Directed by
| Nicole Sadighi | ||
Writing Credits (in alphabetical order)
| Nicole Sadighi | ... | (story) |
| Nicole Sadighi | ... | (writer) |
Cast (in credits order)
| Mary Apick | ... | Hajar Rostami | |
| Nicole Sadighi | ... | Neda | |
 |
Apoet Nomadali | ... | Mohammad (as Poet Ali) |
|
|
Vida Irani | ... | Hoda |
Produced by
| David Bartlett | ... | producer |
| Max Bartoli | ... | co-producer |
| Kristina Hughes | ... | associate producer |
| Jessica Mathews | ... | line producer / producer |
| Nicole Sadighi | ... | executive producer / producer |
| Brian Vermeire | ... | associate producer |
Music by
| Rino Amato | ... | (score by) |
Cinematography by
| Jamal J. Farley | ||
Editing by
| David Bartlett | ||
Makeup Department
| Lesley Ann Crook | ... | makeup artist |
Production Management
| Stewart Hollins | ... | unit production manager |
| Jessica Mathews | ... | unit production manager |
Second Unit Director or Assistant Director
| Kristian Steel | ... | assistant director (as Kristian Steeler) |
Sound Department
| David Bartlett | ... | supervising sound editor |
| Brad Bromelmeier | ... | boom operator |
| Dan Cook | ... | production sound mixer |
| Alan Freed | ... | second unit sound mixer |
| Gabriel Andy Giner | ... | boom operator (as Andy Giner) / sound mixer |
| Nick Offord | ... | re-recording mixer |
| Andy Poland | ... | boom operator |
| Chris Westlund | ... | boom operator |
Visual Effects by
| David Bartlett | ... | color correction |
| Matt Louie | ... | digital compositor |
Camera and Electrical Department
| Nate J. Anderson | ... | second unit gaffer |
| Brayton Austin | ... | best boy electric |
| David Bartlett | ... | second unit: cinematographer |
| Ben Burke | ... | gaffer |
| Dave Cobert | ... | second assistant camera |
| Brody Culbertson | ... | key grip |
| Benjamin Cumming | ... | electrician / gaffer: second unit |
| Mark Doty | ... | best boy grip |
| Jamal Farley | ... | camera operator |
| Elizabeh Hodgeman | ... | gaffer: second unit |
| Stewart Hollins | ... | electrician |
| Matt Jevne | ... | still photographer |
| Tim McCombe | ... | second second assistant camera: additional shooting crew |
| Ron McPherson | ... | additional photography / camera operator |
| John Mijares | ... | grip: second unit |
| Jose Palacol | ... | second unit assitant cameraman |
| Jeremy Ridnor | ... | electrician: second unit |
| Eric Schilling | ... | steadicam operator |
| Martin Sellers | ... | grip: second unit |
| Eric Tolzmann | ... | key grip: second unit |
| Ryan Tolzmann | ... | second unit: dolly grip |
| Chris Westlund | ... | assistant camera |
Script and Continuity Department
| Richelle Taylor | ... | script supervisor |
Additional Crew
| Mark Linthicum | ... | technical advisor |
| Connie Monroe | ... | art department supervisor |
| J.J. Moxx | ... | production assistant |
| Afshin Nariman | ... | technical advisor |
Thanks
| Mary Apick | ... | special thanks |
| Mitra Avani | ... | thanks |
| David Bartlett | ... | special thanks |
| Max Bartoli | ... | thanks |
| Mark Fisher | ... | very special thanks |
| Apoet Nomadali | ... | very special thanks (as Poet Ali) |
| Jeff Rector | ... | special thanks |
| Mike Rizzuto | ... | very special thanks |
| Mishka Sadighi | ... | very special thanks |
| John Stevenson | ... | very special thanks |
| Brian Vermeire | ... | special thanks |
| Jeff Vernon | ... | special thanks |
| Ben Whitehair | ... | very special thanks |
| Margarete Wilson | ... | thanks |
