The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Based on an incredible true story of one man's fight for survival and freedom. In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty personified by a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon's chance meeting with a Canadian abolitionist will forever alter his life. Written by
On location, shooting in Louisiana took only thirty-five days with one camera, which prompted amazed laughter from an audience of Directors Guild peers, including interviewer Kathryn Bigelow, for the startlingly efficient direction of Steve McQueen. See more »
When "Platt" is explaining how to bring the logs down the river, the overseer scornfully asks him where he became an expert in engineering and "terraforming." This a word coined by science fiction author Jack Williamson in 1942, almost exactly 100 years after the scene takes place. See more »
Alright now, y'all fresh niggers. Y'all gonna be in the cuttin' gang.
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I just saw this at LFF. It is a brilliant piece of cinema. Clearly it's central theme is slavery, and the depravity human nature can so easily reach; but it has many other small moments that trigger thoughts about wider issues - the role of religion being one for example. It is violent, and in some respects awful to watch, but this is the story of Solomon Northup told truthfully. There is nothing saccharine about the way Steve McQueen presents this and that is what makes it so astonishing. You cry because what you witness is truly terrible, not because the violins are out and the director's tugging on your heart strings. All the acting is first rate, as is the score by Hans Zimmer. This really should be essential viewing for everyone old enough to understand it.
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