| Cast overview, first billed only: | |||
| Abigail Breslin | ... | ||
| Georgie Henley | ... | ||
| Mira Sorvino | ... |
Linda /
Perfect Mom
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| James Russo | ... | ||
| Rusty Schwimmer | ... | ||
| Zoë Belkin | ... | ||
| Jeffrey Ballard | ... |
Justin
(as Jeff C. Ballard)
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| Jonathan Malen | ... | ||
| Stephan James | ... | ||
| Zak Santiago | ... | ||
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Caleb Pederson | ... |
Bobby
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Braden Pederson | ... |
Bobby
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| Sarah Constible | ... | ||
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Ed Sutton | ... |
Prosecutor
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Robert Huculak | ... | |
On January 18, 2003, police, alerted by a frantic 911 call from a distraught pair of teenage girls, arrived at the girls Toronto area town house to find their mother dead. It appeared the 44-year-old alcoholic, having slipped into a booze-and-pill stupor, drowned in her own bathwater. The death was ruled accidental by the authorities. In the months that followed, however, police were alerted to rumours and reports that the teenagers had been gossiping to friends about the accident. Police began piecing together rumours that suggested the teens might have had a hand in their mother's death. In fact, rather than an accident, the story that emerged portrayed the two teens as cold-blooded, premeditated killers. Written by Anonymous
The true-life premise of Perfect Sisters is certainly intriguing, and the young leads performed admirably, but altogether it felt to me like this movie was a bit melodramatic and episodic in nature; I probably would have really been affected by it had I seen it at age 14, but as an adult I found myself actually rolling my eyes at some of the developments.
It's likely been compared to the far superior 'Heav0nly Creatures' many times, so I won't dwell - I'll just say that the subtleties of that film contrast with the tunnel-vision juvenile point of view that was apparently written into the script of Perfect Sisters. Everything seemed over simplified; characters (except for the two protagonists) were given the one-dimensional treatment, and there was very little in the way of suspense or development. It doesn't help that Mira Sorvino's talent is sorely wasted on a character so devoid of complexity as to be a walking stereotype. While I sense that the director and writer were trying to convey the story through the eyes of the two sisters, it seems the audience is denied the full truth about their mother. One thing that was fun to see was the witticisms of the sisters and how their fantasy life was portrayed on screen; I just wish their had been more of that and a lot less whining and breast-beating.
Having listed all those negatives, I'll conclude that it's still a movie worth viewing for the simple fact that it did actually happen - and for its demonstration of the stupidity that causes violent criminals to get themselves caught sometimes.