IMDb > Side by Side (2012)
Side by Side
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Side by Side (2012) More at IMDbPro »

Photos (See all 14 | slideshow) Videos (see all 5)
Side by Side -- The documentary investigates the history, process and workflow of both digital and photochemical film creation.
Side by Side -- Watch a clip from Side by Side, featuring Martin Scorsese with Keanu Reeves.
Side by Side -- The documentary investigates the history, process and workflow of both digital and photochemical film creation.
Side by Side -- Watch a clip from the documentary Side by Side, featuring Lana and Andy Wachowski with Keanu Reeves.

Overview

User Rating:
7.7/10   7,957 votes »
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Writer:
Christopher Kenneally (written by)
Contact:
View company contact information for Side by Side on IMDbPro.
Release Date:
22 December 2012 (Japan) See more »
Genre:
Tagline:
a documentary about the science, art, and impact of digital cinema
Plot:
The documentary investigates the history, process and workflow of both digital and photochemical film creation. Full summary » | Add synopsis »
User Reviews:
Digital and Analog Should be Complimentary, Not Mutually Exclusive See more (34 total) »

Cast

 

Derek Ambrosi ... Himself

Michael Ballhaus ... Himself

Andrzej Bartkowiak ... Himself

Dion Beebe ... Himself
Jill Bogdanowicz ... Herself

Danny Boyle ... Himself
Geoff Boyle ... Himself

James Cameron ... Himself
Michael Chapman ... Himself
Don Ciana ... Himself
Anne V. Coates ... Herself

Lorenzo di Bonaventura ... Himself

Anthony Dod Mantle ... Himself

Lena Dunham ... Herself
Jonathan Fawkner ... Himself

David Fincher ... Himself

Shruti Ganguly ... Herself

Greta Gerwig ... Herself

Geoffrey Gilmore ... Himself

Michael Goi ... Himself
Terry Haggar ... Himself

Charles Herzfeld ... Himself
Jim Jannard ... Himself

Gabriel Judet-Weinshel ... Himself
Caroline Kaplan ... Herself
Jason Kliot ... Himself
John Knoll ... Himself

Ellen Kuras ... Herself
Chris Lebenzon ... Himself

Barry Levinson ... Himself

Richard Linklater ... Himself

George Lucas ... Himself

David Lynch ... Himself

John Malkovich ... Himself

Darnell Martin ... Herself

John Mathieson ... Himself
Donald McAlpine ... Himself
Phil Meheux ... Himself

Reed Morano ... Herself
Walter Murch ... Himself

Dennis Muren ... Himself

Christopher Nolan ... Himself

Vince Pace ... Himself

Wally Pfister ... Himself
Michael E. Phillips ... Himself
Dick Pope ... Himself

Keanu Reeves ... Himself (Host)

Robert Rodriguez ... Himself

Tom Rothman ... Himself
Ted Schilowitz ... Himself

Joel Schumacher ... Himself

Martin Scorsese ... Himself

Sandi Sissel ... Herself

Steven Soderbergh ... Himself
Tim Stipan ... Himself

Vittorio Storaro ... Himself
Ed Stratmann ... Himself
David Stump ... Himself
David Tattersall ... Himself
Jost Vacano ... Himself
Adam Valdez ... Himself

Lars von Trier ... Himself

Andy Wachowski ... Himself

Lana Wachowski ... Herself
Timothy Webber ... Himself

Gary Winick ... Himself
Craig Wood ... Himself
Bradford Young ... Himself

Vilmos Zsigmond ... Himself

Directed by
Christopher Kenneally 
 
Writing credits
Christopher Kenneally (written by)

Produced by
Keanu Reeves .... producer
Justin Szlasa .... producer
 
Original Music by
Bill Ryan 
Brendan Ryan 
 
Cinematography by
Chris Cassidy 
 
Film Editing by
Malcolm Hearn 
Mike Long 
 
Makeup Department
Andie Michaels .... makeup artist
 
Art Department
Tomasz Opasinski .... poster design
 
Sound Department
Erik Bailey .... sound editor
Lewis Goldstein .... sound re-recording mixer
Max Greene .... sound editor
Tom Ryan .... sound editor
Alex Soto .... sound editor
Wen Hsuan Tseng .... sound editor
 
Visual Effects by
Brian Boyd .... online colorist
 
Camera and Electrical Department
Kyle Blackman .... camera operator
Travis Blackwell .... camera operator
Ivan Wood .... camera operator
 
Animation Department
Charles Floyd .... animation
Anthony Kraus .... animation
 
Editorial Department
Pete Conlin .... post production
Kamil Dobrowolski .... assistant editor
Jonathan Hoffman .... post production
Brian Reali .... on-line producer
 
Music Department
Brendan Ryan .... composer: theme music
 
Other crew
Sylvia Cahill .... clearances co-ordinator
Sheerin Khosrowshahi-Miandoab .... assistant: Mr Reeves
Sandrine Magloire-Szlasa .... production assistant
Adelyn Navarro .... production assistant
Daniel B. Polin .... story consultant
Ashish Saboo .... transcriptions
Marc H. Simon .... distribution and fair use counsel
Marc H. Simon .... legal counsel: Cowan DeBaets Abrahams & Sheppard, LLP
Innes Smolansky .... production counsel
Thomas Strauss .... production coordinator
John Szlasa .... production assistant (as John D. Szlasa)
Janette Vecchiarelli .... production assistant
Ewelina Wesolowska .... production assistant
Ivan Wood .... production assistant
Max Wuttke .... production assistant
 
