Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
Lou Taylor Pucci
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned ... See full summary »
A mother and daughter move to a new town and find themselves living next door to a house where a young girl murdered her parents. When the daughter befriends the surviving son, she learns the story is far from over.
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
The senior partner of an investment brokerage Jeffrey has a breakdown and kills his two associates and his wife. Then he takes his three-year old daughter Victoria and the one-year old daughter Lilly and drives his car through a winding snowing road. He has a car accident and fall off a cliff, but he brings his daughters to an abandoned and isolated cabin to kill them, but the children are saved by a creepy ghostly creature. Five years later, Jeffrey's brother Lucas finds the children that were raised without social relationship and claim that they have been raised by Mama. Lucas disputes the custody with the children's grandmother but Dr. Dreyfuss, who is studying the girls, selects Lucas to take care of the children. Lucas lives with his girlfriend Annabel, who plays in a rock'n'roll band, and Victoria and Lilly moves to their house. Soon Lucas and Annabel find that the girls were not delusional and they are not alone in the house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the introduction, when the the car is driving on the icy road, the girls are not in the back seat. See more »
There is no rational explanation that supports this theory. But it is only the ability to embrace the different reality, that makes science expand beyond the limits of what we know. However, extraordinary claims require extraordinary proofs.
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I went into this film with high expectations. I am a horror movie junkie, despite their general lack of critical acclaim. They should be entertaining, even if they don't give you nightmares. After first viewing the trailer over the summer (rolling in for The Possession), I eagerly anticipated the January release. Seeing that Guillermo del Toro's name was attached to the project made me even more giddy. I saw it opening night.
I was not disappointed. Not in the slightest. In fact, I was happier with the movie than I intended to be. Believe me, that's saying something.
Not one scared by stories themselves, but solely by moments that utilize the element of surprise, I have never jumped out of my skin more times during a single film than I did for "Mama." That pretty much makes it the scariest movie that I have ever seen. However, seeing as different things scare different people, that is most likely not the same for everyone. If you aren't a jumper, don't worry, it's still very much worth it.
The story is not your typical ghost story. It has a terrific exposition to settle you into the film's focus. The situation is solitary enough that you won't yourself experience it, but isn't so far-fetched that it's unbelievable. The characters are both likable and flawed, which gives them dimension and makes them more interesting. And the girls are adorable, but not so cute that it detracts from the terror. As you can see, the film is very much balanced. A good film needs that balance.
As far as scares go, some are quite subtle. A few you don't particularly realize are happening until something changes, and you're caught off-guard. Seeing that the premise is supernatural, the idea of an elusive antagonist is key. You can't see too much of what you're supposed to be afraid of, and for the majority of the movie, you don't. The cloud of mystery surrounding Mama herself is hauntingly beautiful, and will both demonize and delight you. By the time you finish it, you will most likely feel both happy and sad, and will not know where your emotions should be.
I highly recommend "Mama" to anyone, because it is not your stereotypical horror movie. Its distinct lack of gore, and high level of well-crafted story, makes for an exciting experience for both horror lovers, and those who don't necessarily appreciate the genre. If you get the chance to watch it, take it immediately. If you aren't given the chance to watch it, make the chance yourself.
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