Filmmaker Ross McElwee (Sherman's March, Bright Leaves) finds himself in frequent conflict with his son, a young adult who seems addicted to and distracted by the virtual worlds of the ... See full summary »
Rare16mm home movies from the 1920s through the 1950s, that weaves into a composite lifetime, passing through the celebrations and struggles from childhood to adulthood, from innocence to experience (In HD)
Acclaimed filmmaker Alan Berliner chronicles the deeply personal story of his mother's first cousin--well-known poet/translator/professor Edwin Honig--on his journey into the depths of ... See full summary »
Eppo and Nyke are school friends, B-Movie fans who have their own review show online. Suddenly things change, Nyke gets into the punk/goth scene, while Eppo got obsess with a certain film ... See full summary »
Filmmaker Ross McElwee (Sherman's March, Bright Leaves) finds himself in frequent conflict with his son, a young adult who seems addicted to and distracted by the virtual worlds of the internet. To understand his fractured love for his son, McElwee travels back to St. Quay-Portrieux in Brittany for the first time in decades to retrace his own journey into adulthood. A meditation on the passing of time, the praxis of photography and film, and the digital versus analog divide. Written by
I am a big fan of Ross McElwee's work - SHERMAN'S MARCH is brilliant and I've seen & enjoyed all of his other documentaries. While recently sick & laid up in bed, I was thrilled to discover this on Netflix. While I enjoyed it, the film is so slight, so scattered that in the long run one feels like "meh". I know his son is 21 and that is a tough age but Adrian comes off rather spoiled and in fact, I couldn't help but feel that the main reason Ross went back to France was to just get away from his surly,pampered texting son. There are nice moments about memory & youth & getting old but this is definitely the weakest entry in his body of work. (Just play Cat Stevens' Father & Son instead).....
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