| Photos (See all 93 | slideshow) | Videos (see all 4) |
| Marion Cotillard | ... | Stéphanie | |
| Matthias Schoenaerts | ... | Alain van Versch | |
| Armand Verdure | ... | Sam | |
| Céline Sallette | ... | Louise | |
| Corinne Masiero | ... | Anna | |
| Bouli Lanners | ... | Martial | |
| Jean-Michel Correia | ... | Richard | |
| Mourad Frarema | ... | Foued | |
| Yannick Choirat | ... | Simon | |
| Fred Menut | ... | Le patron d'ELP Sécurité | |
| Duncan Versteegh | ... | Soigneur d'orques | |
| Katia Chaperon | ... | Soigneuse d'orques | |
| Catherine Fa | ... | Soigneuse d'orques | |
| Andès Lopez Jabois | ... | Soigneur d'orques | |
| Océane Cartia | ... | La baby-sitter | |
| Françoise Michaud | ... | La mère de Stéphanie | |
| Irina Coito | ... | La prof d'aérobic | |
| David Billaud | ... | Le maître-chien | |
| Fabien L'Allain | ... | Le prothésiste | |
| Fabien Baïardi | ... | Le dragueur dans la boîte | |
| Laetitia Malbranque | ... | La femme du supermarché | |
| Soulyane Rajraji | ... | Le délégué syndical du supermarché | |
| Pascal Rozand | ... | Le concessionnaire | |
| Hedi Touihri | ... | Le chef sécurité du supermarché | |
| Nathalie Millar | ... | La collègue d'Anna | |
| Anne-Marie Tomat | ... | L'infirmière de l'hôpital près du lac |
Directed by | |||
| Jacques Audiard | |||
Writing credits(in alphabetical order) | ||
| Jacques Audiard | screenplay | |
| Thomas Bidegain | screenplay | |
| Craig Davidson | story | |
Produced by | |||
| Jacques Audiard | .... | producer | |
| Martine Cassinelli | .... | producer | |
| Pascal Caucheteux | .... | producer | |
| Antonin Dedet | .... | line producer | |
| Alix Raynaud | .... | co-producer | |
| Grégoire Sorlat | .... | producer (uncredited) | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Stéphane Fontaine | |||
Film Editing by | |||
| Juliette Welfling | |||
Casting by | |||
| Richard Rousseau | |||
Production Design by | |||
| Michel Barthélémy | |||
Art Direction by | |||
| Yann Megard | |||
Set Decoration by | |||
| Boris Piot | |||
Costume Design by | |||
| Virginie Montel | |||
Makeup Department | |||
| Frédérique Ney | .... | key makeup artist | |
| Alice Robert | .... | makeup artist | |
| Myriam Roger | .... | key hair stylist | |
Production Management | |||
| Emmanuel Comte | .... | assistant unit manager | |
| Capucine Grelardon | .... | assistant unit manager | |
| Philippe Groff | .... | unit production manager: Belgium | |
| Ilana Schouver | .... | assistant unit manager | |
| Augustin Werkoff | .... | unit manager | |
| Sébastien Zsidaí | .... | trainee location manager | |
Art Department | |||
| Jean-Luc Fouvet | .... | carpenter | |
| Matthieu Genin | .... | set dresser | |
| Benoit Godde | .... | graphic designer | |
| Manuel Mougin | .... | property master | |
| Michel Rollant | .... | buyer | |
| François Willenz | .... | digital artist | |
Sound Department | |||
| Niels Barletta | .... | sound mastering engineer | |
| Marc Doisne | .... | adr recordist | |
| Dominique Eyraud | .... | boom operator | |
| Sabrina Felgueiras | .... | assistant sound editor | |
| Philippe Fontaine | .... | sound assistant | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Nikolas Javelle | .... | sound effects editor | |
| Florent Lavallée | .... | adr foley recordist | |
| Léo Lepage | .... | foley recording assistant | |
| Michel Monier | .... | sound consultant: dolby | |
| Johann Nallet | .... | associate sound re-recording mixer | |
| Johann Nallet | .... | foley mixer | |
| Johann Nallet | .... | sound re-recording mixer assistant | |
| Avril Noviant | .... | boom operator (segment) | |
| Florian Penot | .... | assistant foley artist | |
| Philippe Penot | .... | foley artist | |
| Caroline Reynaud | .... | dialogue editor | |
| Brigitte Taillandier | .... | sound | |
| Pascal Villard | .... | supervising sound editor | |
| David Vranken | .... | sound effects editor | |
Special Effects by | |||
| Christophe Ballu | .... | special effects assistant | |
| Cyril Hipaux | .... | special effects makeup | |
| Olivier Marais | .... | special effects | |
| Julien Poncet de la Grave | .... | special effects supervisor | |
| Erwan Simon | .... | special effects makeup | |
Visual Effects by | |||
| Barthelemy Beaux | .... | digital compositor | |
| Jean-Bastien Bellot | .... | digital compositor | |
| Olivier Blanchet | .... | senior digital compositor | |
| Nicolas Borens | .... | digital compositor | |
| Lucie Bories | .... | digital compositor | |
| Gaëlle Bossis | .... | digital compositor | |
| Loïc Caer | .... | digital compositor | |
| Marie Castrie | .... | vfx production manager | |
| Damien Climent | .... | visual effects artist | |
| Christophe Dehaene | .... | digital compositor | |
| Sophie Denize | .... | visual effects producer | |
| Cédric Fayolle | .... | visual effects supervisor | |
| Anthony Fristot | .... | effects technical director | |
| Philippe Frère | .... | lead digital compositor | |
| Damien Hurgon | .... | senior digital compositor | |
| Haillot Julien | .... | lighting/shading | |
| Marie Maulet | .... | digital compositor | |
| Julien Meesters | .... | head of visual effects studio | |
| Guillaume Pondard | .... | visual effects | |
| Sebastien Rame | .... | digital compositor | |
| Nicolas Rey | .... | on set computer graphics supervisor | |
| Laureline Silan | .... | digital compositor | |
