A titan of industry is sent to prison after she's caught insider trading. When she emerges ready to rebrand herself as America's latest sweetheart, not everyone she screwed over is so quick to forgive and forget.
Sandy Patterson (Jason Bateman) gets a nice call confirming his name and other identifying information. The next thing he knows, a spa in Florida is reminding him of his appointment and his credit cards are maxed out. With his identity stolen, Sandy leaves his wife, kids and job to literally bring the thief to justice in Colorado. Keeping tabs on the other Sandy (Melissa McCarthy) and run-ins with bounty hunters is harder than he was expecting, and ultimately the cross-country trip is going to find both Sandys learning life tips from one another. Written by
The punch that Diana uses at least twice on Sandy Patterson, and on other people in the film, is a very dangerous tactic. A punch like that in the larynx is a killing blow breaking the larynx suffocating the person. See more »
When Julian and Marisol are put into the trunk of their car at gun point, they were clearly driving a Dodge Charger, however the shot of them in the trunk was taken from a Ford Crown Victoria. This happens again when they are removed from the trunk by the police after the car chase. There is also a number '9' decal visible under the vinyl wrap on the trunk lid. This would indicate that they used one of the cop cars to film the shots. See more »
These aren't your friends. They like you because you're buying them drinks. People like you don't have friends.
See more »
After the end credits, we hear two lines of dialog from earlier in the movie. The Skiptracer Robert Patrick saying "No, Sandy's a girl's name!" And Sandy Jason Bateman replying "It's not, it's unisex!" See more »
Treat this film as if it was a car wreck with a police officer gesturing 'theres nothing to see here, just keep moving.'
Director Seth Gordon's previous feature, "Horrible Bosses" (2012), wasn't anything special as a comedy despite its potential, but it contained a few clever moments to make it worthwhile. "Identity Thief" makes a fatal mistake when Gordon attempts to incorporate a dramatic element to the story line. By going in this direction, it is no longer possible to view "Identity Thief" as a compilation of marginal fat jokes, sex gags, and slapstick humor. Instead, we are forced to absorb a "serious" aspect that is so poorly rendered it's unbearable to watch. There are bad movies, and then there's "Identity Thief."
"Identity Thief" starts out as a comedy about a nice, clean-cut guy named Sandy Patterson (Jason Bateman), who travels from the Colorado home he shares with his wife, Trish (Amanda Peet), and two daughters, to Florida. His goal: track down the woman who stole his identity, trashed his credit rating, and cost him his job. She's Diana (Melissa McCarthy), a fat, foul-mouthed dipstick who is freely spending as she adds to Sandy's debt. What transpires is a series of completely implausible situations that transforms "Identity Thief" into a mismatched buddy film. And that's when the wheel's come off completely. The film suffers from the classic complaint that the funniest moments were in the trailer, and even then it's nothing special. A strong contender for the Razzies, and for those unfamiliar, they acknowledge and award the worst movie of the year. Proceed with caution .you've been warned.
58 of 88 people found this review helpful.
Was this review helpful to you?