Investigates the history, process and workflow of both digital and photochemical film creation. It shows what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital. Where we are now, how we got here and what the future may bring. Written by
Identifies District 9 as being shot on the Sony F23. It was actually shot on Red One cameras. See more »
Since the late 1880s, visual artists and storytellers have used moving images to create amazing works. Movies have inspired us, thrilled us, and captured our imaginations. Film has helped us share our experiences and dreams. Photochemical film has been the exclusive format used to capture, project, and store moving images for over 100 years. It is only recently that new technology has emerged that is challenging film's place as the gold standard for quality and workflow. Digital ...
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A Side By Side Comparison Of Shooting On Film & Shooting Digitally
An immensely intriguing tour of the evolution of filmmaking process in the cinematic medium over the years, Side by Side is a side by side comparison of the two formats of crafting a motion picture that's available to filmmakers today; first is shooting on photochemical film which has been in use since the dawn of cinema while the other is shooting digitally which dominates the industry at present & has made the traditional film stock an endangered format.
Directed by Christopher Kenneally, this documentary presents Keanu Reeves as the questioner discussing about the evolution, impact & innovations the film camera has made since its creation and joining him in the discussion are Hollywood's esteemed directors like Martin Scorsese, James Cameron, Richard Linklater, David Fincher, Christopher Nolan & many more plus it also asks the opinions of various cinematographers, editors, VFX supervisors & others as well.
Side by Side provides a thorough examination of the history of 35mm print while also capturing the dawn, rise & revolution of digital format in the past two decades which as of today threatens the very existence of traditional filmmaking format. We get to see strong proponents for both formats, each presenting very valid arguments when it comes to the benefits & limitations of both film stock & digital recording in things like ease of use, economy, flexibility etc.
On an overall scale, Side by Side beautifully covers the still ongoing battle of the superior format in the film industry today and my only gripe with it is that it's only 98 minutes long. Even though in my opinion digital cinema seems to be a valid choice in the long run, IMAX has given film stocks a fresh breathe of life, and if only both formats can mutually co-exist then it's a win-win situation for the industry. Extremely gripping, highly entertaining & downright informative, Side by Side is a must-watch for every cinema fan out there.
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