Bob, a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.
In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
This movie is about the Vineyard family and their trip to the New Jersey Pine Barrens. There is a legend that the Jersey Devil lives in these woods. It came about after a woman known as Mother Leeds had 13 children, but she offered up the 13th child to the Devil so she and her other children didn't have to leave their house as they were going to be forced out by the town folk because she was having too many kids in the area back in the 1700s. So it's now the present, and the Vineyard family are going to camp there so the father ('Stephen Moyer' ) can release his father's ashes. But while there they hear that someone has gone missing, and Richard (Moyer) thinks it's the work of the Jersey Devil. So they move their camp site to get away from the rest of the campers only to find that they're in more trouble than they were before. But is the legend of the Jersey Devil real, or is it just another story? Written by
Michael Hallows Eve
Feeling I had seen most everything in the trailer, I was hesitant to actually watch the movie at all. But something 'nagged' at me to do so. I was genuinely surprised to be greeted with a VERY decent and almost original production of truly genuine quality. I won't comment on relatively bad movies, or even above-mediocre ones, or ALMOST good ones that had great potential. What 'hit' me at the end of it was a sense of TRUE collaboration between all involved in the creative process. A sense that everyone listened to everyone else about ideas, directional shots, dialog, and cinematic variances. There was a feeling of a rare 'chemistry' that is very rarely found in movies. Even leaving the best and clearest shot of the beast for last was a new take on an old principal.
The acting was well above par. Delivery of lines and timing was genuinely excellent. The editing and cinematic direction was almost poetry in motion for someone non-skilled in those arts, but simply, rather as a viewer who has seen thousands of films. The ONLY problem I had was with a playing radio and a long-dead dog.
All films have their flaws. But I learned from a wise friend long ago, to never go looking for them. Look for the subtle innovation, the how and why it makes you feel what you do, and simply enjoy what it was that made it "stand out" from everything else.
Good crafting and well delivered on most every level.
Thanks for a great yarn!
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