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A documentary on 85-year-old sushi master Jiro Ono, his business in the basement of a Tokyo office building, and his relationship with his son and eventual heir, Yoshikazu.
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
Director:
Louie Psihoyos
Stars:
Richard O'Barry,
Louie Psihoyos,
Hardy Jones
The Muppet Elmo is one of the most beloved characters among children across the globe. Meet the unlikely man behind the puppet - the heart and soul of Elmo - Kevin Clash.
Director:
Constance Marks
Stars:
Whoopi Goldberg,
Bill Barretta,
Kevin Clash
Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film moves from Middle America, to the ... See full summary »
A documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.
Director:
Lauren Greenfield
Stars:
Virginia Nebab,
David Siegel,
Jaqueline Siegel
Young filmmakers document their colleague's budding online friendship with a young woman and her family which leads to an unexpected series of discoveries.
Directors:
Henry Joost,
Ariel Schulman
Stars:
Yaniv Schulman,
Ariel Schulman,
Henry Joost
Investigates the history, process and workflow of both digital and photochemical film creation. It shows what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital. Where we are now, how we got here and what the future may bring. Written by
aolse9
Identifies District 9 as being shot on the Sony F23. It was actually shot on Red One cameras. See more »
Quotes
Martin Scorsese:
The only way you can make sure that a film or anything on the moving image is going to be around sixty or seventy years from now, interestingly enough, ironically enough, is celluloid.
See more »
This is a documentary that I really don't see your average cinema goer enjoying but I could be wrong. I am a bit of a movie buff and I found it fascinating because not only did I learn more about the medium of film but to see the opinions of big names like the Wachowski's, Lynch, Lucas etc. is interesting. I hadn't realised the impact digital was having, both good and bad, on the industry but if my job were threatened, perceived or otherwise, I wouldn't be too happy. It's great to see the films that really set the standards and also the hows and whys certain films were made, for example because digital is so cheap there are a lot more but also this is seen as diluting the industry making it awash with decidedly crap movies. I must admit that recently the amount of 'straight to video' horrors has increased but the quality has decreased, drastically so there is truth to this. Personally I like digital as a viewer and I think it will end up nearly all digital with some exceptions.
An absolute must for anyone with an interest in film and to get some insight on which way the wind is blowing in the digital debate.
Recommended 8.5/10
2 of 2 people found this review helpful.
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This is a documentary that I really don't see your average cinema goer enjoying but I could be wrong. I am a bit of a movie buff and I found it fascinating because not only did I learn more about the medium of film but to see the opinions of big names like the Wachowski's, Lynch, Lucas etc. is interesting. I hadn't realised the impact digital was having, both good and bad, on the industry but if my job were threatened, perceived or otherwise, I wouldn't be too happy. It's great to see the films that really set the standards and also the hows and whys certain films were made, for example because digital is so cheap there are a lot more but also this is seen as diluting the industry making it awash with decidedly crap movies. I must admit that recently the amount of 'straight to video' horrors has increased but the quality has decreased, drastically so there is truth to this. Personally I like digital as a viewer and I think it will end up nearly all digital with some exceptions.
An absolute must for anyone with an interest in film and to get some insight on which way the wind is blowing in the digital debate.
Recommended 8.5/10