Deep into a solo voyage in the Indian Ocean, an unnamed man (Redford) wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner's intuition and a strength that belies his age, the man barely survives the tempest. Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face. Written by
For Redford (at age 77) the most grueling aspect of the shoot was not the stunts, most of which he insisted on performing himself, but the dismal daily routine of being perpetually waterlogged throughout the production. See more »
During the storm, "our man" picks up a bag with the "storm jib" label and then fights against the elements to hoist this sail. However, the sail in question is not a storm jib at all. It is very large, light and white, whereas storm jibs are small, heavy and brightly colored. See more »
1700 nautical miles from the Sumatra Straits.
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According to the credits "All is Lost was shot on three 1978 Cal 39 sailboats purchased from their owners in Southern California. These three boats generously gave themselves up for art: Tahoe, Tenacious, and Orion. They took their final sails in the Pacific Ocean and performed beautifully in the film as Our Mans's boat, the Virginia Jean. Rest in peace." See more »
Redford is great and this film shows how such a simple idea with one actor can work. As a filmmaker, it was interesting to see how a dialogue-free movie can work visually with a story that reminded me of Hemingway's "The Old Man and the Sea." For me, the story was a metaphor or allegory for life and our struggles. Cinematography was good, shot on the Arri Alexa, one of the hot cameras at the moment. The lack of dialogue and having only one actor made it a meditation for me on the visual elements. I hope Redford gets Oscar nomination. I'm inspired that a veteran like Redford had confidence in Chandor to go on this experimental film journey together.
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