Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
Lou Taylor Pucci
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned ... See full summary »
A mother and daughter move to a new town and find themselves living next door to a house where a young girl murdered her parents. When the daughter befriends the surviving son, she learns the story is far from over.
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
The senior partner of an investment brokerage Jeffrey has a breakdown and kills his two associates and his wife. Then he takes his three-year old daughter Victoria and the one-year old daughter Lilly and drives his car through a winding snowing road. He has a car accident and fall off a cliff, but he brings his daughters to an abandoned and isolated cabin to kill them, but the children are saved by a creepy ghostly creature. Five years later, Jeffrey's brother Lucas finds the children that were raised without social relationship and claim that they have been raised by Mama. Lucas disputes the custody with the children's grandmother but Dr. Dreyfuss, who is studying the girls, selects Lucas to take care of the children. Lucas lives with his girlfriend Annabel, who plays in a rock'n'roll band, and Victoria and Lilly moves to their house. Soon Lucas and Annabel find that the girls were not delusional and they are not alone in the house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Annabel hears the girls playing, she goes into their room to tell them how late it is and to go to sleep - but it's light outside. There are about 3 other times when it's supposedly nighttime and the light is streaming in through the windows. See more »
There is no rational explanation that supports this theory. But it is only the ability to embrace the different reality, that makes science expand beyond the limits of what we know. However, extraordinary claims require extraordinary proofs.
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® 2012 by Third String Tunes/EMI Music Publishing Ltd.
Edición autorizada para España a EMI Music Publishing Spain S.A.
All rights reserved. International Copyright secured.
Performed by Jack White
Courtesy of Sony Music Entertainment España, S.L.
Courtesy of XL Recordings Ltd
By arrangement with Beggars Group Media Limited See more »
Horror has been one of the least appreciated film genres nowadays for relying nothing more than the excessive amount of violence and repetitive jump scares, plodding the storytelling by its completely lifeless characters who are ready to get killed. Mama is something else however it still has those horror movie clichés, like those easy loud jump scares and some ghostly pathos, but there is a fascinating concept behind the scares that leaves the audience a beautiful story than just a cheap horror shock. It also has a set of strong performances and solid production. It could have been much genuine in being scary than simply loud but Mama is still one of the great horror films we got in a while.
Unlike most modern horror films, this movie's ambition is to tell a compelling story. Obviously there is a hidden emotion beneath the concept, but before we get to that, it explores around the characters and the gloomy atmosphere. Rather than throwing a horrific death scene to show fear, it scatters some symbolic objects that indicate the presence of the titular monster. It's a fascinating trick of manifesting its mysteries and fear. What defy the odds of the genre are the characters. They are not only ought to get scared. This is a rare set of modern horror characters that possesses a genuine soul. The performances handle them terrifically. There is a lot of remarkable performance to talk about but anyway. It's not only about the scares. It finely balances the drama to the darkness of the story. Personally, it's kind of more interesting when it simply tells the story of the two kids and the Mama ghost even though it features a horror cliché of ghosts telling their past to the central character. In the end, we'll realize the film actually offers more to the picture.
The only largest misstep they had is the excessive amount of loud jump scares. Though, they can be effective at some point. They still used some other ways of scaring the audience, like mimicking the clever horror trick of "The Orphanage" and letting the character be alone exploring the creepiness going on. It could have lingered on those parts to feel the danger of the characters, but instead they immediately send off a loud jump scare because it works to everyone. The film uses some CGI which made the monsters look a bit awkward but they are decent enough. Everything looks great in general. The cinematography and the production are a total pay off. It's just beautiful to look at.
Mama turns out to be pretty good. At glance, it doesn't look like the kind of horror film we usually thought about but furthermore we get to realize it is beyond than we should expect. The clichés still exists but they are used in a better way. Putting aside those cheap scares, it's a refreshing story that is indeed worth telling. It's still far from classic but it is also far from generic and annoying like most horror films we get these days. The performances and the filmmaking give more to the experience. Mama is the kind of horror film that abandons the gruesome acts and rather shows its dark aspects in a quite endearing way.
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