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Song to Song (2017)

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Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.

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Cast

Cast overview, first billed only:
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BV
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Rhonda
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Miranda
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Zoey
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Duane
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Lykke
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Emma (as Olivia Applegate)
Dana Falconberry ...
Faye's Sister
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BV's Mother Judy
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Mrs. Gansmer
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Angry Woman
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BV's Brother
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Storyline

Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.

Plot Summary | Add Synopsis

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality, nudity, drug use and language | See all certifications »
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Details

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Release Date:

17 March 2017 (USA)  »

Also Known As:

Weightless  »

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Box Office

Opening Weekend:

$50,559 (USA) (17 March 2017)

Gross:

$50,559 (USA) (17 March 2017)
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Company Credits

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Technical Specs

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2.35 : 1
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Did You Know?

Trivia

Terrence Malick made a rare public appearance with Michael Fassbender and Richard Linklater at the SXSW Festival in which he joined to a conference to discuss the film. See more »

Soundtracks

Summer Nite
Written by Rod Swenson and Richard Stotts
Performed by Wendy O. Williams and The Plasmatics
Courtesy of The Plasmatics
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User Reviews

 
When a brilliant auteur goes down
12 March 2017 | by (United States) – See all my reviews

First off, I must say I am not a Terrence Malick hater. On the contrary: I used to worship the man. I even took an entire course in film school dedicated to him, Orson Welles, and Stanley Kubrick. I think the 5 films Malick did in the first 38 years of his career ("Badlands," "Days of Heaven," "The Thin Red Line," "The New World," and "The Tree of Life") are all masterpieces. I even liked "To the Wonder," which was almost universally panned, even though it was clearly not in the same league as his previous films. After the acclaimed "The Tree of Life," Malick (now 73 years old) has been working on several projects in different stages of production. He filmed "Song to Song" immediately after "Knight of Cups" (released last year) back in 2012, and it's only being released now, as a 129-minute film, after almost five years of post-production and at least 8 editors to turn it into something remotely coherent (reportedly, the first cut was 8 hours long). Unfortunately, like "Knight of Cups," "Song to Song" feels like a parody of Malick's work: the extensive, mumbling voice-over narration by all the main characters (taken to the extreme), the stunning imagery of nature and high-end real estate, and gorgeous people literally walking in circles and acting cute (or mean) to one another. The very thin plot revolves, as you heard, around two intersecting love triangles set against the music scene in Austin, Texas. But music doesn't play a great part in this story, and it certainly could have elevated it.

As abstract as Malick's earlier films could be, they all had tangible, rich, philosophical and often universal themes. "Knight of Cups" and "Song to Song" are pure cinematic masturbation. Malick's trick is getting some of the biggest (and best-looking) film stars in the world, and his main actors (Rooney Mara, Ryan Gosling, Michael Fassbender, Natalie Portman) have faces that one can easily watch for hours. But not even these great stars can masquerade the emptiness of the film. Mara has the most screen time of them all, being the only true leading character here, while Cate Blanchett, Holly Hunter, Val Kilmer, and Berenice Marlohe are reduced to cameos. There's at least one painfully genuine moment, near the end, featuring Hunter's character, but it only lasts a few seconds; Malick's gaze isn't interested in her emotions. He'd rather show us, for the umpteenth time, Mara and Fassbender being flirty and sexy instead.

I am all about experimental cinema, but when you realize that this is the deepest sort of "experimental" project that Hollywood can put out (made by a revered auteur that movie stars almost pay to work with), you feel even more nostalgic for the daring collaborations between Tilda Swinton and the late Derek Jarman. I know people who deemed "Knight of Cups" a "masterpiece" and will probably say the same about "Song to Song." I try to be respectful of other people's opinions, but I really don't think we're seeing this film through the same lens. I still admire and respect Malick; I just liked his work more when he had something to say. Right now, I see him as someone who can afford to make gorgeous-looking home movies just for his pleasure, but he's a much more interesting artist when he expands his canvas into something we can truly care about.


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