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Last Will and Embezzlement (2012)

Not Rated | | Documentary | 13 April 2012 (USA)
"Last Will and Embezzlement" is a feature-length documentary which examines the financial exploitation of the elderly. Its creation was inspired by the recent, true-life events in the ... See full summary »
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Cast

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Himself
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Herself
Kathy Black ...
Herself
Linda Cramer ...
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Richard E. Goble ...
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Kathleen J. Houseweart ...
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The Honourable Kim R. Hubbard ...
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Ira Wiesner ...
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Sandy Jolley ...
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Julie Keegan ...
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Ernie Rinard ...
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Lisa Henderson Rinard ...
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Rest of cast listed alphabetically:
Clifford Berman ...
Barbara Bostic ...
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Storyline

"Last Will and Embezzlement" is a feature-length documentary which examines the financial exploitation of the elderly. Its creation was inspired by the recent, true-life events in the family of Executive Producer and Starjack Entertainment partner, Pamela S. K. Glasner, and although the film does touch upon the events in Ms. Glasner's family, its focus is much more universal than that, because the problem is, without question, universal. Of all the illegal and illicit enterprises in the world, elder exploitation is among the safest and most lucrative. It is a criminal's dream. It carries the least amount of risk, requires minimal outlay, can be done right from your living room, is virtually unreported by its victims - and then, even when it IS reported, it's perpetrators are practically never prosecuted. The financial cost is staggering; the human cost is incalculable. Each and every day now, for the next 19 years, more than 11,000 Baby Boomers nationally and more than 61,000 Baby ... Written by Phoebe Wild

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Documentary

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Not Rated
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13 April 2012 (USA)  »

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$100,000 (estimated)
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The 'old woman' we see briefly, mourning at the graveside, is actually a 15 year old boy - the director's son, Ralph Robinson. See more »

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At last the prevalent and largely unreported crime of elder abuse is being bought to our attention.
14 April 2012 | by (United Kingdom) – See all my reviews

On any normal day I'd sooner boil my head than watch a documentary – with that in mind, it was with trepidation that I pressed 'play' on Deborah Louise Robinson's directorial debut, LAST WILL AND EMBEZZLEMENT. This film however offered something seldom seen in documentaries; real heart. The film's simple approach works well; It's factual, eye-opening, thought-provoking look at the horrendous crime of elder abuse tells it like it is, but with such a tenderness that it never feels detached or cold. Elder exploitation is a global problem that is about to become a lot worse – this film gets the facts out there, plain and simple. The viewer doesn't have to fight through a fog of cinematography to find them either. Effective in its simplicity, LAST WILL AND EMBEZZLEMENT left me with no questions unanswered – Job done! Last Will and Embezzlement, with the help of some wonderful experts in the field, explores fully the different techniques used to exploit money and property from the elderly. The signs that we can all look out for, and the reason that this ghastly crime is about to become a world-wide epidemic. Last Will's producer, Pamela Glasner suffered at the hands of a complete stranger, who managed with seemingly little effort to waltz into the nursing home where her Dad, who suffered with Alzheimer's was residing, hand him Power of Attorney and walk away with full control of his money. She knows only too well, the at times unbearable pain this crime leaves in its wake. And how ultimately futile the pursuit of justice can be. She wanted to give the victims a voice – and Last Will and Embezzlement was born. I know that some will find certain scenes uncomfortable to watch. To see Hollywood icon Mickey Rooney crumble on screen, as he tells his harrowing tale of being embezzled from within his own family is difficult to experience. And to observe two sisters devastated by the exploitation of their mother is not an easy watch either. The devastation caused by these crimes is not comfortable or easy but it does need to be seen. The decision to have actor Artie Pasquale narrate direct to camera was spot on. He delivers with such sentiment and heart that although previously missing my radar, I found him to be both informative and likable and I warmed to him instantly. Last Will is well made, by people who care, and it shows.


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