| Andy Lau | ... | Roger | |
| Deannie Yip | ... | Ah Tao (as Deanie Ip) | |
| rest of cast listed alphabetically: | |||
| Lawrence Ah Mon | ... | Ah Chun - Roger's high school buddy | |
| Angelababy | ... | Guest at Premiere (as Angela Baby) | |
| Tyson Chak | ... | Air-conditioning Fixer | |
| Chi-san Chan | ... | Jason (as Jason Chan) | |
| Dennis Chan | ... | Vincent | |
| Wing-Chiu Chan | ... | Guest at Premiere | |
| Sui-man Chim | ... | Roger's high school buddy | |
| Raymond Chow | ... | Himself | |
| Queenie Chu | ... | Receptionist at Investment Bank | |
| Paul Chun | ... | Uncle Kin | |
| Pik Kee Hui | ... | Aunt Kam | |
| So-ying Hui | ... | Mui | |
| Sammo Hung Kam-Bo | ... | Director Hung | |
| Elena Kong | ... | Aunt Kam's daughter | |
| Suet-Fa Kong | ... | Receptionist at Elderly Home | |
| Stanley Kwan | ... | Guest at Premiere | |
| Yin San Lai | ... | Elderly home visitor (as Eva Lai) | |
| Eman Lam | ... | Carmen - Roger's assistant | |
| Enoch Lam | ... | Clergyman | |
| Ka Tung Lam | ... | Guest at Premiere | |
| Billy Lau | ... | Mobster A | |
| Wai-keung Lau | ... | Guest at Premiere | |
| Lan Law | ... | Madame Lo | |
| Sammuel Leung | ... | Mobster B | |
| Tin Leung | ... | Headmaster - Resident at Elderly Home | |
| Yun-sau Mak | ... | Hengzi | |
| Hao Ning | ... | Himself | |
| Hailu Qin | ... | Ms Choi | |
| John Sham | ... | Guest at Premiere | |
| Bing-Man Tam | ... | Bing | |
| Chapman To | ... | Dentist | |
| Hark Tsui | ... | Director Tsui | |
| Hiromi Wada | ... | Singer | |
| Fuli Wang | ... | Roger's mother | |
| Anthony Wong Chau-Sang | ... | Grasshopper - Elderly home's owner | |
| Dong Yu | ... | Filmmaker | |
| Man-sze Yu | ... | Sharon (as Wendy Yu) | |
Directed by | |||
| Ann Hui | |||
Writing credits(in alphabetical order) | ||
| Susan Chan | writer | |
| Yan-lam Lee | writer | |
Produced by | |||
| Jeffrey Chan | .... | administrative producer | |
| Pui-wah Chan | .... | producer | |
| Hong Tat Cheung | .... | associate producer | |
| Ann Hui | .... | producer | |
| Stephen Lam | .... | associate producer | |
| Andy Lau | .... | executive producer | |
| Yan-lam Lee | .... | producer | |
| Simon Li | .... | administrative producer | |
| Yue Ren | .... | administrative producer | |
| Nansun Shi | .... | associate producer | |
| Dai Song | .... | executive producer | |
| Yeung-Ping Sze | .... | line producer | |
| Dong Yu | .... | executive producer | |
| Hao Zhang | .... | line producer | |
Original Music by | |||
| Wing-fai Law | |||
Cinematography by | |||
| Nelson Yu Lik-wai | (director of photography) | ||
Film Editing by | |||
| Chi-Leung Kwong | |||
| Manda Wai | |||
Production Design by | |||
| Albert Poon | |||
Costume Design by | |||
| Boey Wong | |||
Makeup Department | |||
| Yu Lai Cheng | .... | makeup artist of Andy Law | |
| Rachel Kong | .... | hair stylist of Andy Law | |
| Yumiko Kuromiya | .... | makeup artist | |
| Brian Lau | .... | hair stylist | |
Production Management | |||
| Jomin Chan | .... | associate production manager | |
| Shing Hung Chan | .... | unit manager | |
| Liu Ya Qin | .... | production manager | |
| Tom Wong | .... | assistant production manager | |
| Jie Wu | .... | assistant production manager | |
| Sandy Yip | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Cherie Ho | .... | second assistant director | |
| Karen Lai | .... | first assistant director | |
Art Department | |||
| Chi-Nang Fong | .... | propsman | |
| Sun Lin Gang | .... | propsman | |
| Wong Kam Suen | .... | propsman | |
| Andrew Wong | .... | assistant art director | |
| Kim Kwong Wong | .... | property master | |
Sound Department | |||
| Cheng-Yi Hsu | .... | boom operator | |
| Shiang-Chu Tang | .... | sound | |
| Du-Che Tu | .... | sound | |
| Shih Chun Yao | .... | boom operator | |
Camera and Electrical Department | |||
| Hong Sung Chan | .... | associate gaffer | |
| Yiu Ming Chan | .... | second unit assistant camera | |
| Cheung Tat Chuen | .... | camera assistant | |
| Ma Pui Chuen | .... | camera assistant | |
| Ying Han Ge | .... | camera assistant | |
| Wu Wing Kiu | .... | camera assistant | |
