Filmmaker Ross McElwee (Sherman's March, Bright Leaves) finds himself in frequent conflict with his son, a young adult who seems addicted to and distracted by the virtual worlds of the ... See full summary »
This film is an experimental mix of documentary and fiction. The film crew travels from the Thai countryside to Bangkok, asking the people they encounter along the way to continue a story ... See full summary »
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
Consuming Spirits 16mm to HD, is an Independent feature animation, chronicling the lives of three characters who live in a rust belt town called Magguson, and work at its local newspaper ... See full summary »
Filmmaker Ross McElwee (Sherman's March, Bright Leaves) finds himself in frequent conflict with his son, a young adult who seems addicted to and distracted by the virtual worlds of the internet. To understand his fractured love for his son, McElwee travels back to St. Quay-Portrieux in Brittany for the first time in decades to retrace his own journey into adulthood. A meditation on the passing of time, the praxis of photography and film, and the digital versus analog divide. Written by
Now that McElwee's comic masterpiece, "Sherman's March," is available again on streaming Netflix, I'd definitely go for that one first if you haven't seen it. "Sherman" is a one-of-a-kind mockumentary (and not a documentary about Sherman or his march, btw, in the conventional, Ken Burns sense), and if it resonates with you at all, I suspect you'll be a fan for life. "Photographic Memory" is a watchable but distinctly lesser worka modest, autumnal meditation on aging, parenting and memory. A brief prologue fills us in on McElwee's tense relationship with his talented but unfocused teenage son, Adrian, then, with the help of funding from a couple of regional film boards, McE returns to the little town in Brittany where, as a VW-bus-driving college dropout, he worked as an apprentice wedding photog in the early 70s. Suffice it to say that the trip is uneventful (Adrian refused to go along b/c it sounded too boring), and McElwee's deadpan patter isn't up to his usual standard. He does better in his native North Carolina, where he doesn't have to try to speak French. "Bright Leaves," a rambling but entertaining doc about the tobacco culture in NC, is also available on streaming.
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