Thanks
Pamela Abdy .... special thanks
Dominick Aiello .... special thanks
Elizabeth Avellan .... special thanks
Eduardo Ballerini .... special thanks
Barry Bassett .... special thanks
Affonso Beato .... special thanks
Mark Benson .... special thanks
Mike Bergeron .... special thanks
Reid Burns .... special thanks
Enrique Chediak .... special thanks
Michael Cioni .... special thanks
Costa-Gavras .... special thanks
Amitanshu Das .... special thanks
Peter Dobson .... special thanks
Bruce Dorn .... special thanks
Bruno Dumont .... special thanks
James Eggleton .... special thanks
Ben Gervais .... special thanks
Todd Gustavson .... special thanks
James Harrison .... special thanks
Charles Herzfeld .... very special thanks
Robert Hoffman .... special thanks
Márk Jászberényi .... special thanks
Áron Jászberényi .... special thanks
Milan Krsljanin .... special thanks
Edward Lachman .... special thanks
Matt Livingston .... special thanks
Geoff Mansfield .... special thanks
Christian Manz .... special thanks
Eric McLeod .... special thanks
Bill Mead .... special thanks
Douglas C. Merrifield .... special thanks
Anastas N. Michos .... special thanks
Pierre Michoud .... special thanks
Claude Miller .... special thanks
Tak Miyagishima .... in memoriam (as Takuo 'Tak' Miyagishima)
James Neihouse .... special thanks
Joe Pagano .... special thanks
Alan Parker .... special thanks
Michael Phillips .... special thanks
Demetri Portelli .... special thanks
Sarah Priestnall .... special thanks
Frank Prinzi .... special thanks
Thomas Pritchard .... special thanks
Tim Reynolds .... special thanks
Giovanni Ribisi .... special thanks
Rick Robinson .... special thanks
Jesse Rosen .... special thanks
Mike Ryan .... special thanks
William Sargent .... special thanks
Steve Schklair .... special thanks
Andrew Shipsides .... special thanks
Jean-Clement Soret .... special thanks
Oliver Stapleton .... special thanks
Tom Stern .... special thanks
Kenny Suarez .... special thanks
Kazik Suwala .... very special thanks
Peter Sykes .... special thanks
David Throup .... special thanks
Kristen Troyansky .... thanks
Stefan Ukas-Bradley .... special thanks
Andrew Weisblum .... special thanks
Michael P. Whipple .... special thanks
Martin Zeichner .... special thanks
Marek Zydowicz .... very special thanks
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
99 min | Finland:52 min (TV) (2012)
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »

Did You Know?

Goofs:
Factual errors: Identifies District 9 (2009) as being shot on the Sony F23. It was actually shot on Red One cameras.See more »
Quotes:
[first lines]
Keanu Reeves:Since the late 1880s, visual artists and storytellers have used moving images to create amazing works. Movies have inspired us, thrilled us, and captured our imaginations. Film has helped us share our experiences and dreams. Photochemical film has been the exclusive format used to capture...
See more »
Movie Connections:
Features The Abyss (1989)See more »
Soundtrack:
Moon Side by SideSee more »

FAQ

This FAQ is empty. Add the first question.
6 out of 10 people found the following review useful.
Digital and Analog Should be Complimentary, Not Mutually Exclusive, 9 February 2013
Author: bluesdoctor from A Place is Just A Place

Imo, film should always be kept available, not completely phased out, because the more tools, the more options, the better. There is no reason analog and digital technology should be mutually exclusive, instead of complementary, as in the making of Samsara.

The visually arresting Samsara was shot on 65 mm Kodak film, which was developed but not printed, due to budgetary constraints. Instead, an 8k digital copy was made from the negative, which was then used for post-production coloring, editing, soundtrack, etc. A 4k copy was made of the final cut, for digital exhibition. This combination of analog and digital technology recalls the ADD musical format, music initially recorded in analog, then digitized, in order to both preserve the advantages of analog and optimize those of digital.

There's no DP alive today, it must be said, that can replicate the great B&W work of masters like Joe MacDonald, James Wong Howe, Josef Von Sternberg or Gregg Toland. Truly, the art of B&W film is dead. Movies that resurrect B&W, like A White Ribbon, Raging Bull, The Man Who Wasn't There, The Turin Horse or The Artist, look sterile and too analytical, flat and dull. The luminescent magic of movies like The Lady from Shanghai, Shanghai Express, The Postman Always Rings Twice (1946) or Gilda is gone, never to be seen again. Thus one should worry that DPs will retreat from the creative challenge of film cinematography into the safety of technical "perfection" with digital. One has to worry that digital will limit the imagination, as it has in music.

Point of reference: There isn't one film in the world which compares to the perfection of the use of only ambient and natural light by Kubrick in Barry Lyndon (1975). Kubrick customized the already near obsolete, bulky Mitchell cameras with his own lenses in order to shoot the entire film by daylight or candlelight. There isn't one, not one, movie set in the past before the advent of electric light that looks as good or as right. And this, of course, without any computers (and with obsolete cameras).

Another point of reference: It pays to remember how much Ridley Scott accomplished with hardly, if any computers in 1982 in Blade Runner. Most of the people interviewed in this movie, e.g., Lucas, Nolan, Cameron or Soderbergh, couldn't accomplish a tenth as much with all the computers in the world -- their imaginations are simply not rich enough. In the end, celluloid is just a means to an end. It's the filmmaker who makes the movie, not the cameras.

Was the above review useful to you?
See more (34 total) »

Message Boards

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Recent Posts (updated daily)User
Strongly biased toward digital jimifloydrix
Keanu Reeves does the most boring voiceover EVER marcosnsouza
tone it down Keanu lapelpinproductions_remo
Perspective from general movie audiences mojohojo-1
DVD - 4 hours of unseen stuff Truth-Joy
The pros and cons of film The_Lost_Brother_Of_Grimm
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