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(Aotn) Best known for their work in the realm of film, brothers Ethan and Joel Coen are well on their way to further making their mark in the TV realm as well! It has just been revealed that Netflix has acquired the rights to the Coen Brothers Western anthology series “The Ballad Of Buster Scruggs”. This will mark the Coen Brothers first work as writers and directors for television, although they do have executive producer credits.
The first season of the series will consist of six episodes and is said to begin streaming on Netflix sometime in 2018. Here’s what we know about the series so far:
“The Ballad of Buster Scruggs” will be divided into six different stories, each one focusing on a different viewpoint and tale of the Wild Wild West. Tim Blake Nelson (O’Brother, The Incredible Hulk) will take on the role of Buster Scruggs, the hero of the story, »
- Kristyn Clarke
In Season 3 of the acclaimed “Fargo” FX anthology series, showrunner Noah Hawley continued to play by the Coen brothers’ rules, but got more ambitious and flexible with a present-day crime drama. It’s still about good and evil, only now in cordial Minnesota, with plenty of parables, strong women and weak men. Yet the result was more satisfying in its craftiness and empathy in trying to bring order out of chaos.
And for its efforts, “Fargo” grabbed another 10 craft nominations (cinematography, which it won last year, three for editing, hairstyling, makeup, music score, sound editing, which it also won last year, and mixing). The work seemed more confident and daring, as it focused on various character pairings. It was about mistaken identities, being at the wrong place at the wrong time, and lots of suffering.
As the murders mounted, however, so did the confusion. Sleazy businessman Varga (nominated David Thewlis) prayed on feuding brothers, »
- Bill Desowitz
Apparently the TV Academy will only go so far in honoring sci-fi when it comes to the below-the-line craft nominations. While HBO’s “Westworld” and Netflix’s “Stranger Things” deservedly snagged 12 and 11 noms, respectively, FX’s “Legion” was totally shut out. That’s right: Noah Hawley’s mind-blowing Marvel superhero deconstruction didn’t get recognition for either Michael Wylie’s eye-popping production design or Dana Gonzales’s experimental cinematography. Perhaps it was too subversive for its own good.
With HBO’s “Game of Thrones” out of the running this season, the void was filled by the brilliant re-imagining of Michael Crichton’s adult theme park. Jonathan Nolan and Lisa Joy wisely took a more graphic and philosophical approach to A.I. The brutal sex and violence definitely tapped a cultural nerve.
It’s about beauty and ugliness in this collision of sci-fi and the western. Paul Cameron’s »
- Bill Desowitz
Although the Coen Brothers jump to a new genre with each new film, their approach to filmmaking and story is so distinct it’s nearly become a genre in itself. And what’s most remarkable about Noah Hawley’s limited series ‘Fargo’ on FX isn’t that it’s a clever homage to the filmmaking duo (which it is), or that the show has become its own story universe (it’s that, too).
However, its biggest achievement may be that the show’s visual presentation and cinematic style remains at such a high level of quality and consistency, despite having different directors. Even showrunner Hawley – the show’s principal writer and a creator of FX’s “Legion” – isn’t a consistent presence on set.
Read More: ‘Documentary Now!’: The Secrets to Recreating Film History the Right Way
“For ‘Fargo’ we have these visual rules that keep it in the Coen world, »
- Chris O'Falt
John Goodman and Bruce Willis have been friends since 1979, but somehow never worked together before “Once Upon a Time in Venice,” the action-comedy that hits theaters and video-on-demand on Friday, June 16. The directorial debut of writer-producer Mark Cullen, “Once Upon a Time in Venice” stars Willis as a Venice Beach P.I. who teams up with his surf shop-owner best friend (Goodman) to track down a drug dealer’s stolen cocaine. The film co-stars Jason Momoa, Famke Janssen, Thomas Middleditch and Adam Goldberg.
Read More: ‘Roseanne’ Revival in the Works As Stars and Producers Plot 8-Episode Event Series
For Goodman, who received a star on Hollywood’s Walk of Fame in March, being able to finally work with Willis on a movie was an offer he couldn’t refuse.
“They said it was a Bruce Willis movie, so I was prone to say yes before I even read the script,” Goodman said during a recent interview, »
- Graham Winfrey
Carey Mulligan has booked her next role. The Oscar-nominated actress will topline “On the Other Side,” a drama about the experiences of real-life Vietnam war correspondent Kate Webb. According to The Hollywood Reporter, Mulligan is also set to produce the film, which will begin production in spring 2018.
