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Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s (2012)

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A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE ... See full summary »

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Title: Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s (2012)

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Cast

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Antonio Sabato ...
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Leonard Mann ...
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Claudio Fragasso ...
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Storyline

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime. Written by Anonymous

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30 March 2012 (USA)  »

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16:9 HD
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Did You Know?

Trivia

In 2012 when co-producer Michael A. Martinez met with Michael Forest in a Hollywood coffee shop to hand him an edit of the film, actress Barbara Bouchet (who is mentioned in much detail in the film) walked in and introduced herself, purely coincidentally. Bouchet and Forest casually knew each other as guest stars on episodes of "Star Trek" in addition to their work in Italian films. See more »

Connections

References They Call Me Trinity (1970) See more »

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User Reviews

 
Highly entertaining and informative
25 August 2012 | by (London, England) – See all my reviews

Dealing with the 70s Italian gangster film/rip-off scene, this is a fantastic two hours of interviews mixed with clips mixed with some very original animation segueways, all soundtracked by an authentic superfly soundtrack.

There is a general sense of good fun that runs throughout, even during the chapters that address misogyny and organised crime. Worth watching just for the car chases and scenes of actors genuinely doing their own stunts (the episode with John Saxon and live machine gun rounds is particularly memorable).

You don't need to be a particular fan of exploitation to enjoy this film; in fact its triumph lies in the way in which it weaves its own stories from the recollections of the chief protagonists. Highly recommended.


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