Monsieur Lazhar
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2015 | 2014 | 2013 | 2012 | 2011

7 items from 2015

'I'm Fine With This Small Territory': Stéphane Lafleur on Tu Dors Nicole And Being A Quebecois Filmmaker

27 May 2015 2:00 PM, PDT | Twitch | See recent Twitch news »

It's a good time to be a filmmaker from Quebec these days. With the international successes of the Quebecois directors- Denis Villeneuve (Incendies, Prisoners, Sicario and tapped to direct upcoming Blade Runner sequel), Jean-Marc Vallée (C.R.A.Z.Y., Dallas Buyer's Club, Wild), Philippe Falardeau (Monsieur Lazhar, The Good Lie), Quebec is once again recognized as a great incubator for cinematic talent. I discovered director/musician Stéphane Lafleur at this year's New Directors/New Films series. His lovely film Tu dors Nicole had me searching for all his previous films. Unlike the above mentioned directors, Lafleur possesses altogether different sensibilities: his droll, absurd humor and portrayal of loneliness are often akin to that of many Scandinavian filmmakers or Urlich Seidl or even early Tsai Ming-Liang. I had a chance to...

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Film Review: 'The Good Lie'

22 April 2015 6:00 AM, PDT | CineVue | See recent CineVue news »

★★★☆☆ It's not often that an actor who is arguably the fourth lead in a film gets top billing, an unfortunate but necessary marketing tactic for The Good Lie (2014), which uses Reese Witherspoon's face prominently in all advertising despite not being the star. The English language debut of director Philippe Falardeau - Monsieur Lazhar (2011) - tells the story of four Sudanese refugees (known as the 'Lost Boys of Sudan'), forced to walk hundreds of miles to escape war in their country and find a new life in America. Foreign conflict, particularly in Africa, has always been met with patchy portrayals by Hollywood studios. All too often underdeveloped African characters simply wait for a Hollywood actor to come in and save the day.


- CineVue UK

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The Good Lie review: Reese Witherspoon drama cannot fail to move you

21 April 2015 1:49 AM, PDT | Digital Spy | See recent Digital Spy - Movie News news »

Director: Philippe Falardeau; Screenwriter: Margaret Nagle; Starring: Reese Witherspoon, Corey Stoll, Sarah Baker, Arnold Oceng, Ger Duany, Emmanuel Jal; Running time: 110 mins; Certificate: 12A

You cannot fail to be moved by this story of young Sudanese refugees - and not just to tears either. Director Philippe Falardeau (working in similar territory to his Oscar-nominated Monsieur Lazhar) deftly treads the boundaries between tragedy and comedy to depict major upheaval for three brothers who eventually look to Reese Witherspoon's brassy employment agent to settle them into the American way of life.

The changing tone is marked by bends in a very long road, first leading from a small Sudanese village to a refugee camp in Kenya. Mamere (Brixton-based actor Arnold Oceng), Jeremiah (Ger Duany) and Paul (Emmanuel Jal), along with their sister Abital (Kuoth Wiel) and the eldest, Theo (Femi Ogun), survive a massacre by soldiers in the country's second civil »

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‘Monsieur Lazhar’ is a sweet, mature story about coming together in the wake of tragedy

14 April 2015 2:00 AM, PDT | SoundOnSight | See recent SoundOnSight news »

Monsieur Lazhar

Written by Philippe Falardeau (based on play by Évelyne de la Chenelière)

Directed by Philippe Falardeau

Canada, 2011

Recent years have seen a tectonic shift in how the homegrown Canadian citizens understand, perceive, interact with newcomers whose origins lie in the Middle East and Maghreb. Blame the media, blame misunderstandings, blame racism, blame frightful activities transpiring in the countries of origin of said immigrants and that has, as recently as the fall of 2014, even hit Canadian soil. New Canadians of Arab descent are, often despite themselves, given the spotlight in the news and various other forms of media for less than enviable reasons. What is it like, therefore, being a newcomer in Canada with ties to a region of the globe that has been earning the worst of reputations since September of 2001? The 2011 Academy Award nominated film from director Philippe Falardeau, Monsieur Lazhar, takes a glance at the experience and so much more, »

- Edgar Chaput

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Berlin: Music Box Tales North America on ‘The Pilgrim’

4 February 2015 11:00 PM, PST | Variety - Film News | See recent Variety - Film News news »

Berlin – Music Box Films has acquired North American rights to “The Pilgrim-Paulo Coehlo’s Best Story,” a biopic about the best-selling writer sold by Picture Tree Intl., which is screening the title at Berlin Festival.

Written by Karolina Kotscho, and produced by Brazil’s Iona de Macedo and Kotscho and Spain’s Angelica Huete, the fiction feature debut of Daniel Augusto narrates Coelho’s spiritual journey, taking in a flirtation with death, escape from madness and making Brazilian rock and roll history.

The buy is a typical purchase for Music Box, with a strong and highly eclectic line in international buys, ranging from auteurist drama (“Monsieur Lazhar”) to gross-out comedy (“Torrente 4”), breakout international hits (“The Girl With the Dragon Tattoo”) and exquisite European arthouse, such as the Oscar-nominated “Ida.”

“The Pilgrim” will make its international premiere at March’s Miami Intl. Film Festival.


- John Hopewell

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‘Monsieur Lazhar’s’’ Philippe Falardeau, Films Distribution Re-team for ‘My Internship in Canada’

30 January 2015 4:25 AM, PST | Variety - Film News | See recent Variety - Film News news »

Madrid – Philippe Falardeau, whose Oscar-nominated “Monsieur Lazhar” proved a U.S. sleeper and sold worldwide, is re-teaming with “Lazhar’s” sales agent, Paris-based Films Distribution, for his new film, “My Internship in Canada” (“Guibord s’en va-t-en Guerre”).

Billed as a laugh-out-loud political satire, and produced by “Lazhar’s” Luc Dery and Kim McCraw for Canada’s Micro_scope, “Internship” is the third Falardeau film which Films Distribution is handling after 2008’s “It’s Not Me I Swear” and 2011’s “Monsieur Lazhar.”

The comedy tells the story of Steve Guibord (Patrick Huard, “Starbuck,” “Mommy”), an independent member of parliament in Northern Quebec whom, in an unusual twist of fate, finds himself holding the decisive vote in a national debate that will decide if Canada will go to war in the Middle-East or not.

Guibord has no staff but accepted Souverain, a Haitian student in political science, as his new intern. »

- John Hopewell

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The Geographic Setup of the Oscar’s Foreign-Language Category in the 21st Century

5 January 2015 9:06 AM, PST | Scott Feinberg | See recent Scott Feinberg news »

By Anjelica Oswald

Managing Editor 

The nine foreign-language films shortlisted by the Academy hail from three continents: South America, Europe and Africa. From South America, Argentina’s Wild Tales and Venezuela’s The Liberator made the list. From Africa, Mauritania’s Timbuktu did as well. From Europe, Estonia’s Tangerines, Georgia’s Corn Island, the Netherlands’ Accused, Poland’s Ida, Russia’s Leviathan and Sweden’s Force Majeure all made the top nine.

This year could mark the first Oscar nomination for Estonia, Georgia, Mauritania (whose film was the country’s first Oscar-submitted film) and Venezuela. Argentina, the Netherlands, Poland and Sweden have each received two Oscar nominations in the past 14 years. Of those four countries, Argentina is the only one to win an Oscar, which it did in 2010 for The Secret in Their Eyes. If Russia lands a nomination, it will be the country’s second in the 21st century. »

- Anjelica Oswald

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2015 | 2014 | 2013 | 2012 | 2011

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