Two best friends see their trip of a lifetime take a dark turn when one of them is struck by a mysterious affliction. Now, in a foreign land, they race to uncover the source before it consumes him completely.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
A group of friends stop to pick up a hitchhiking woman only to end up getting drugged by her with a gas. They awaken to find that vials have been implanted in the base of their skulls - ... See full summary »
Elliot Brindle is a bright, meek salesman, drowning in debt - and desperate as he's about to marry the love of his life. Upon receiving a phone call informing him that he's on a hidden camera game show where he must execute 13 tasks to receive a sum total cash prize of $6.2M, Elliot dismissively follows through with his first two instructions: swat the fly that is currently bothering him, then eat the fly. With thousands of dollars suddenly appearing in his bank account, Elliot remains skeptical, though comforted by the knowledge that he can stop playing at anytime if only to lose every penny that he's won. Trapped into the horrors manipulated by unseen spectators, Elliot's need to complete the game escalates as the tasks grow more extreme, to a devastating point of no return. Written by
This was George Coe's final film before his death on July 18, 2015 at the age of 86. See more »
When Elloit is sawing off his old school bully's arm, the strap that holds said arm disappears during the more aggressive sawing, and then reappears before the arm has been fully seperated. See more »
Prof. Edgar Solomon:
A bear taking a dump asked a rabbit, "Does shit stick to your fur as a habit?" "Of course not," said the hare, "It's really quite rare," so the bear wiped his ass with the rabbit. There once was a lady named Dot who lived off of pig shit and snot. When she ran out of these, she ate the green cheese... that she grew on the sides... of her twat.
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An on-par Faustian thriller that could have been much better.
I will say it now: if you watch this film, don't quit until the 90 minutes have expired. Otherwise you will miss the devilishly clever final twists which are well-foreshadowed. In fact it is textbook screen writing. Fiction writers from all genres should take note - this is how you do it.
However, it's easy to change channels when watching 13 Sins. The low budget and (at times) pedestrian acting make it unremarkable to the eye, and it's tempting to go looking for something better. But stick with it, as what 13 Sins lacks in scale and scope it makes up for with suspense and intelligent twists. If you're very good, you might see it coming. The events of the third act are telegraphed clearly in the first, although you'll have to be smart to put the pieces together. This is where the film succeeds. Mysteries should always give the viewer a chance to solve the puzzle, and while 13 Sins doesn't make it easy, you can certainly do it. In fact I'm laughing out loud at myself for not seeing it coming.
That said, 13 Sins is a flawed film. It's tried to blur the lines between a suspense thriller and horror film. There are some hackneyed horror moments that could have been handled more effectively. A handful of gory scenes were obtuse and unnecessary, and perhaps would have been better if done with more subtlety. This seems to be the fault of the director who is apparently influenced by the style of independent horror-film makers of the 90s and 2000s who don't understand the value of tension. Gore on its own is ineffective. Horror is equal parts what we see and don't see. Case study: the original Alien showed us everywhere the creature could be, and in turn revealed them to be empty, letting our minds wander, letting us experience what the terrified characters were feeling. When the ultimate moment comes, it's done logically, and with nuance and flair. There's no gore on screen that didn't need to be there. All horror writers should study this.
The other problem lies with the film's occasional desire to go beyond it's limitations and try to establish a grander scale. There's an "escape" set piece that falls short of competency because they didn't have the money for good special effects, and it showed. You could have just left it out. An independent film should work around its budget instead of stretching it.
Anyway, out of all the slim pickings of 2014 so far - which is shaping up to be another terrible year for film - this low-budget suspense thriller has actually impressed me. Elliot's (the protagonist's) transformation was mostly plausible, aside from a few nonsense moments. It's sheer intelligence and gripping, relentless pace kept me watching until the bitter end. However, while I have said that the final act is quite good, it is let down by an incompetent epilogue which leaves us with a Downer Ending instead of one which is left open to the audience to interpret.
I recommend it as a rental only, but I DO recommend you see it.
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