“On the Other Side” will see Mulligan portray Webb, “a trailblazing journalist for Upi [United Press International] who would pave the way for all the female war correspondents that came after her,” THR details. The film is based on Webb’s book “On the Other Side: 23 Days with the Vietcong,” an autobiographical account of the three weeks she was held in captivity.
Topic, a First Look Media entertainment studio, will co-produce and finance the film. Also producing are Picture Films’ Margot Hand (Reed Morano’s “Meadowland”) and Ebm Productions’ Edet Belzberg (“Children Underground”). Annie Marter and Adam Pincus are overseeing the project for Topic. No word on a writer or director yet.
“I’m so excited to bring Kate Webb’s remarkable story to the screen,” Mulligan said in a statement. “Her integrity, curiosity about the unknown, and tenacity set her apart from many other journalists of her time and ultimately saved her life. In a world of increasing division, I can’t think of a more relevant character to portray today — someone who’s very survival depended on her desire to understand the other side of the story, to obtain the truth, and to report it faithfully.”
Mulligan’s breakout project was Lone Scherfig’s “An Education,” in which she played Jenny Mellor, an intelligent but naive student embarking on an affair with an older man. The actress received an Academy Award nod and a BAFTA award for the role. Her recent credits include Sarah Gavron’s women’s rights drama “Suffragette,” “Far From the Madding Crowd,” and “Inside Llewyn Davis.”
You can catch Mulligan next in Dee Rees’ “Mudbound,” which follows two families — one black, one white — in the post-wwii South. The film premiered at Sundance earlier this year, where Netflix acquired it for $12.5 million. It is expected to hit theaters this fall. Mulligan will also star as Di Kip Glaspie in “Collateral,” a BBC miniseries helmed by S.J. Clarkson (“Jessica Jones”), currently in pre-production.
“When will [the film industry] catch up with the fact that [women-centric] films do well? It’s just like what Cate Blanchett said at the Oscars. The hunger for female-driven stories is there. You just have to make the films,” Mulligan told Women and Hollywood while promoting “Suffragette” in 2015. “This shock over how these films do so well is a bit tired now. Jennifer Lawrence can open movies like any male star.”
Carey Mulligan to Topline and Produce Film About Vietnam War Reporter Kate Webb was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Rachel Montpelier
Vietnam War-era film set to begin production in spring 2018.
Topic, the content studio owned by First Look Media, announced on Thursday that it will co-produce and finance On The Other Side.
Based on the book On The Other Side: 23 Days With The Vietcong, On The Other Side centres on Kate Webb, the female war correspondent who was held in captivity during the Vietnam War. The journalist survived fierce battles and 23 days of captivity in the jungles of Cambodia.
It’s no accident that today’s television renaissance has coincided with a golden age of TV cinematography. The moody, nuanced imagery that now appears on small screens supports cinematic themes, top-notch acting and innovative directing, and audiences have responded.
“When I first shot HD for TV back around 2002, I realized that a monitor on the set showing precisely what you’re recording made it possible to safely go a lot darker,” he says. “On film, only the most experienced DPs could really work on the edge of underexposure. A slightly uncalibrated lens combined with a variation in the film stock and a weak chemical bath in the lab could spell disaster. Now, with digital and a decent Dit [digital imaging technician] or monitoring system, it’s really what you see is what »
- David Heuring
Five years ago this weekend Tim Burton’s updating of Dark Shadows, the gothic/horror-themed soap opera which ran from 1966 to 1971 on ABC and was a seminal influence on a generation of budding horror fans (including Burton), was released on American movie screens, one weekend after Marvel’s The Avengers was still dictating the imaginations (and the wallets) of moviegoers everywhere. Given Burton’s track record with horror comedies (Beetlejuice being the primary example) and collaborations with Johnny Depp (Alice in Wonderland, Charlie and the Chocolate Factory, Edward Scissorhands), a surprisingly low number of ticket-buyers seemed ultimately to care—the movie, which cost $150 million to make, and undoubtedly a hefty chunk of change more than that to market, would earn back only slightly more than half of that in the United States, though its final take globally came in at around $235 million. There were a few takers among critics, notably »
- Dennis Cozzalio
Dee Rees: GoldDerby/YouTube
Dee Rees’ next project will be a horror film exploring domestic life, race, sexuality, and small town America. Originally reported by the New York Times, the Tracking Board and Shadow and Act have confirmed that Rees is collaborating with “Get Out” producer Jason Blum on a horror movie about a black lesbian couple living in a rural town.
