After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.
As Cecil Gaines serves eight presidents during his tenure as a butler at the White House, the civil rights movement, Vietnam, and other major events affect this man's life, family, and American society.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
Eric Lomax was one of thousands of Allied prisoners of war forced to work on the construction of the Thai/Burma railway during WW2. His experiences, after the secret radio he built to bring news and hope to his colleagues was discovered, left him traumatised and shut off from the world. Years later, he met Patti, a beautiful woman, on a train and fell in love. Patti was determined to rid Eric of his demons. Discovering that the young Japanese officer who haunted her husband was still alive, she faced a terrible decision. Should Eric be given a chance to confront his tormentor? Would she stand by him, whatever he did? Written by
Last week I saw American HUSTLE and couldn't understand why the critics have so raved about it. Yesterday I saw THE RAILWAY MAN and can't understand why the critics have been so dismissive. It's a tense story about one of the great horrors of World War Two. Based on a true story, it's also a tale of love and redemption, two of the cinema's (and literature's) greatest themes. And it serves up a vivid reminder that the Japanese of the 1940s were, like the Nazis, from a different generation, almost from a different race.
David Lean's BRIDGE ON THE RIVER KWAI casts a huge shadow over this movie. THE RAILWAY MAN lacks the "majesty" of Lean's famous epic, but I suspect that Alex Guinness's performance would seem very theatrical by the standards of screen acting today. If anything, Colin Firth gives a slightly under-powered performance (and Nicole Kidman's part gives her too little to work with), but Jeremy Irvine is intensely believable as the wartime Lomax, geeky and quietly heroic. The horrors of the forced labour that built the railway and the relentless brutality of the Japanese soldiers are both vividly conveyed, and the ending manages to be poignant without trespassing into mawkishness.
This is a strange movie, grim but highly watchable. Arguably, it could have been tougher, more savage, but then it might be harder to sit through.
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