Filmmaker Ross McElwee (Sherman's March, Bright Leaves) finds himself in frequent conflict with his son, a young adult who seems addicted to and distracted by the virtual worlds of the ...
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North Carolina produces more tobacco than any other state in America. Bright Leaves describes a journey taken across the social, economic, and psychological tobacco terrain of North ... See full summary »
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by ... See full summary »
Ross McElwee Jr.
Forty year old documentary filmmaker Ross McElwee has a penchant for filming everything around him. Following the announcement of his impending marriage to his film-making partner Marilyn ... See full summary »
In 1986, Ross McElwee and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world's most visible symbol of hardline Communism.
Eliezer and Uriel Shkolnik are father and son as well as rival professors in Talmudic Studies. When both men learn that Eliezer will be lauded for his work, their complicated relationship reaches a new peak.
Filmmaker Ross McElwee (Sherman's March, Bright Leaves) finds himself in frequent conflict with his son, a young adult who seems addicted to and distracted by the virtual worlds of the internet. To understand his fractured love for his son, McElwee travels back to St. Quay-Portrieux in Brittany for the first time in decades to retrace his own journey into adulthood. A meditation on the passing of time, the praxis of photography and film, and the digital versus analog divide. Written by
A young child - the one you loved so much - is still contained in the obnoxious teenager. And as a parent you never forget that. This is what keeps parents from positively strangling their teenagers. I mean, teenagers don't even realize how much they're protected by a smaller version of themselves, which rises up to defend them.
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I am a big fan of Ross McElwee's work - SHERMAN'S MARCH is brilliant and I've seen & enjoyed all of his other documentaries. While recently sick & laid up in bed, I was thrilled to discover this on Netflix. While I enjoyed it, the film is so slight, so scattered that in the long run one feels like "meh". I know his son is 21 and that is a tough age but Adrian comes off rather spoiled and in fact, I couldn't help but feel that the main reason Ross went back to France was to just get away from his surly,pampered texting son. There are nice moments about memory & youth & getting old but this is definitely the weakest entry in his body of work. (Just play Cat Stevens' Father & Son instead).....
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