Ali's biggest match, his fight with the US government. A film about the politics and hubris surrounding the Vietnam War and the revenge exacted on America's greatest sportsman of the 20th century because he refused to fight in that war.
Muhammad Ali stars as himself in this dramatised version of his life story up to the late 1970s. It includes his Olympic triumphs as Cassius Clay, his conversion to Islam, his refusal of ... See full summary »
He's the greatest fighter of all time. A sports icon that is loved throughout the world. A man driven by his ambition to be the best. Muhammad Ali is a name that to this day puts fear in ... See full summary »
Thirty-Two year-old Muhammad Ali takes on what was at that time, one of the most powerful boxers in the history of the sport, in one last shot at greatness. Ali employs his "rope-a-dope" ... See full summary »
In 1964, world champion boxer Muhammad Ali requested exemption from the military draft based on his religious beliefs. His request was denied and when he refused induction into the army, he was convicted and sentenced to 5 years imprisonment. His case eventually works itself up the Supreme Court. In their first conference after the case is presented, the justices decide by majority vote to uphold the conviction and Justice John Harlan is tasked with preparing the majority opinion. He assigns one of his clerks, Kevin Connolly, to prepare a first draft but try as he might he believes that decision his wrong. His draft argues for overturning the conviction and Harlan agrees with him. The justice must now find a way to convince his colleagues. Written by
Robert Firth, who provides the voice for the NY Ring Announcer, was delighted to have had an opportunity to work with the legendary filmmaker Stephen Frears. During their ADR session, when Firth recorded the character's voice for the film's crucial Ali victory, he and Frears spent a great deal of time searching for just the right regional accent - to help capture the proper tone and manner for that period of time in American culture. Firth was taken aback by Frears' meticulous attention to detail. And Frears was intrigued by Firth's seemingly endless options he was offering to the director - so much so, that when he was leaving, a somewhat curious Frears asked the actor for his last name. He replied, "It's Firth, like Colin Firth, but without all those awards." See more »
You must be feeling pleased with yourself. You crossed the line, Connolly. Ask anybody.
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An interesting watch, but seeming to miss something
While being an interesting look at a major event in American history, I thought the general mood of the film didn't really mesh with the subject matter.
The locker room bro moments of the clerks felt more like a distraction in my mind from what was really interesting. I understand that throughout the move there's an attempt to compare and contrast the generational differences between the justices and clerks, but really it came out more muddled than insightful. But hey, maybe that's just me.
I think a more interesting movie would have been a more focused study into the closed-off perspective of the justice's world. A closed-room style would have fitted well. The hippies lined up outside made to seem distant and strange, even to the blue justices.
The movie also seemed a little closed off and lacking much room for audience pondering. Mohammed Ali was valid for conscientious objector status. No question. This might have been the case, but I'd rather come to that conclusion myself.
Anyway, it was a fine TV movie. Definitely worth a watch.
4 of 9 people found this review helpful.
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