| Thibert Stephane | .... | CG supervisor | |
| Lorenzo Veracini | .... | matchmove artist | |
Stunts | |||
| Eddy Benguedih | .... | stunt performer | |
| Serge Crozon-Cazin | .... | stunt performer | |
| Jean-Jacques Domingues | .... | stunt driver | |
| Mathieu Dubois | .... | stunt performer | |
| Yves Girard | .... | assistant stunt coordinator | |
| Clément Huet | .... | stunt performer | |
| Ibrahima Keita | .... | stunt performer | |
| Jean-François Lenogue | .... | stunt performer | |
| Gregory Loffredo | .... | stunt performer | |
| Alex Martin | .... | stunt performer | |
| Laurent Mulot | .... | stunt driver | |
| Ilya Nikitenko | .... | stunt performer | |
| Louis-Marie Nyee | .... | stunt performer | |
| Olivier Schneider | .... | stunt coordinator/fight choreographer | |
| Santi Sudaros | .... | sport trainer | |
| Eric Tatin | .... | stunt performer | |
| Sebastien Vandenberghe | .... | stunt performer (as Sébastien Vandenberghe) | |
| Patrick Vo | .... | assistant stunt coordinator | |
Camera and Electrical Department | |||
| Roger Arpajou | .... | still photographer | |
| Eric Blanckaert | .... | camera operator: "b" camera | |
| Chloe Blondeau | .... | second assistant camera | |
| Yann Catinaud | .... | trainee electrician | |
| Xavier Cholet | .... | gaffer | |
| Stéphane Chollet | .... | Steadicam operator | |
| Pascal Delaunay | .... | grip | |
| Jan Gagnaire | .... | grip | |
| François Gallet | .... | second assistant camera | |
| Carole Gargam | .... | assistant camera | |
| Antonin Gendre | .... | key grip | |
| Mathieu Le Bothlan | .... | first assistant camera | |
| Jonathan Ly | .... | additional grip | |
| Charlotte Marchal | .... | additional assistant camera: Belgium | |
| Sébastien Plessis | .... | electrician | |
| Giovanni Quéné | .... | grip | |
| Luc Reyrolle | .... | electrician | |
| Laurent Van Eijs | .... | electrician | |
| François Vigon | .... | underwater camera assistant | |
| Jean Volont | .... | grip | |
Casting Department | |||
| Justine Léocadie | .... | casting: children | |
| Juliette Mabille | .... | extras casting | |
| Boris Vassallo | .... | casting | |
| Boris Vassallo | .... | extras casting | |
Costume and Wardrobe Department | |||
| Elfie Carlier | .... | costumer | |
| Lucie Durand | .... | wardrobe assistant | |
| Olivia Lahougue | .... | wardrobe | |
| Isabelle Pannetier | .... | costume supervisor | |
| Paulette Ribot | .... | costumer | |
Editorial Department | |||
| Mangenot Géraldine | .... | assistant editor | |
| Isabelle Julien | .... | colorist | |
| Mathieu Reid | .... | color timer | |
Music Department | |||
| Jean-Pascal Beintus | .... | orchestrator | |
| Nicolas Charron | .... | orchestrator | |
| Thomas Dappelo | .... | music recording engineer | |
| Thomas Dappelo | .... | music scoring mixer | |
| Evgueni Galperine | .... | composer: additional music | |
| Frédéric Junqua | .... | music supervisor | |
| Sylvain Morizet | .... | orchestrator | |
| Ludovick Tartavel | .... | scoring protools engineer | |
| Ludovick Tartavel | .... | second scoring engineer | |
| Anne-Sophie Versnaeyen | .... | orchestrator | |
Other crew | |||
| Lauren Dark | .... | production: UK | |
| Philippe Groff | .... | location scout | |
| Stephane Martel | .... | set production assistant | |
| Eimhear McMahon | .... | production: UK | |
| Rafaele Ravinet-Virbel | .... | location scout | |
| Caroline Ruelle | .... | location scout | |
| Santi Sudaros | .... | coach | |
| Nathalie Vierny | .... | script supervisor | |
| Kaspar Vogler | .... | script supervisor assistant | |
Thanks | |||
| Bruce Springsteen | .... | thanks | |
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| Headwinds | Don't Look Back | Another Woman's Life | Bloody Eyes | Point de fuite |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I haven't seen a film from this director before, so in that respect I had no expectations. But I do love Cotillard, and since her break-out year n 2007 with La Vie En Rose she's one of the ones I look forward to the most. I have liked her in mostly all of the American films I have seen her in, but her heavy accent is always what kinda holds her back a little. I think because English seems to come so difficult to her, it seems like her just talking calls attention to itself. So in that regard I was definitely interested in seeing her in a 2nd foreign-language film. I haven't seen many of the Oscar contenders, but she gives what is easily the best performance of the year so far. Here she pretty much lives her character, and there is not one false note in her entire performance. This is key because in the past, although she always has this fierce magnetism, she also is sometimes inconsistent in her recent American films. This reaffirms what I had thought of, that Cotilard just fits better in her native tongue. She can be melodramatic when she needs to play a melodramatic character (La Vie En Rose) and here she gives an acting performance that's the polar opposite. Her many nuances make this is a fairly low-key performance, but I'll be surprised if there's anything bad to be said about her here, and that's a testament to how well she just fits in it.
As for the film itself, it was actually very good. It's a film that I can already see myself reflecting on in the future. My only real complaint would be that the ending was perhaps a little bit too neat.