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Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Director:
Thomas Vinterberg
Stars:
Mads Mikkelsen,
Thomas Bo Larsen,
Annika Wedderkopp
Abandoned by his father, a young boy is left in a state-run youth farm. In a random act of kindness, the town hairdresser agrees to foster him on weekends.
Directors:
Jean-Pierre Dardenne,
Luc Dardenne
Stars:
Thomas Doret,
Cécile De France,
Jérémie Renier
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Director:
Pedro Almodóvar
Stars:
Antonio Banderas,
Elena Anaya,
Marisa Paredes
Two pairs of parents hold a cordial meeting after their sons are involved in a fight, though as their time together progresses, increasingly childish behavior throws the evening into chaos.
Director:
Roman Polanski
Stars:
Jodie Foster,
Kate Winslet,
Christoph Waltz
Military dictator Augusto Pinochet calls for a referendum to decide his permanence in power in 1988, the leaders of the opposition persuade a young daring advertising executive - René Saavedra - to head their campaign. With limited resources and under the constant scrutiny of the despot's watchmen, Saavedra and his team conceive of a bold plan to win the election and free their country from oppression. Written by
FICV
Pablo Larrain's "No" has been short listed for the academy award for best foreign language film, though I completely forgot about this as I was drawn in by the story, once the lights were back on and I started going over the film in my head, I was - though pleasantly - very surprised by the academy's decision. Intermitted with the somewhat weak personal story of Rene with his son and ex-wife, a large part of the movie plays out in a celebratory tone as a trip down memory lane extravaganza for the Chilean collective conscious.
Now I don't mean to say people not from Chile will not be able to enjoy this film, but starting in the first minutes with the commercial for FREE COLA to the part where they actually had now 94 year old ex President Aylwin in a cameo role that made me and my family jump up and scream "was that really him?" so much of the meat of this movie lies in its faithful reproduction of a sometimes uncomfortably near past for us Chileans.
This being said, audiences of all nations and sizes will be able to appreciate the mature and paced unraveling of this most unexpected work of cinema. The film does not seek to tackle the big unresolved conflicts of our long decades of dictatorship and the questionable transition to democracy (and this is perhaps appropriate given the history and context of the film director himself) but rather tells a story of an ad man and how he put in his two cents in a time of changing institutions and a time when a suddenly modern Chile was looking with optimism to a new millennium.
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Pablo Larrain's "No" has been short listed for the academy award for best foreign language film, though I completely forgot about this as I was drawn in by the story, once the lights were back on and I started going over the film in my head, I was - though pleasantly - very surprised by the academy's decision. Intermitted with the somewhat weak personal story of Rene with his son and ex-wife, a large part of the movie plays out in a celebratory tone as a trip down memory lane extravaganza for the Chilean collective conscious.
Now I don't mean to say people not from Chile will not be able to enjoy this film, but starting in the first minutes with the commercial for FREE COLA to the part where they actually had now 94 year old ex President Aylwin in a cameo role that made me and my family jump up and scream "was that really him?" so much of the meat of this movie lies in its faithful reproduction of a sometimes uncomfortably near past for us Chileans.
This being said, audiences of all nations and sizes will be able to appreciate the mature and paced unraveling of this most unexpected work of cinema. The film does not seek to tackle the big unresolved conflicts of our long decades of dictatorship and the questionable transition to democracy (and this is perhaps appropriate given the history and context of the film director himself) but rather tells a story of an ad man and how he put in his two cents in a time of changing institutions and a time when a suddenly modern Chile was looking with optimism to a new millennium.