2 items from 2014
The great “schnozzola” Jimmy Durante’s signature catch phrase “Everybody wants ta’ get into da’ act!’ couldn’t be more true when it comers to animated features these days. Perhaps this may be a result of the incredible all-ages success of Pixar. Or it might be the love of animation held be many aging “baby boomer” film makers who awaited Saturday mornings in front of the tube (which just ended now that no broadcast networks run weekend ‘toons) or those grand ole’ special kiddie matinees. Tim Burton may have kick-started this trend by coming off his big Batman flicks to produce The Nightmare Before Christmas and later direct The Corpse Bride and Frankenweenie. Johnny Depp and his Pirates director scored a hit with Rango. And recently Adam Sandler started a new franchise with Hotel Transylvania. New to the animation arena, but a big name in the fantasy/horror genre is »
- Jim Batts
I talk in pictures, not in words
-- "And Through the Wire" by Peter Gabriel
Welcome to Sounds Like Film, Slackerwood's new monthly feature on music in local and independent film.
Music plays an integral role in film. Whether it's a well-placed song with lyrics to enhance a mood or scene or a film score that evokes an emotional response, the audience's experience is heightened by music. Studies have demonstrated that music stimulates several areas of the brain: the auditory, limbic and motor regions as well as the less-understood orbitofrontal cortex which is thought to be key in sensory integration.
This concept relates to our movie experience in many ways, as familiar songs or scores can evoke a particular emotion or memory. In my own experience, there are many film-related compositions that can do just that -- Simple Minds "Don't You Forget About Me" in The Breakfast Club, Ennio Morricone »
- Debbie Cerda
2 items from 2014
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