In Manhattan, filmmaker Erik bonds with closeted lawyer Paul after a fling. As their relationship becomes one fueled by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries while being true to himself.
After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
Summertime. A cruising spot for men, tucked away on the shores of a lake. Franck falls in love with Michel. An attractive, potent and lethally dangerous man. Franck knows this, but wants to live out his passion anyway.
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A promising career with the police, a baby on the way -- Marc's life seems to be right on track. Then he meets fellow policeman Kay and during their regular jogs Marc experiences a ... See full summary »
It's 1997 and New York City is in a state of intense flux when documentary filmmaker Erik Rothman (Thure Lindhardt) first meets Paul Lucy (Zachary Booth), a handsome but closeted lawyer in the publishing field. What begins as a highly charged first encounter soon becomes something much more, and a relationship quickly develops. As the two men start building a home and life together, each continues to privately battle their own compulsions and addictions. A film about sex, friendship, intimacy and most of all, love, Keep the Lights On takes an honest look at the nature of relationships in our times. Written by
Honestly this movie was one of the worst gay movies I've ever seen.
The audience was fidgeting for the whole length, I saw a few people go out in the middle of the movie and not come back. I personally stayed the whole time and I couldn't believe the abyssal emptiness of it.
2 main problems:
1/ The movie is supposed to cover 8 years (from 1998 to 2006) but everyone is wearing 2012 clothes and 2012 haircuts. Not just the people on the street - all the actors too. And in 8 years, they don't change clothes or haircuts or anything not even once. The guy starts and ends with the exact same shaggy beard. I know they probably shot the movie under 2 weeks but it would be nice if they made an effort to at least pretend they didn't. I'm not saying that just to be anal about it - but because it's one of the main things that kill the movie because even with the title cards warning you we've changed years their whole story seems to last 1 month, certainly not 8 years. Difficult to get emotionally involved.
2/ The drug. I didn't know it was a drug movie, but it is. It's closer to Trainspotting than to a gay romance. And I hated the casual way it's shown, as if all gay men smoked crack and it was normal. I've been around, and I've never seen ANYBODY smoke crack, ever. Not saying it doesn't exist but to play it like it's a normal occurrence is just stupid.
Then there are many other things: A guy who's in the closet, with a girlfriend... and 1 month later he's kissing his boyfriend in the street? And of course we saw nothing that showed his evolution. The problem just disappeared. There were definite pacing problems as well (the first 25 minutes, everything is happy-in-wonderland, and you're just shifting on your seat waiting for the movie to start).
The only saving point is that the actor playing the drug addict is incredibly good looking. Apart from that, you'd tell me the movie was sponsored by the American Family Association and the FRC, I wouldn't be surprised. it just plays into every single negative stereotype about gay people (save for the child molesting, I guess they didn't have the time).
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