Francisco now, the world's best scratchers, beat-diggers, ... See full summary »
In the summer of 1993, the Wu-Tang Clan emerged from the slums of Staten Island and took the hip-hop world by storm. Their legacy spanned over a decade, garnering fans worldwide and ... See full summary »
SOMETHING FROM NOTHING: THE ART OF RAP is a feature length performance documentary about the runaway juggernaut that is Rap music. At the wheel of this unstoppable beast is the film's director and interviewer Ice-T. Taking us on a deeply personal journey Ice-T uncovers how this music of the street has grown to dominate the world. Along the way Ice-T meets a whole spectrum of Hip-Hop talent, from founders, to new faces, to the global superstars like Eminem, Dr Dre, Snoop Dogg and Kanye West. He exposes the roots and history of Rap and then, through meeting many of its most famous protagonists, studies the living mechanism of the music to reveal 'The Art Of Rap'. This extraordinary film features unique performances from the entire cast, without resorting to archive material, to build a fresh and surprising take on the phenomenon that is Rap. Written by
This was a trip down memory lane and, although very short, touched me deeply
I saw this movie followed by a live feed with Q&A of ICE-T (and others) in London.
According to Ice-T this movie is just the appetizer and more will follow Well I for one can't wait to see more. Ice-T said he wanted to "give back" and I think he did with this movie. I certainly liked the stories told in the movie even If I do not fully agree with the distinction they make between Rhyme Sayers (rappers) and MC (entertainers), I personally think it really depends on the era.
I've now dusted off all my old records and am listening to stuff I had not listened to for years. Ice-T also made me remember why I fell in love with hip hop. It was the old stuff that was like magic to me.
It's not that I do not like modern hip-hop, I do, but in my mind I probably never granted the modern kind the same stature as the Old School.
The term Old School it self is tricky. There were always fierce disputes as to what could be considered Old School in the nineties and who was part of it. Now every one of those disputing is over 30 and called old. Look up Old School in wiki for more info.
On a personal note. I don't know if Old School is/was better but it certainly appealed to me at that point in my live. As I believe that what was on the radio back then was more diverse.
I doubt that political rap of PE, KRS-1, Arrested development, X-clan, or the early Paris would even stand a chance against today's more mainstream popular hip-hop of Jay -Z Kanye, Lil Wayne and M&M. But the former was necessary at the time. It was an era of so many styles, ego tripping, enjoyment (party rap) and education (a tribe called quest, De La soul, intelligent hoodlum) and who would have thought that Miami Bass pioneer Luther Cambell (Luke) would be the one to defend artist's constitutional right to use profanity and parody.
What I mean to say is that Old School laid a lot of bricks for newer artists to follow; you cannot have Jay-Z without Grandmaster Melle Mel.
Something this movie makes really clear.
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