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Megan's approaching 30 with a good degree and a boyfriend in hand, but when he proposes at her friend's wedding and everyone seems to think that the best way to advance in her career is to take a seminar where you find out what animal you are, Megan's understandably feeling lost. After meeting teenagers who want her to buy them beer, Megan is drawn into 16-year-old Annika's simpler life. She ends up moving in with Annika and her single father, juggling the life of a teen and that of an adult, two romantic interests, and the feeling of lagging behind. Written by
The check note on the wine box is picked up by Sam Rockwell and he re-enters the house. In the next shot the note is attached to the wine box. See more »
What does she expect?
That you serve some lemonade, and you ask her five to ten questions about her life.
Treat somebody badly enough you just assume they'll be happy to let you go.
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It's Never Too Late
Written by Benjamin Gibbard
(Where I'm Calling From Music / BMI)
Produced, recorded and mixed by Beau Sorenson at Hall of Justice, Seattle, WA.
Performed by Benjamin Gibbard
Upright bass by Morgan Henderson See more »
At its core, Laggies is a coming of age drama that depicts real life dilemmas and weighty matters in a convincingly unmanufactured way. Megan Birch (Keira Knightley) is a woman in her late 20s who suddenly has an epiphany that catalyzes a string of events that help her contextualize her life journey. Megan's sobering realization she may be headed down the road to conformity like her absent-minded "friends" terrifies her, so she embarks on a fun, offbeat vacation from adulthood.
In the process, the audience is exposed to a range of sentiments that vary wildly from bubbly humor to downright melancholic. Keira envelops Megan in a sophisticated and compelling enough a manner that enables the film to carry on without any fear of emotional deficiencies. Her character's flaws only served to humanize her and give her acerbic charm. To me, Keira was the absolute standout in the film. Keira's emotions, facial, and body language in many of the scenes have so much unrehearsed honesty that it is truly moving to behold. I don't think she could have done a better job if she tried. I do think the supporting roles could have been afforded more character development, especially in the case with Sam Rockwell. But anyone unaffected by ANY of the performances in the film will be doing themselves injustice because Laggies demands a a fair amount of vulnerability on the audience's behalf for any of the themes to have internal relevance.
I did have grave issues with the conflict-resolution, namely the finale that seemed unnecessarily idealized in an otherwise grounded screenplay . Although I feel that the peculiarity of the conclusion was a bit heavy handed for my taste, its awkwardness is forgiven due to the execution of everything else. Laggies commends those who are unapologetic about their life decisions so long as they inspire happiness.
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