| Photos (See all 12 | slideshow) | Videos (see all 3) |
| Neil Young | ... | Himself |
Directed by | |||
| Jonathan Demme | |||
Produced by | |||
| Marc Bekoff | .... | executive producer | |
| Shane Bissett | .... | co-producer | |
| Jonathan Demme | .... | producer | |
| Elliot Rabinowitz | .... | producer | |
| Dara Schnapper | .... | post production producer | |
| Neil Young | .... | executive producer | |
Original Music by | |||
| Neil Young | |||
Cinematography by | |||
| Declan Quinn | |||
Film Editing by | |||
| Glenn Allen | |||
Sound Department | |||
| Rick Chefalas | .... | sound editor | |
| Paul Urmson | .... | sound re-recording mixer | |
| Lawrence Zipf | .... | sound editor | |
Camera and Electrical Department | |||
| Lindsay Jaeger | .... | additional camera operator | |
| Charles Libin | .... | additional photography | |
| Nicholas Verlaine | .... | data management technician | |
Editorial Department | |||
| Cristina Esteras-Ortiz | .... | digital intermediate producer | |
| Ben Perez | .... | digital intermediate colorist | |
Other crew | |||
| Lindsay Jaeger | .... | production associate | |
|
|
|
|
|
| Fade to Black | Koyaanisqatsi | M for Mississippi: A Road Trip through the Birthplace of the Blues | Stardust | Gone with the Wind |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Just old Neil and his thundering guitar or old Neil driving his old car...boring? Hell no. The man is a musical legend, belting out booming words of truthful humanity as if possessed, or gently reflecting on love and life with a tamer guitar sound but still that wild look in his eyes; then, the legend without a guitar goes back to being regular just-a-guy Neil, talking about growing up in rural Ontario. I enjoyed the ride. The guitar playing, the lyrics, the singing, and the man himself, the sheer beauty of the complete form of the entity known as Neil Young, is captured well in Journeys. Respect and admiration for the musician and for the person, and respect and admiration for Jonathan Demme, who lets Neil write his own script - as it should be - and who gives us the best seat in the house at Massey Hall for Neil's performance there. There are not only still many roses on Neil's vine, but that old gnarly thing is more magnificent than ever.