Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned ... See full summary »
When a teenager and her mother move to a little town, the girl finds that an accident happened in the house at the end of the street. But things get complicated when she befriends a boy who is the only survivor in the accident.
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Olivia Taylor Dudley
The senior partner of an investment brokerage Jeffrey has a breakdown and kills his two associates and his wife. Then he takes his three-year old daughter Victoria and the one-year old daughter Lilly and drives his car through a winding snowing road. He has a car accident and fall off a cliff, but he brings his daughters to an abandoned and isolated cabin to kill them, but the children are saved by a creepy ghostly creature. Five years later, Jeffrey's brother Lucas finds the children that were raised without social relationship and claim that they have been raised by Mama. Lucas disputes the custody with the children's grandmother but Dr. Dreyfuss, who is studying the girls, selects Lucas to take care of the children. Lucas lives with his girlfriend Annabel, who plays in a rock'n'roll band, and Victoria and Lilly moves to their house. Soon Lucas and Annabel find that the girls were not delusional and they are not alone in the house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Mama's appearance was inspired by painting by Modigliani, owned by Andrés Muschietti. See more »
When Burnsie first finds the cabin and the girls, as he walks up to the cabin his shadow is visible against the door. The sun can be seen behind him, so any shadows should be cast towards the camera. The reason for the shadow is the board reflector used to provide fill light for the scene, but it can not accounted for by the depicted environment. See more »
® 2012 by Third String Tunes/EMI Music Publishing Ltd.
Edición autorizada para España a EMI Music Publishing Spain S.A.
All rights reserved. International Copyright secured.
Performed by Jack White
Courtesy of Sony Music Entertainment España, S.L.
Courtesy of XL Recordings Ltd
By arrangement with Beggars Group Media Limited See more »
Begins with a lot of promise, but ends with an unsatisfying note
¨A ghost is an emotion bent out of shape, condemned to repeat itself time and time again.¨
Another South American director has made his splash on Hollywood after the successful debut of Mama in theaters this year. Argentinean director, Andres Muschietti, made over 70 million dollars in the box office and received decent reviews for this horror/suspense film based on a short 3 minute movie he directed in 2008. That short film garnered the attention of movie executives such as Guillermo Del Toro who decided to produce and present this film. The fact that Del Toro's name was used here and that the coveted Jessica Chastain signed on to play the main character gave Muschietti the tremendous possibility of debuting on a high note. The formula worked pretty well because critics and audiences seemed to enjoy this film alike, and we could be heading to the start of a new horror franchise. I enjoyed most of the movie, and loved Jessica Chastain's performance, but the ending just ruined the entire film for me. It is kind of the same problem pretty much every ghost story film has. I feel like most of the endings in this genre are pretty unsatisfying and ruin the entire suspense the film has been building throughout the story. There is no denying that Japanese films have heavily influenced the genre with films such as The Ring, The Grudge, Dark Water, and One Missed Call which have all been remade, but the truth of the matter is the only film that really worked with critics was The Ring. They have tried to imitate its success, but I haven't been scared like I was with The Ring, which had a pretty satisfying ending compared to the rest. I do prefer this type of psychological horror more than the gory slasher films, but I find it troubling that they can't find a satisfying ending. My favorites in this genre will always be the first two I saw: Zemeckis's What Lies Beneath and The Ring. The rest have all fallen short. Mama was close to achieving that similar success in my opinion, but the ending really hurt it.
The film centers around two girls named Lilly (Isabelle Nelisse) and Victoria (Megan Charpentier) who are abandoned in a cabin in the middle of the woods after their father murdered their mother and was attacked by some presence inside the cabin. Five years later the search finally pays off and their Uncle Lucas (Nikolaj Coaster-Waldau) finds them. To everyone's surprise the two girls have managed to survive on their own, but they live like animals crawling around the floor and talking to walls. Lucas and his girlfriend, Annabel (Jessica Chastain) decide to raise the kids with the help of Dr. Dreyfuss (Daniel Kash) who continues to treat the girls in order for them to make the transition from their isolated lives to a normal and nurturing family life. Annabel soon discovers that these girls might have never been on their own and that somehow the presence that was with them in the cabin might be in their home as well. Several suspenseful and horrifying events begin to take place while the girls continue to talk to shadows in the walls and call out for Mama.
The film has several thrills and suspenseful moments with a great performance from Jessica Chastain. It was good to see her try out a different role and she proves she can do about everything. It's hard to find good performances in horror films, but this may be one of the best. The movie also has its weaknesses like pretty much all horror films do considering the protagonists always seem to make stupid decisions, but that is what makes the genre so entertaining at times. They are clichés which we have learned to accept. The two girls were also surprisingly good, they had strong performances as well. I really enjoyed everything about the movie up to the last 15 minutes which pretty much ruined everything. Psychological thrillers usually have this impact: they begin with a lot of promise but end up on the wrong note, and that is exactly how I felt about Mama along with Sinister, a similar movie I got to see a few months ago. The film is above average thanks to Jessica Chastain, and Guillermo Del Toro's influence in the production of the movie, but that is about it.
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