Deep into a solo voyage in the Indian Ocean, an unnamed man (Redford) wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner's intuition and a strength that belies his age, the man barely survives the tempest. Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face. Written by
The film's script is nearly dialogue-free and only 32 pages long. See more »
When his boat rolls over the first time in the storm after it rights itself, one can see one of the portholes is open. This would have caused a lot of water to enter the cabin, which is not visible. See more »
13th of July, 4:50 pm. I'm sorry. I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you knew this. In each of your ways. And I am sorry. All is lost here, except for soul and body, that is, what's left of them, and a half day's ration. It's inexcusable really, I know that now. How it could have taken this long to admit that I'm not sure, but it did. I fought ...
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According to the credits "All is Lost was shot on three 1978 Cal 39 sailboats purchased from their owners in Southern California. These three boats generously gave themselves up for art: Tahoe, Tenacious, and Orion. They took their final sails in the Pacific Ocean and performed beautifully in the film as Our Mans's boat, the Virginia Jean. Rest in peace." See more »
At least one of the reviewers went into a long list of the sailor's failings. He missed the point (and he forgot to mention the use of a mirror, one of the most important survival items!) It would be like criticising Hamlet for not going to psychotherapy!
The strength of this film is that it neither focuses on the perfect sailor nor does it attempt to be epic. There is a stark simplicity and realism about this. I sail and I saw it with a group of six sailing friends. We were all impressed. We saw a few goofs in the film (which we simply forgave) and many sailing mistakes in the fictionary sailor (which we simply understood) ... but that made him and the story all the more real.
I'm not sure how this film will appeal to the non-sailor, maybe too much water, but I loved it!
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