A former British Army officer, who was tormented as a prisoner of war at a Japanese labor camp during World War II, discovers that the man responsible for much of his treatment is still alive and sets out to confront him.
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being protected by her adoptive parents.
Eric Lomax was one of thousands of Allied prisoners of war forced to work on the construction of the Thai/Burma railway during WW2. His experiences, after the secret radio he built to bring news and hope to his colleagues was discovered, left him traumatised and shut off from the world. Years later, he met Patti, a beautiful woman, on a train and fell in love. Patti was determined to rid Eric of his demons. Discovering that the young Japanese officer who haunted her husband was still alive, she faced a terrible decision. Should Eric be given a chance to confront his tormentor? Would she stand by him, whatever he did? Written by
The motorcycle and sidecar should have the sidecar on the left, not the right. See more »
At the beginning of time, the clock struck one. A drop of dew, and the clock struck two. From the dew grew a tree, and the clock struck three. Then the tree made a door, and the clock struck four. Then man came alive, And the clock struck five. Count not, waste not, the hours of the clock. Behold I stand at the door and knock.
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Introduction (Prelude) from Gadfly Suite
Performed by Ukraine National Symphony Orchestra, Theodore Kuchar (Conductor)
Composed by Dmitri Shostakovich (as D. Shostakovich)
Published by Native Tongue Publishing
Licensed Courtesy of Select Audio Visual Distribution on behalf of Naxos See more »
Had the opportunity to see this at its world premiere in Toronto tonight, where we were joined not only by the stars, but also by Patti Lomax, the wife of the real-life Eric Lomax, on whose autobiography this film was based.
The story is unique and interesting, and is told with a series of flashbacks to Eric Lomax, our protagonist's (Firth), experiences of WW2. As the film is set in fairly dreary locations (prison camps and drab apartments), it's not the most visually exciting thing to watch, and the edit/pacing leaves a bit to be desired - at several points, we find the present-day Eric Lomax (Firth) suddenly transported back to his POW camp in Asia without anything to clue us off as to whether he travelled there (a single plane shot would've done it) or, as in at least one case, is hallucinating.
Still, a good story and well acted by Firth with support from Nicole Kidman as his wife - although the real show-stealers are Jeremy Irvine as young Lomax, and Hiroyuki Sanada as Nagase, the Japanese translator and Lomax's tormentor.
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