The collective story of those affected by the Swiss foster system.
There is no doubt that the story of a foster boy with no rights of his own could have been turned into a heart wrenching drama. However, despite the gravity of the subject manner, director Markus Imboden successfully infused some elements of entertainment which help viewers deal with the helpless situation of Max.
Many potentially controversial subjects were touched only at the surface, such as the role of the church or the involvement of the Swiss government in the foster system.
Thanks to the beautiful tunes of the accordion, a sort of acoustic happy end was made possible.
0 of 2 people found this review helpful.
Was this review helpful to you?