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Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s (2012)

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A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE ... See full summary »

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Title: Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s (2012)

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Claudio Fragasso ...
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A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime. Written by Anonymous

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30 March 2012 (USA)  »

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Decent documentary on a somewhat overlooked subgenre
8 November 2012 | by (Dublin, Ireland) – See all my reviews

In the 1970s, Italian genre cinema was pretty much fad oriented. Always looking to cheerfully (and decidedly shamelessly) rip off whatever genre was popular in America at the time, be they spaghetti westerns, sword & sandal epics, or hard-boiled and rather racy takes on gritty American cop films, such as The French Connection or Serpico, only of course being Italian, they put their own exploitative spin on things. These cop films were known as Polizioteschi films, or more popularly, Eurocrime.

Eurocrime! The Cop & Gangster Films That Ruled the '70s, explores the mentality behind this genre, the factors that played part, and the players themselves, with contributions from the likes of Fred The Hammer Williamson, John Saxon, Henry Silva, Franco Nero, Joe Dallesandro & Luc Merenda, as well as from the technical end, from Enzo G Castellari and Claudio Fragasso.

While not without its flaws- it could have been leaner (it clocks in at over two hours, with some of it coming across rather needless padding), and fails to get any contributions (although this is probably not the maker's fault ultimately, in fairness) from the likes of Fabio Testi, Tomas Milian and Umberto Lenzi, and unforgivably hardly even mentions Di Leo, who even I, a relative novice to the Eurocrime genre am aware of- it's still a well researched and often pretty funny documentary on a prolific for its time, but often overlooked genre of Italian exploitation, with some cool clips and an awesome '70s score throughout.

Any fan of Eurocrime flicks should definitely check this one out, as it's very probably the only documentary you'll ever see on the genre, and again while not without its flaws, is overall a decent, well made and researched effort, with lots of entertaining anecdotes.

8/10, very enjoyable doc, and recommended.


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