The Story of Film: An Odyssey: Season 1, Episode 1

Birth of the Cinema (3 Sep. 2011)

TV Episode  -   -  Documentary | History
7.9
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Ratings: 7.9/10 from 112 users  
Reviews: 3 user | 2 critic

The Story of Film looks at the birth of cinema. It examines the period 1895-1918 where early film pioneers created the first moving pictures. It also look at the period 1903-1918 and the ... See full summary »

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Title: Birth of the Cinema (03 Sep 2011)

Birth of the Cinema (03 Sep 2011) on IMDb 7.9/10

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Cast

Episode cast overview:
Mark Cousins ...
Himself - Narrator (voice)
Jean-Michel Frodon ...
Himself - Film Historian
...
Herself - Niece of Cecil B. DeMille (archive footage)
...
Herself - Film Historian
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The Story of Film looks at the birth of cinema. It examines the period 1895-1918 where early film pioneers created the first moving pictures. It also look at the period 1903-1918 and the early years of silent film. It examines the development of film techniques including special effects, tracking shots, close ups, wide-screen editing, continuity cutting, parallel editing, reverse angle, and back-lighting. Written by Shatterdaymorn

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3 September 2011 (UK)  »

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Goofs

When Life of an American Fireman is mentioned, the narrator says that the actress was known some years later has Florence Lawrence, but the actress of this short film was actually Vivian Vaughan. See more »

Quotes

Himself - Presenter: Much of what we assume about the movies is off the mark. It's time to redraw the map of movie history that we have in our heads. It's factually inaccurate, and racist by omission.
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Connections

Features A Trip to the Moon (1902) See more »

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Birth of the Cinema
23 May 2013 | by (United States) – See all my reviews

This long, long film (broken down into bite-size parts) starts exactly where you think it would: at the birth of the cinema.

We get a few detours -- clips from "Saving Private Ryan" and why Hollywood is not classic, but Japanese film is. We also learn that ideas, not money, is what drives movies -- and we learn the connection between Carol Reed and Martin Scorsese (bubbles).

But what makes this section really great is how it examines the innovations that now seem so simple -- the close-up, the cuts, the "phantom ride"... how we can show two people in conversation without them even having to be in the same room through the power of editing. This seems so obvious now, but someone had to figure it out over a century ago...


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