| Cast overview, first billed only: | |||
| Romain Duris | ... | ||
| Audrey Tautou | ... | ||
| Gad Elmaleh | ... | ||
| Omar Sy | ... | ||
| Aïssa Maïga | ... | ||
| Charlotte Le Bon | ... | ||
| Sacha Bourdo | ... |
La souris
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| Vincent Rottiers | ... |
Le religieux
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| Philippe Torreton | ... | ||
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Laurent Lafitte | ... |
Le directeur de société
(as Laurent Lafitte de la comédie française)
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| Alain Chabat | ... |
Gouffé
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| Zinedine Soualem | ... |
Le directeur de l'usine d'armement
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| Natacha Régnier | ... |
La marchande de remèdes
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Marina Rozenman | ... |
La duchesse de Bovouard
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Mathieu Paulus | ... |
Le Chuiche
(as Matthieu Paulus)
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Set in a charmingly surreal Paris, wealthy bachelor Colin spends his time developing his pianocktail (a cocktail-making piano) and devouring otherworldly dishes prepared by his trusty chef Nicolas. When Colin learns that his best friend Chick, a fellow acolyte of the philosopher Jean-Sol Partre, has a new American girlfriend, our lonely hero attends a friend's party in hopes of falling in love himself. He soon meets Chloe and, before they know it, they're dancing to Duke Ellington and plunging headfirst into a romance. Their whirlwind courtship is tested when an unusual illness plagues Chloe; a flower begins to grow in her lungs. To save her, Colin discovers the only cure is to surround Chloe with a never-ending supply of fresh flowers. Written by Production
I went in to the theater without checking out the reviews beforehand, completely open-minded. I was drawn in by the word "surrealist" in the description, and curious to see whether the movie was going to compare with the early day movies like the 1902 A Trip to the Moon. This was when the totally new possibilities of film were being enthusiastically embraced, and for those long-gone creators the sky was the limit. I wasn't disappointed. It is fabulous how the director has created the most absurd situations and effects, giving the viewer the feeling of bouncing from one surrealist painting into another. It looks like a movie which must have been incredibly time-consuming to bring together, and in my mind Michel Gondry has totally succeeded. Bravo also to Marie-Charlotte Moreau, for her wonderful editing to bring about this beautiful result.