In the throes of a quarter-life crisis, Megan panics when her boyfriend proposes, then, taking an opportunity to escape for a week, hides out in the home of her new friend, 16-year-old Annika, who lives with her world-weary single dad.
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
Life changes in an instant for young Mia Hall after a car accident puts her in a coma. During an out-of-body experience, she must decide whether to wake up and live a life far different than she had imagined. The choice is hers if she can go on.
Wallace, who is burned out from a string of failed relationships, forms an instant bond with Chantry, who lives with her longtime boyfriend. Together, they puzzle out what it means if your best friend is also the love of your life.
A tragedy presents Laurel with the chance to reinvent herself as her idolized twin sister, Audrey. As she eases into the life she has always wanted, she must decide between continuing the lie or revealing herself as the perfect fraud.
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted to. While he's resisting temptation, his wife encounters her past love.
Megan's approaching 30 with a good degree and a boyfriend in hand, but when he proposes at her friend's wedding and everyone seems to think that the best way to advance in her career is to take a seminar where you find out what animal you are, Megan's understandably feeling lost. After meeting teenagers who want her to buy them beer, Megan is drawn into 16-year-old Annika's simpler life. She ends up moving in with Annika and her single father, juggling the life of a teen and that of an adult, two romantic interests, and the feeling of lagging behind. Written by
Annika has a pet turtle named Lynn. According to Lynn Shelton on her director's commentary, this was in the original script and not a reference to her. The turtle's real name is Shelly, which also happens to be similar to the director's last name. It was originally a dog before being changed to a turtle for budgetary reasons. See more »
The check note on the wine box is picked up by Sam Rockwell and he re-enters the house. In the next shot the note is attached to the wine box. See more »
So, did you her the one about the grown woman who fell in love with the really pissed off lawyer?
Is it funny?
It's really funny.
[steps in side]
Close the door.
See more »
At its core, Laggies is a coming of age drama that depicts real life dilemmas and weighty matters in a convincingly unmanufactured way. Megan Birch (Keira Knightley) is a woman in her late 20s who suddenly has an epiphany that catalyzes a string of events that help her contextualize her life journey. Megan's sobering realization she may be headed down the road to conformity like her absent-minded "friends" terrifies her, so she embarks on a fun, offbeat vacation from adulthood.
In the process, the audience is exposed to a range of sentiments that vary wildly from bubbly humor to downright melancholic. Keira envelops Megan in a sophisticated and compelling enough a manner that enables the film to carry on without any fear of emotional deficiencies. Her character's flaws only served to humanize her and give her acerbic charm. To me, Keira was the absolute standout in the film. Keira's emotions, facial, and body language in many of the scenes have so much unrehearsed honesty that it is truly moving to behold. I don't think she could have done a better job if she tried. I do think the supporting roles could have been afforded more character development, especially in the case with Sam Rockwell. But anyone unaffected by ANY of the performances in the film will be doing themselves injustice because Laggies demands a a fair amount of vulnerability on the audience's behalf for any of the themes to have internal relevance.
I did have grave issues with the conflict-resolution, namely the finale that seemed unnecessarily idealized in an otherwise grounded screenplay . Although I feel that the peculiarity of the conclusion was a bit heavy handed for my taste, its awkwardness is forgiven due to the execution of everything else. Laggies commends those who are unapologetic about their life decisions so long as they inspire happiness.
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