According to the Times, the “Pariah” and “Bessie” director informally pitched Blum the idea, which is inspired by her own life. Rees told Blum about her move to a small town: “You’ve got me and my wife, two black lesbians, and when we first moved in, we fought every day over all these little things: ‘Why is this over there? Did you move that?’”
“Maybe it was a ghost,” she observed. “Or maybe it was some other force — like us not wanting to be there or fitting in.”
Blum was intrigued by the pitch and followed up with her. Rees said that she is ready to “make the best possible version of what I want to make.”
“Visibility is great because it shows other African American women they can be whatever they chose to be. But for me, the story comes first. If I’m visible fine, but I really want the story to come first,” Rees told us, referring to opportunities for black women directors. “I stand on a lot of shoulders: Euzhan Palcy, Kasi Lemmons, and Julie Dash. It was great to be pursuing my dreams and hopefully I’ll build a body of work and I will be among them one day.”
Rees’ latest film, “Mudbound,” earned rave reviews when it premiered at Sundance earlier this year. Set in post–World War II South, the drama centers on two families facing racism and poverty. “Mudbound,” which Rees co-wrote with Virgil Williams, sold to Netflix for $12.5 million — the biggest deal of Sundance 2017. It stars Carey Mulligan (“Suffragette”), Jason Clarke (“Zero Dark Thirty”), Jason Mitchell (“Straight Outta Compton”), Mary J. Blige (“The Wiz Live!”), Rob Morgan (“Stranger Things”), Garrett Hedlund (“Inside Llewyn Davis”), and Jonathan Banks (“Better Call Saul”).
“Mudbound” doesn’t have a release date yet, but is expected to debut sometime this year. Most recently, Rees has helmed two episodes of “When We Rise,” an ABC miniseries chronicling the gay rights movement in the U.S.
Dee Rees Working on a Horror Film About a Lesbian Couple in a Small Town was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Rachel Montpelier
Editor’s Note: Click here for more information about the indie films available from Movies on Demand.
If you love indie cinema, then Adam Driver has probably become one of your favorite actors over the last several years. Performances in “Inside Llewyn Davis,” “While We’re Young,” “Tracks,” “Hungry Hearts” and “Midnight Special” have given Driver the chance to show off a dynamic range, but it wasn’t until Jim Jarmusch’s “Paterson” last year where Driver confirmed what most of us knew was inevitable: This dude is a major movie star.
In Jarmusch’s intimate masterpiece, Driver holds the entire picture together with his sensitive and soul-searching work as a New Jersey bus driver and aspiring poet going through the motions of everyday life. Nothing too dramatic happens from a plot perspective, but the way Driver manages to explore his character’s inner life makes “Paterson” feel so true to life and so profound. »
- Zack Sharf
Oscar Isaac is a dad!
The filmmaker’s project Bobbi Jene won multiple awards, including best documentary feature, at the 2017 Tribeca Film Festival — and the new mom expressed her appreciation in the clip posted shortly thereafter.
“If I could, I would be dancing, I’d be jumping up and down, probably all week long,” Lind says in the video, cradling her little one.
Want all the latest pregnancy and birth announcements, plus celebrity mom blogs? »
- Jen Juneau
Nobody picks movies like Daniel Day-Lewis. The three-time Oscar winner has never acted in a film earning a negative aggregate score on Metacritic, giving him an average individual score of 73, higher than any other actor today. Day-Lewis’s highest rated films on the site are “There Will Be Blood” (92) and “Lincoln” (86). Second on the list of highest average scores is Michael Fassbender, at 69, and John C. Reilly, at 66.
How are these scores calculated? A recent study by Vox analyzed Metacritic data to rate actors based on the reviews of their films. (Metacritic scores films from 0-100, with higher scores indicating better overall reviews. To earn a “generally favorable” rating, films must have an average score of 61 or greater, while “universal acclaim” requires a score of 81 or higher).
Vox noted that the method it used for its study is far from a perfect science, »
- Graham Winfrey
There are two movies fighting for control of Terry George's attempt at a "topical" historical epic. The first, a scalding dramatization of the Ottoman Empire's 1915 genocidal annihilation of its Armenian citizens, is everything you expect from the heartfelt committed director behind films like Hotel Rwanda and Some Mother's Son. The second – the one that reduces the promise of The Promise to an old-fashioned, overblown Hollywood melodrama – is the fictional love triangle that trivializes a profound subject and drowns it in a tide of hokey sentiment.