| Billy Ko | .... | assistant camera | |
| Tsoi Kubbie | .... | camera operator: second unit | |
| Lai Shing Lam | .... | camera assistant | |
| Sharon Lee | .... | still photographer | |
| Wen Liu Si | .... | camera assistant | |
| Tze Fan Siu | .... | camera assistant | |
| Li Tian | .... | camera assistant | |
| Ho Po Wing | .... | second unit assistant cameraman | |
| Chi Ming Wong | .... | gaffer | |
| Chun Mo Wong | .... | dollyman | |
Costume and Wardrobe Department | |||
| Yoyo Chaw | .... | assistant costume designer | |
| Ping Tong | .... | wardrobe lady | |
Other crew | |||
| Steven Hui | .... | production coordinator | |
| Simon Kwon | .... | making-of | |
| Danny Lo | .... | making-of | |
| Lim Chung Man | .... | styling consultant | |
| Jannie Wai | .... | production coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| How did people in Europe/USA like this movie? | jerry4444 |
| question about opening scene at market | jonathan_lim90 |
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| The Way We Are | Night and Fog | Boat People | Song of the Exile | July Rhapsody |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Hong Kong section |
I seriously do not know why it took this movie so long to be in the cinemas. It is one of the defining works of the year and essentially a simple movie about simple and unexplored characters of Hong Kong people. Ms Ann Hui is truly at her very best once again. After winning awards for The Way We Were, Hui strikes the cord to the highest potential by casting Andy Lau and former box office queen of 80s Deanie Ip whose chemistry dates back to almost 23 years old in their last corroboration. It is truly a delight to sit through a movie like this and while this being one Hui's most accepted work to the general public; she never strays away from her principles and values. At its core, it is a film about human interactions, feelings, relationships and old age. One day, we will die and old age is a burning topic for the baby boomer's generation.
Deanie Ip puts in a career defining performance and as she puts it, acting as an old lady is not difficult at all, as she is just playing herself. The manner she manages to make the audience enjoy her character the Chinese servant of Hong Kong family for 3 generations is impressive to say the least. Life is never easy and sometimes, we just tend to forget those people who work their life within behind the scene, with heart, soul and pure dedication. These are people who gave up on having a family of their own and instead spend their whole life raising other people's families. Nowadays, the loyalty and the servant and master relationships are a lot more different. As mentioned before, Ip's characters work so well because there is an underlying chemistry between Andy Lau and her. Lau puts in an underrated performance that doesn't allow him to overshadow the main character. It is a compliment that it is because of the understated manner Lau manages to approach his character that allows Deanie Ip's the spotlight and attention.
A Simple Life has already won a lot of awards and not to mention plenty of admiration from a new league of fans young and old. Hui has been around a long time and has never strayed from the commercialism of Hong Kong cinema. To finally witness an Ann Hui film making splash at the box office is really as a good a feeling as watching a fine piece of cinema. In many ways this is a true and realistic look at simple aspects of life, characters and old age. It is this simplistic that makes Hui's films so different, enjoyable and ultimately touching. All in all, A Simple Life is a Hong Kong movie and more importantly a movie that takes us along the ride, respects those around us and allows the audience to reflect upon their own lives. Movies like these only comes along once in a generation and while this may not be Hui's best work, but in terms of balancing the needs of the Hong Kong people and her own vision, it is certainly the most accessible of her works. A fine piece of cinematic experience
Neo rates it 9/10
- www.thehkneo.com