Credit the producers, including »
It seems like every year there’s a reason to revisit Oscar Isaac and the work that he’s done so far. This year, he may actually get that elusive first Academy Award nomination if things break the right way, but regardless of that, he remains an incredibly exciting actor. Oscar wise (no pun intended), he seems likeliest to contend with George Clooney’s directorial outing Suburbicon, though he also will be seen in a few days in what previously was seen as an awards player in The Promise. Throw in Star Wars: The Last Jedi and he’s an in demand actor, to say the least. As such, another repeat tribute to the man is certainly in order. Isaac deserves it, that’s for sure. This is how I would rank his ten best performances so far: 10. Robin Hood 9. The Two Faces of January 8. In Secret 7. Mojave 6. Star Wars »
- Joey Magidson
Let us go then, you and I, to Paterson, New Jersey: birthplace of Allen Ginsberg, and longtime home of modernist poet William Carlos Williams. It’s a city known for its poetry. For this review we turn our attention to one poet in particular, a man who himself is called Paterson, played by the ever-impressive Adam Driver.
Over the past five years Driver has become a quiet but un-ignorable presence in entertainment, both in film and on television. From his role as the illusive and wild Adam Sackler in the Lena Durham-created Girls (2011), to his role as Kylo Ren in Star Wars: The Force Awakens (2015) and as Father Garupe in Silence (2016), as well as a range of smaller roles, including bit-parts in films like Lincoln (2012) and Inside Llewyn Davis (2013) the Juilliard trained actor has made quite a name for himself. It seems ironically appropriate then that the young actor, »
- Ian Bailey
We didn’t see much of him on screens last year, but Oscar Isaac has been quite busy. This year, we’ll see him in the next Star Wars film, along with the George Clooney-directed Suburbicon, as well as alongside Christian Bale in The Promise next month, not to mention next year in Alex Garland’s Annihilation next year. He’s now found his next role, according to Deadline.
The Inside Llewyn Davis star is set to lead the WWII drama Operation Finale, which will be directed by Chris Weitz (About a Boy, The Twilight Saga: New Moon). Described as a drama akin to Argo and Munich, it will follow his character as an Israeli spy named Peter Malkin, who hunts down the Nazi general Adolf Eichmann, as scripted by Matthew Orton. Production is expected to begin this fall in Argentina, so we could see it by next year. »
- Mike Mazzanti
The private couple were spotted Monday out and about in New York City, with Lind’s blossoming baby belly peeking through her maxi dress.
They also appeared together at the 2016 Golden Globes, where the actor, 38, took home the award for best actor in a limited series or TV movie for his work in Show Me a Hero.
Want all the latest pregnancy and birth announcements, plus celebrity mom blogs? »
- Jen Juneau
Carey Mulligan is teaming up with another woman director. Two months after her latest film, Dee Rees’ “Mudbound,” premiered at Sundance comes word that the Oscar nominee will star in “Collateral,” a BBC miniseries helmed by S.J. Clarkson. Deadline broke the news.
“Mudbound,” Rees’ follow-up to her Emmy-nominated TV Movie “Bessie,” earned rave reviews at Sundance and scored the the biggest deal at the fest. Netflix shelled out $12.5 million for the drama, set in the post-wwii South. The film centers on two families “pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad,” Deadline previously summarized. Along with Mulligan, the cast includes Jason Clarke (“Zero Dark Thirty”), Jason Mitchell (“Straight Outta Compton”), Mary J. Blige (“The Wiz Live!”), Rob Morgan (“Stranger Things”), Garrett Hedlund (“Inside Llewyn Davis”), and Jonathan Banks (“Better Call Saul”).
Mulligan received an Oscar nomination in 2010 for her role in “An Education,” a coming-of-age story about a precocious teen directed by Lone Scherfig. She most recently appeared in Sarah Gavron’s “Suffragette,” a period drama that depicts British women’s fight for voting rights.
“When will [the film industry] catch up with the fact that [women-centric] films do well? It’s just like what Cate Blanchett said at the Oscars. The hunger for female-driven stories is there. You just have to make the films,” Mulligan told Women and Hollywood while promoting “Suffragette.” “This shock over how these films do so well is a bit tired now. Jennifer Lawrence can open movies like any male star.”
Carey Mulligan to Star in BBC Miniseries Directed by S.J. Clarkson was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Laura Berger
Another season, another batch of Amazon pilots – it's the gift that keeps on giving. In the spirit of a true democracy (feel free to add your own cynical popular-vote joke here), the streaming service will offer up a number of first episodes for maybe-possibly future shows. The audience gets to decide what series should get full orders. You may get the next Transparent; you may get a burning pile of trash. Regardless, it's the viewer who gives these would-be TV classics the thumbs up, thumbs down, or sideways-thumbs-across-the-throat gesture. You »
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